
In Montmartre
Picasso, Matisse and the Birth of Modernist Art
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Narrado por:
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Emma Bering
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De:
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Sue Roe
A lively and deeply researched group biography of the figures who transformed the world of art in bohemian Paris in the first decade of the 20th century. In Montmartre is a colorful history of the birth of Modernist art as it arose from one of the most astonishing collections of artistic talent ever assembled. It begins in October 1900, as a teenage Pablo Picasso, eager for fame and fortune, first makes his way up the hillside of Paris’s famous windmill-topped district. Over the next decade, among the studios, salons, cafés, dance halls, and galleries of Montmartre, the young Spaniard joins the likes of Henri Matisse, André Derain, Maurice de Vlaminck, Georges Braque, Amedeo Modigliani, Constantin Brancusi, Gertrude Stein, and many more, in revolutionizing artistic expression.
Sue Roe has blended exceptional scholarship with graceful prose to write this remarkable group portrait of the men and women who profoundly changed the arts of painting, sculpture, dance, music, literature, and fashion. She describes the origins of movements like Fauvism, Cubism, and Futurism, and reconstructs the stories behind immortal paintings by Picasso and Matisse. Relating the colorful lives and complicated relationships of this dramatic bohemian scene, Roe illuminates the excitement of the moment when these bold experiments in artistic representation and performance began to take shape.
A thrilling account, In Montmartre captures an extraordinary group on the cusp of fame and immortality. Through their stories, Roe brings to life one of the key moments in the history of art.
©2015 Sue Roe (P)2015 Penguin AudioListeners also enjoyed...




















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"Lively and engaging...[Readers] will find a fresh sense of how all these people - the geniuses and the hangers-on, the wealthy collectors and the unworldly painters - related to each other...In [Roe’s] entertaining, ingeniously structured account Roe brings Montmatre’s hedyday back to life." (Sunday Times - London)
"With evocative imagery Roe sketches out the intensely visual spectacle on which Montmatre’s artistic community was able to draw...Roe is particularly good at communicating the extraordinary devotion of Matisse and Picasso to their work." (Financial Times)
"Engaging and insightful.... Roe assembles the complex, disparate developments of the decade into a compulsively readable, fascinating story." (Christian Science Monitor)
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Very annoying reading
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Loved the author’s French accent!
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Authoritative Lively Informative History Analysis
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The Author does a wonderful job of not only taking us into the history of the events of the period but also escorts us through in a way that allows is, with a touch of imagination, to experience it for ourselves. But then, to top that off, she really captures the essences of and takes us to excellent understandings of the minds and motivations of such big characters as Picasso, Matisse, Gertrude Stein, Fernande Olivier, Braque, and so many more. BUT WAIT, she then gets around all the misinformation and hype that exists (and there's a lot) about what motivated Matisse, Picasso, Braque and others and about what they were trying to accomplish. She brings readers to a much more accurate understanding of this uniquely transformational period in Western art history.
Very well done.
"I have created cubism!"...
... is something no one ever said!
Skillfully balanced, Entertaining, Informative
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makes history live
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If you're an art buff you will not be wasting your time and will look forward to each time you set aside to listen.
I'm thinking of moving on to another Sue Roe book, 'In Montparnasse', which I feel is a followup to this one.
IT TOOK ME BACK
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I was so glad to hear about Vlaminck and Derain! I love their work so much and there's just not that much on the Fauve movement.
My reason for the one star missing on performance, I found it difficult to remember which French name was who because of the thick accented French pronunciations of names. I also wish the French words were defined, not assumed that I knew whatever it was they were talking about. Sometimes there was so much French thrown in I just got completely lost. I think if I were reading the physical copy, this wouldn't be an issue. But hearing the foreign language thrown in here and there was distracting and made the actual story hard to follow at times. But I did follow enough to finish and enjoy it.
All in all, great read and I'm glad to have spent the credit on it. Recommended!
Maurice de Vlaminck and Andre Derain!
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Buy if you can get past her French pronounciation
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A nice overview of an era in art history
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Excellent
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