Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer’s group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student researching 1950s lesbian pulp who smells like metallic orchids, or her new neighbor, Penelope, who smells like patchouli.

Raffi works in an observational cosmology lab, searching for dark matter and trying to hide how little they understand their own research. Every chance they get, they escape to see Britt, a queer sculptor who fascinates them for reasons they also don’t—or won’t—understand. As Raffi’s carefully constructed life begins to collapse, they become increasingly fixated on the multiverse and the idea that somewhere, there might be a universe where they mean as much to Britt as she does to them…and just like that, Raffi and Britt are thirteen years old, best friends and maybe something more.

Elsa is struggling. Her formative, exhilarating relationship—with a couple—has abruptly ended, leaving her depressed and directionless in her childhood bedroom. The man and the woman were her bosses, lovers, and cultural guideposts. In the relationship’s wake, Elsa scrolls aimlessly through the internet in search of meaning.

Dakota's plan was simple: drive to Las Vegas, start her dream job at a luxury spa, and leave her old life behind. But when her ancient pickup breaks down in the middle of the Nevada desert, she's stranded, helpless, and alone. Enter Frankie, a charming cowgirl with a heart of gold and a big ranch to run. What starts as a desert rescue sparks into an unexpected connection neither of them saw coming.

It’s been raining for a long time now, so long that the land has reshaped itself and old rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father, an architect as cruel as he was revered, dies. His death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will.

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

Clove has gone to extremes to keep her past a secret. Thanks to her lies, she’s landed the life of her dreams, complete with a safe husband and two adoring children who will never know the terror that was routine in her own childhood. If her buried anxiety threatens to breach the surface, Clove (if that is really her name) focuses on finding the right supplement, the right gratitude meditation. But when she receives a letter from a women’s prison in California, her past comes screeching into the present, entangling her in a dangerous game with memory and the people she thought she had outrun.

It is an unseasonably warm Sunday in November 1957. Katheen, a college tennis champion turned Delaware housewife, decides not to join her flagrantly handsome life insurance salesman husband, Virgil, or their two young boys, at church. Instead, she takes a dip in the kidney-shaped swimming pool of their apartment complex. And then she won’t come out.

Out of Love begins at the end. A couple call it quits after nearly five years, and while holding a box of her ex-boyfriend’s belongings, the young woman wonders: How could they have spent so long together? When did they fall out of love? Were there good times before the bad? These are the questions we obsess over when a relationship ends, even when obsessing can do no good. But instead of moving forward through the emotional fallout of a break-up, Out of Love moves backward in time, weaving together an already unraveled tapestry.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

Lacey Bond is a 13-year-old girl in New Hampshire growing up in the tranquility of her hippie parents’ rural daycare center. Then the Satanic Panic hits. It’s the summer of 1990 when Lacey ’s parents are handcuffed, flung into the county jail, and faced with a torrent of jaw-dropping accusations as part of a mass hysteria sweeping the nation. When a horrific murder brings Lacey to the breaking point, she makes a ruthless choice that will haunt her for decades.

It’s March of 2019, and twenty-eight-year-old Jules Gold—anxious, artistically frustrated, and internet-obsessed—has been living alone in the apartment she once shared with the man she thought she’d marry when her younger sister Poppy comes to crash. Indefinitely. Poppy, a year and a half out from a suicide attempt only Jules knows about, searches for work and meaning in Brooklyn while Jules spends her days hate-scrolling the feeds of Mormon mommy bloggers and waiting for life to happen.

When store manager Big Will announces he is leaving, the members of Movement spot an opportunity. If they play their cards right, one of them just might land a management job, with all the stability and possibility for advancement that that implies. The members of Team Movement―including a comedy-obsessed oddball who acts half his age, a young woman clinging on to her “cool kid” status from high school, and a college football hopeful trying to find a new path―band together to set a just-so-crazy-it-might-work plot in motion.

Paulie Johansson has never put much stock in the idea of family: she has her long-term boyfriend Declan and beloved best friend Jemma, and that’s more than enough for her. Yet one night on a lark, she lets Jemma convince her to audition for Sverige och Mig, a show on Swedish television where Swedish-Americans compete to win the ultimate prize: a reunion with their Swedish relatives. Much to her shock, her drunken submission video wins her a spot on the show, and against Declan’s advice Paulie decides to go for it.

