For Susan Green, messy emotions don’t fit into the equation of her perfectly ordered life. She has a flat that is ideal for one, a job that suits her passion for logic, and an “interpersonal arrangement” that provides cultural and other more intimate benefits. But suddenly confronted with the loss of her mother and the news that she is about to become a mother herself, Susan’s greatest fear is realized. She is losing control.

Ria lived on Tara Road in Dublin with her dashing husband, Danny, and their two children. She fully believed she was happily married, right up until the day Danny told her he was leaving her to be with his young, pregnant girlfriend. By a chance phone call, Ria meets Marilyn, a woman from New England unable to come to terms with her only son's death and now separated from her husband. The two women exchange houses for the summer with extraordinary consequences, each learning that the other has a deep secret that can never be revealed.

Clayton Miller's life is a mess. His career as one of the country's best comedy script writers has stalled and his long term girlfriend has left him for his ex best friend and ex writing partner. Just when he thinks his life couldn't get any worse, he commits a spectacularly public fall from grace and with the press hounding him, his agent banishes him to the middle of nowhere until the dust has settled.

Every Friday for the last 25 years of her life, I had lunch with Charlotte and each week she told me more of her extraordinary story. To all appearances, she was a strong and dignified survivor, with old-world courtesies, a twinkling sense of humor, and a lilting Austrian syntax. Yet deep within, she'd been scarred by a profound personal trauma.

When the Templeton family from England takes up residence in a stately home in country Australia, they set the locals talking – and with good reason. From the outside, the seven Templetons seem so bohemian, peculiar even. No one is more intrigued by the family than their neighbours, single mother Nina Donovan and her young son Tom. Before long, the two families' lives become entwined in unexpected ways.

From one of the most important contemporary voices to emerge from the Middle East comes a gripping tale of love and betrayal, honesty and artifice, which asks whether it is possible to truly reinvent ourselves, to shed our old skin and start anew.

London, 1992. Late one night, Edward Crane, 76, is declared dead at a London hospital. An obituary describes him only as a 'resourceful career diplomat'. But Crane was much more than that—and the circumstances surrounding his death are far from what they seem. Fifteen years later, academic Sam Gaddis needs money. When a journalist friend asks for his help researching a possible sixth member of the notorious Trinity spy ring, Gaddis knows that she's onto a story that could turn his fortunes around. But within hours the journalist is dead, apparently from a heart attack.

On the surface, Lydia Fitzsimons has the perfect life - wife of a respected, successful judge, mother to a beloved son, mistress of a beautiful house in Dublin. That beautiful house, however, holds a secret. And when Lydia’s son, Laurence, discovers its secret, wheels are set in motion that lead to an increasingly claustrophobic and devastatingly dark climax.

Lachlan Kite is a member of BOX 88, an elite transatlantic black-ops outfit so covert that not even MI6 and the CIA are certain of its existence - but even the best spy can't anticipate every potential threat in a world where dangerous actors lurk around every corner. At the funeral of his childhood best friend, Lachlan falls into a trap that drops him into the hands of a potentially deadly interrogation, with his pregnant wife, also abducted, being held as collateral for the information he's sworn on his own life to protect.

For the past 33 years, Angela Gillespie has sent to friends and family around the world an end-of-the-year letter titled ‘Hello from the Gillespies’. It’s always been cheery and full of good news. This year, Angela surprises herself - she tells the truth....

When philanthropist Hugo Fletcher’s dead body is discovered tied to a bed in his London home, Chief Inspector Tom Douglas determines right away that he’s hunting a female killer. Though Fletcher made countless enemies through his work with Eastern European prostitutes, the crime scene reeks of sex and revenge. This murder was personal. Douglas knows Fletcher’s unhappy wife, Laura, should be his prime suspect. She’s definitely hiding something. Something big. But he isn’t convinced it’s murder. Besides, she’s not the only woman with a motive to kill the manipulative billionaire....

Isabel Spellman may have a checkered past littered with romantic mistakes, excessive drinking, and creative vandalism - but she's good at her job as a licensed P.I. with her family's firm, Spellman Investigations. Invading people's privacy comes naturally to Izzy and all the Spellmans. If only they could leave their work at the office. Izzy walks an indistinguishable line between Spellman family member and Spellman employee. But when Izzy decides to get out of the family business in search of normalcy, she ends up taking on the most important case of her life.

When the revered children's book author Mort Lear dies accidentally at his Connecticut home, he leaves his property and all its contents to his trusted assistant, Tomasina Daulair, who is moved by his generosity but dismayed by the complicated and defiant directives in his will. Tommy knew Morty for more than four decades, since meeting him in a Manhattan playground when she was 12 and he was working on sketches for the book that would make him a star.

Lifetime friends become bitter enemies when the father of one family is killed by militants - one of whom is a son from the other family. Told in short sections highlighting a rich multiplicity of characters from all walks of life, Homeland brilliantly unfolds in nonlinear fashion as it traces the moral dilemmas faced by the families of murder victim and perpetrator alike. Aramburu alludes only obliquely to the historical context while he focuses on the psychological complexity of his characters and builds nearly unbearable suspense.

