Harvey Fierstein’s legendary career has transported him from community theater in Brooklyn, to the lights of Broadway, to the absurd excesses of Hollywood and back. He’s received accolades and awards for acting in and/or writing an incredible string of hit plays, films, and TV shows.

Barbra Streisand is by any account a living legend, a woman who in a career spanning six decades has excelled in every area of entertainment. She is among the handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and has one of the greatest and most recognizable voices in the history of popular music. She has been nominated for a Grammy 46 times, and with Yentl she became the first woman to write, produce, direct, and star in a major motion picture. In My Name Is Barbra, she tells her own story about her life and extraordinary career.

As the sole production assistant for Stephen Sondheim’s Follies, Ted Chapin had a front row seat for the creation of one of the most important American musicals of all time. He kept a detailed journal of his experiences, and his rich storehouse of memories forms the core of Everything Was Possible, which itself has become a modern classic of musical theater history. Combining the zeal of an enthusiast with a journalist’s narrative chops, Chapin takes the listener on a roller-coaster ride through the creation of an original Broadway musical.

The long-awaited and wildly entertaining memoir of the star of stage and screen, the legendary Chita Rivera—three-time Tony Award-winner, Kennedy Centers honoree, and recipient of the Presidential Medal of Freedom.

“What am I, bologna?” Mary Rodgers (1931-2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened.

The legendary Patti LuPone is one of the theatre’s most beloved leading ladies. Now she lays it all bare, sharing the intimate story of her life both onstage and off - through the dizzying highs and darkest lows - with the humor and outspokenness that have become her trademarks. From inspired costars and demanding directors to her distinct perspective on how she developed and honed her Tony Award - winning performances, Patti LuPone: A Memoir is as inspirational as it is entertaining.

For decades, the specter of homosexuality haunted Washington. The mere suggestion that a person might be gay destroyed reputations, ended careers, and ruined lives. At the height of the Cold War, fear of homosexuality became intertwined with the growing threat of international communism, leading to a purge of gay men and lesbians from the federal government. In the fevered atmosphere of political Washington, the secret “too loathsome to mention” held enormous, terrifying power.

In 1974, director/producer Harold Prince released his first book, Contradictions: Notes on Twenty-Six Years in the Theatre. Although Contradictions has since attained cult status among producers, directors, and actors alike, Prince, in hindsight, believes he wasn't ready to publish such a tome at that point in his career. Although he doesn't regret that effort, he is at last prepared to conclude it. In Sense of Occasion, Prince returns to this seminal text, invigorating it with fresh insights cultivated through four decades of additional practice.

Black, formerly known as Samuel Jackson, is a crack addict caught in the violent world of the drug trade on Philadelphia's mean streets. But that doesn't mean Black is guilty of murdering city councilman Johnny Podres. And his innocence doesn't mean that he won't be tried and convicted for his crime. He and three other of his friends are going down for the killing, and Black has only one chance to turn things around.

One of Andy Cohen’s most momentous years starts off with a hangover the morning after an epic New Year’s Eve broadcast. But Andy doesn’t have time to dwell on the drama, as his role as media mogul is now matched with the responsibilities, joys, and growing pains of parenthood. This fast-paced, mile-a-minute look behind the scenes of living the so-called glamorous life in Manhattan now takes firm aim at life at home.

The true story of a theatrical dream—or nightmare—come true…the making of the Spider-Man musical.

When the Atlanta-born Paul Ford first fell in love with the American musical theater at the age of five, he never imagined that his future skills as a "piano thumper" would lead him to a career on Broadway playing rehearsals or in the "pit" for classic Stephen Sondheim musicals and numerous concerts, birthday tributes, and television spectaculars. Now retired, the candid (and admittedly opinionated) author looks back on the performances and personalities that defined the American musical theater in the waning years of the 20th century.

At 95, the legendary Mel Brooks continues to set the standard for comedy across television, film, and the stage. Now, for the first time, this EGOT (Emmy, Grammy, Oscar, Tony) winner shares his story in his own words.

Beloved stage and screen actor Danny Aiello’s big-hearted memoir reveals a man of passion, integrity, and guts - and lays bare one of the most unlikely success stories ever told. Danny Aiello admits that he backed into his acting career by mistake. That’s easy to see when you begin at the beginning: Raised by his loving and fiercely resilient mother in the tenements of Manhattan and the South Bronx, and forever haunted by the death of his infant brother, Danny struggled early on to define who he was and who he could be.

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.