From the very beginning of its two-decade run on radio, Suspense was tops in thriller entertainment! Its first year on the air brought together stories from such outstanding masters of the genre as John Dickson Carr, Dashiell Hammett, and Edgar Allan Poe! Tune in to 20 tense classics from Radio's Outstanding Theatre of Thrills - starring Peter Lorre, Mary Astor, Susan Hayward, Richard Dix, Lou Merrill, Agnes Moorehead, Frank Readick, Alice Frost, and more.

Twenty tales of terror and suspense, brought to you by sinister storyteller Vincent Price. Horror legend Vincent Price presents an anthology of eerie, unsettling tales with a devilish twist - some purportedly based on his own adventures, others narrated by him in his own inimitable style.

Getting away with murder? Don't bet on it! Sometimes even the careful get caught. Sometimes revenge leads to regret. Sometimes we wade through dark thoughts and dark water, through evil and espionage to...suspense! Radio's outstanding theater of thrills dishes up a dose of tension-packed drama in this collection of 20 engrossing episodes, featuring performances by Bette Davis, Barbara Stanwyck, Burt Lancaster, Red Skelton, Ginger Rogers, Charles Boyer, Joseph Cotten, and more!

Horror stars, action heroes, matinee idols, leading ladies - Suspense offered them all a showcase that expanded and emphasized their distinctive talents. Peter Lorre and Edward G. Robinson were particular favorites and appear here in tortured, desperate roles and never failing to wring every bit of tension from the scripts in their hands. Popular comedians - like Bob Hope and Milton Berle - were also regularly featured. Cast hard against type, the audience was forced to view them in an entirely different light and were left gasping in their wake.

Step into radio’s legendary house of horrors. The only program on the air to combine pitch-dark horror with sardonic humor, sending forth its undead monstrosities with rotting tongue pressed firmly into cheek. The razor-voiced Raymond Edward Johnson handles his hosting duties like an oily insurance salesman with a sideline in ax murder, while playful Paul McGrath brings forth an effortlessly exaggerated sense of black comedy. Come in! You’ll never know what’s going on behind the rust-metal shriek of the infamous Creaking Door until you open it.

When great stars (like Kirk Douglas and Ava Gardner) took their talents to the radio microphones, it was always a treat. But when these accomplished actors worked under the masterful direction of William Spier, it was radio's outstanding theater of thrills. You'll hear Angela Lansbury, Donald O'Connor, Gloria Swanson, José Ferrer, and more in well-crafted tales of doubt, double cross, and death. Steady your nerves for 20 classic tension-packed thrillers from 1947!

Artifacts of crime's darkest moments and souvenirs of sinister significance can be found on display in The Black Museum. Presented here are 16 stranger-than-fiction tales of depravity and detection from 1952, hosted and narrated by the incomparable Orson Welles.

Three critically acclaimed recordings are joined together in this dazzling Agatha Christie Triple Bill, read by award-winning narrators Alison Larkin and James Warwick, star of the Partners in Crime TV series on Masterpiece Theater.

Taking its name from a popular series of mystery novels, Inner Sanctum Mystery debuted over NBC's Blue Network in January 1941. Inner Sanctum Mystery featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned and the famous "creaking door" slowly began to open. Every week, Inner Sanctum Mystery told stories of ghosts, murderers and lunatics. Produced in New York, the cast usually consisted of veteran radio actors.

A trio of terrifying radio tales starring Roger Delgado, Vincent Price and Honor Blackman. Author, playwright and TV producer Victor Pemberton was probably best known as a script editor and writer for Doctor Who, and as the inventor of the Doctor's trademark sonic screwdriver. But he also created numerous dramas for radio, among them the three cult classics included here.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.