Orphaned at birth, 17-year-old Korobi Roy is the scion of a distinguished Kolkata family and has enjoyed a privileged, sheltered childhood with her adoring grandparents. But she is troubled by the silence that surrounds her parents’ death and clings fiercely to her only inheritance from them: the love note she found hidden in her mother's book of poetry. Korobi dreams of one day finding a love as powerful as her parents’, and it seems her wish has come true when she meets the charming Rajat, the only son of a high-profile business family....

When the Templeton family from England takes up residence in a stately home in country Australia, they set the locals talking – and with good reason. From the outside, the seven Templetons seem so bohemian, peculiar even. No one is more intrigued by the family than their neighbours, single mother Nina Donovan and her young son Tom. Before long, the two families' lives become entwined in unexpected ways.

In London’s Pimlico neighborhood lies a tenement described in architectural guides as “a building of no interest whatsoever.” But the residents of Corduroy Mansions—including a literary agent, a wine merchant, a thoroughly unpleasant member of Parliament, and a vegetarian dog—are a rather fascinating lot.

Alec Milius is young, smart, and ambitious. He also has a talent for deception. He is working in a dead-end job when a chance encounter leads him to MI6, the elite British Secret Intelligence Service, handing him an opportunity to play center stage in a dangerous game of espionage.

In "Books and Roses", one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?", an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks", where doors can be closed only with a key - with surprising unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think", a key keeps a mystical diary locked (for good reason).

Seventeen-year-old Lorelei Patio is the adopted daughter of 200-year-old vampire Sergio Patio. She never realized why her family has had to move so often or why she is not permitted to get too friendly with other young people. In fact, except for one shocking moment that seemed more like a dream, Lorelei never fully realized who and what her father was nor what her sisters were brought up to do for him. But one day, that all changed.

The true story of two-year-old Anna, abandoned by her natural parents, left alone in a neglected orphanage. Elaine and Ian had travelled halfway round the world to adopt little Anna. She couldn't have been more wanted, loved and cherished. So why was she now in foster care and living with me? It didn't make sense.

Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.

Veteran con artist Roy spots an obvious easy mark when he meets Betty, a wealthy widow, online. In no time at all, he's moved into Betty's lovely cottage and is preparing to accompany her on a romantic trip to Europe. Betty's grandson disapproves of their blossoming relationship, but Roy is sure this scheme will be a success. He knows what he's doing. As this remarkable feat of storytelling weaves together Roy's and Betty's futures, it also unwinds their pasts.

When Edward Schuyler - a modest and bookish 62-year-old science teacher - is widowed, he finds himself ambushed by female attention. There are plenty of unattached women around, but a healthy, handsome, available man is a rare and desirable creature. Edward receives phone calls from widows seeking love, or at least lunch, while well-meaning friends try to set him up at dinner parties. The problem is that Edward doesn’t feel available. He’s still mourning his beloved wife, Bee, and prefers solitude and the familiar routine of work, gardening, and bird-watching.

Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, picnics, and mansions on the Bosphorus, infused with the melancholy of decay.

In 1994, Lizbeth Meredith said good-bye to her four- and six year-old daughters for a visit with their noncustodial father only to learn days later that they had been kidnapped and taken to their father's home country of Greece. Twenty-nine and just on the verge of making her dreams of financial independence for her and her daughters come true, Lizbeth now faced a $100,000 problem on a $10 an hour budget.

Emmie Wilcox was only six when her sister, Roxy, was thrown out of their New York City apartment. Their stern father's military style left no room for rebellion, and Roxy was continually defiant and rebellious. Emmie is obedient, respectful. Two sisters, total opposites - yet Emmie is secretly obsessed with the mystery and imposed silence surrounding Roxy. She wants excitement, and being a good girl all the time is harder than it seems. Finally, Emmie goes behind her father's back to track down and spy on the sister she can't help but be fascinated with.

For a decade, Hannah’s life has been pretty close to perfect - she has a great job, she’s married to Mark, and her child-free existence means she’s free as a bird. The only sadness in her life is a fall-out with her sister Diane, who hasn’t spoken to her in over 10 years. But now Diane is on her doorstep - and this time, she’s got her teenage daughter, Mia, in tow. When Diane asks if Mia can stay with Hannah and Mark for a few days, Hannah is glad of the chance to get to know her niece. But as the days turn into weeks and Diane doesn’t return, Hannah begins to worry....

The real nightmare starts when her daughter is returned.... A bone-chilling psychological thriller that will suit fans of Gone Girl by Gillian Flynn, Daughter by Jane Shemilt, and The Girl on the Train by Paula Hawkins. A girl is missing. Five years old, taken from outside her school. She has vanished, traceless. The police are at a loss; her parents are beyond grief. Their daughter is lost forever, perhaps dead, perhaps enslaved.

Named after the lager that christened her at birth, Stella's life is characterised instability and neglect. Her teenage mother abandons her in the first few weeks of her life, and left in the 'care' of her father, she ends up lying deserted in a house with no food, no water, no clothes and no warmth. She eventually lands in the care of foster carer Louise, who is determined to change her life for the better.