Thomas Hart and Grace Macaulay have lived all their lives in the small Essex town of Aldleigh. Though separated in age by three decades, the pair are kindred spirits—torn between their commitment to religion and their desire to explore the world beyond their small Baptist community. It is two romantic relationships that will rend their friendship, and in the wake of this rupture, Thomas develops an obsession with a vanished nineteenth-century astronomer said to haunt a nearby manor, and Grace flees Aldleigh entirely for London.

Timothy and Jonah, wealthy entrepreneurs with a spoiled son, hide sins from their past—one involving a death on a cruise, the other a crime in Bali. Nathan and Samantha, the hot ex-nanny turned trophy wife, grapple with infertility and a shocking paternity secret. Bartosz and Angelika (he’s a chef, she’s a former sex worker) carry debts to the other couples they don’t even realize they owe. Over fourteen days, the couples bond—but their pasts are too deeply intertwined to stay hidden. The sly concierge, Putu, knows more than he lets on.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

Life’s not going well for forty-year-old Abby. When her beautiful and charismatic best friend dies suddenly, she’s left reeling. Hetty’s always been such a dominant force in her life; now Abby must figure out who she is – and who she wants to be – without Hetty by her side. Abby has always been the odd one out in Hetty’s wealthy, privileged friendship group. Despite their differences, Abby has managed to carve out a place for herself. But Hetty isn’t an easy friend to have. She blows hot and cold, alternating between fierce loyalty and unwarranted cruelty.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

But Jason Asano is settling into his new life. Now, a contest draws young elites to the city of Greenstone to compete for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer. While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Although Jason seems uninvolved, he has unknowingly crossed the enemy’s path before.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Every year, Caroline Reed takes a trip with her best friend, Esme Lamont. They’re usually accompanied by their spouses - but this year, everything’s changed. Esme has just gone through a bitter divorce, and Caroline's wondering if her own marriage is reaching its breaking point as she and her husband, John, cope with the discovery that their son has been abusing drugs. Still, the inseparable duo books a weeklong stay at a beach-front home in Shoreham, Florida, inviting Esme’s brother, Nick, and his new husband. After a blissful first night in the vacation home, tragedy strikes.

In December 1926, Agatha Christie goes missing. Investigators find her empty car on the edge of a deep, gloomy pond, the only clues some tire tracks nearby and a fur coat left in the car - strange for a frigid night. Her World War I veteran husband and her daughter have no knowledge of her whereabouts, and England unleashes an unprecedented manhunt to find the up-and-coming mystery author. Eleven days later, she reappears, just as mysteriously as she disappeared, claiming amnesia and providing no explanations for her time away.

Summer in London stops for no one. Not the half-naked drunks and stoners, the bachelorette parties glugging from bejewelled bottles, the drag queens puffing on hurried cigarettes. It’s June 2019, and everyone has converged on the city’s parks, beer gardens, and street corners to revel in the collective joys of being alive. Everyone but Maggie. She’s 30, pregnant, and broke.

Seventy-seven-year-old Dorothy Darling has lived in Shelley House longer than any of the other residents, and if you take their word for it, she’s as cantankerous as they come. But Dorothy has her reasons for spying. And none of them require justifying herself to Kat Bennett. Twenty-five-year-old Kat has never known a place where she felt truly at home, and crumbling Shelley House is no different. Her neighbors find her prickly and unapproachable, but beneath her tough exterior, Kat’s plagued by a guilty secret from her past.

Though they look like any other family, they aren’t one—not quite. They are three sets of parents who find themselves intertwined after adopting four biological siblings, having committed to keeping the children as connected as possible. At the heart of the family, the adoptive mothers grapple to define themselves and their new roles. Tabitha, who adopted the twins, crowns herself planner of the group, responsible for endless playdates and holidays, determined to create a perfect happy family.

For children’s book author Imogen, an idyllic life in the English countryside seems like the perfect fit for her and her husband. But when tragedy strikes, Imogen is left widowed, and finds herself moving into Storybook Cottage alone with only her monstrously narcissistic cat for company. After discovering she is pregnant, Imogen grows determined to embrace a new start in Middlemass, with its duckpond, cricket matches and village fêtes. The only thing Imogen can’t seem to shake is her neighbor—a brooding, artisan blacksmith named Gabriel—who she can’t quite decide is friend or foe.

A girl and her mother have been on the run for sixteen years, from the monster they left in their kitchen with a knife in his throat and the police who want to make them pay for his death. Home is now a van with four flat tires in a junkyard by the edge of the Brisbane River. The girl has no name, because names are dangerous when you're on the run. But she has a dream.

Cassandra may have seen the future, but it doesn't mean she's resigned to telling the Trojans everything she knows. In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers.

As a teenager, for a moment, Ella Fitchburg found love—yearning, breathless love—that consumed both her and her boyfriend, Jude, as they wandered the streets of New York City together. But her life was unexpectedly upended when she was accused of trying to murder Jude’s father, an imperious superior court judge, and sentenced to twenty-five years in prison. When she learns she’s pregnant shortly after sentencing, she reluctantly decides to give up the child. Ella is released after serving six years. While she is desperate to turn the page on a new life, she can’t seem to let go of her past.

While filming on location in Belfast, Northern Ireland, John Doe, the universally adored host of the culinary travel show Last Call, is found dead in a hotel room in an apparent suicide. As the news of his untimely demise breaks stateside, a group of friends, fixers, hustlers, and opportunists vie to seize control of the narrative: Doe’s chess-master of an agent Nia, ready to call in every favor she is owed to preserve his legacy; down-on-her-luck journalist Katie, who fabricates a story about Doe to save her job at a failing website.

1966, NYC: Jacqueline Susann’s Valley of the Dolls hits the bookstores and she is desperate for a bestseller. It’s steamy, it’s a page-turner, but will it make the big money she needs? In London, Jackie Collins’s racy The World Is Full of Married Men launches her career. But neither author is prepared for the price they will pay for being women who dare to write about sex. Jacqueline and Jackie are lambasted by the literary establishment, deluged with hate mail, and even condemned by feminists. In public, both women shoulder the outcry with dignity; in private, they are crumbling.

Amy Foster considers herself lucky. After she left the city and went full minivan, she found her place quickly with neighbors Liz, Jess, and Melissa, together snarking the “Mom Mafia” from the outskirts of the PTA mom crowd. So, one night during their monthly wine get-together, the newfound crew concocts a plan for a clubhouse She Shed in Liz’s backyard—the perfect space for just them, no spouses or kids allowed.

The year is 2013 and the Greenspans are the envy of Brookline, Massachusetts, an idyllic (and idealistic) suburb west of Boston. Scott Greenspan is a successful physician with his own cardiology practice. His wife, Deb, is a pillar of the community who spends her free time helping resettle refugees. Their daughter, Maya, works at a distinguished New York publishing house and their son, Gideon, is preparing to follow in his father’s footsteps. They are an exceptional family from an exceptional place, living in exceptional times.

Jane Morgan is a valued member of her law firm—or was, until a prudish neighbor, binoculars poised, observes her having sex on the roof of her NYC apartment building. Police are summoned, and a punishing judge sentences her to six months of home confinement. With Jane now jobless and rootless, trapped at home, life looks bleak. Yes, her twin sister provides support and advice, but mostly of the unwelcome kind.

The Pavlin family built an empire on love. As the first jewelers to sell diamond rings exclusively for proposals, they started a tradition that has defined engagements ever since. But when an ill-fated publicity stunt pits the three Pavlin sisters against one another for a famous family jewel, their bond is broken. No ordinary diamond ring, the Electric Rose splinters the sisters, leaving one unlucky in love, one escaping to the shores of Cape Cod, and the other, ultimately, dead. Now, over a decade later, Gemma Maybrook is still reconciling the reality of her mother's death.

When Daphne arrives in Berlin, the last thing she expects is to run into more drama than she left behind. Of course, she knew she'd need to do the usual: make friends, acquire lovers, grapple with German and a whole new way of life. She even expected the long nights gorging alone on family-sized jars of Nutella, and the pitfalls of online dating in another language. The paranoia, the second-guessing of her every choice, the covert behaviors? Probably come with the territory. But one night, when Daphne is alone in her apartment, something strange, unnerving and entirely unexpected intervenes.

When Nareh Bedrossian’s non-Armenian boyfriend gets down on one knee and proposes to her in front of a room full of drunk San Francisco tech boys, she realizes it’s time to find someone who shares her idea of romance. Enter her mother: armed with plenty of mom-guilt and a spreadsheet of Armenian men, she convinces Nar to attend Explore Armenia, a month-long series of events in the city. But it’s not the mom-approved playboy doctor or the wealthy engineer who catch Nar’s eye—it’s Erebuni, a woman as immersed in the witchy arts as she is in preserving Armenian identity.