
Instruments of Darkness
A Novel
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Narrado por:
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Wanda McCaddon
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De:
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Imogen Robertson
In the year 1780, Harriet Westerman, the willful mistress of a country manor in Sussex, finds a dead man on her grounds with a ring bearing the crest of Thornleigh Hall in his pocket. Not one to be bound by convention or to shy away from adventure, she recruits a reclusive local anatomist named Gabriel Crowther to help her find the murderer, and historical suspense's newest investigative duo is born. For years, Mrs. Westerman has sensed the menace of neighboring Thornleigh Hall, seat of the Earl of Sussex. It is the home of a once-great family that has been reduced to an ailing invalid, his whorish wife, and his alcoholic second son, a man haunted by his years spent as a redcoat in the Revolutionary War. The same day, Alexander Adams is slain by an unknown killer in his London music shop, leaving his children orphaned. His death will lead back to Sussex and to an explosive secret that has already destroyed one family and threatens many others.
Instruments of Darkness combines the brooding atmosphere of Anne Perry with the complex, compelling detail of Tess Gerritsen, moving from drawing room to dissecting room, from coffee house to country inn. Mrs. Westerman and Mr. Crowther are both razor-sharp minds, and their personalities breathe spirit into this gripping historical mystery.
©2011 Imogen Robertson (P)2011 TantorListeners also enjoyed...




















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Very confusing plot
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That said, I found the story structure odd and distracting. The book is broken into several sections, but the reason for the section breaks is unclear. The ending has an "in conclusion" section and an epilogue. The epilogue is actually a prologue and confused me. It is unnecessary. I don't recall the last time, if ever, having an author call out an "in conclusion" to end a story. Isn't the end generally the conclusion? The intermittent backstory flashbacks for a secondary character are also jarring.
I love Wanda McCaddon as a narrator but this reading is my favorite. It is hard to tell if the lack of breaks, or even breathing space, is in her reading, in the writing, or the editing. I suspect, based on the other structural issues in the story, that the author makes abrupt shifts in point of view without scene breaks.
Excellent Writing, Odd Structure
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Other author I look for are C S Harris, P B Ryan & Anna Lee Huber.
Good Book
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Would you recommend this audiobook to a friend? If so, why?
Having taught AP European History for years, i was equipped to appreciate Robertson's cleverly crafted, subtle humor-- delightful. Hadn't expected to laugh so often while listening to Robertson's colorful accounts of murders, dissections and autopsies. The plot line was well designed, and carefully sequenced. I loved how she wove the story through descriptions of actual historical events. I was impressed by her knowledge of British history, interlacing her characters's stories with several of England's significant and intriguing political/cultural occurrences and developments of the time.Did the plot keep you on the edge of your seat? How?
There were several twists and digressions in the plot that kept us listening to it after we had parked our car, and turned the key to accessory so we could come to the conclusion of a chapter after we had arrived at our destination.Have you listened to any of Wanda McCaddon’s other performances before? How does this one compare?
This was our first. Brilliant performance. We loved her intonations, accents and humor.Was there a moment in the book that particularly moved you?
Often I have been disappointed when an author wastes the power of the events drawing to a conclusion. Robertson wove every strand of the plot to deliver a fast paced conclusion to each and all of the various strands of the plot-- drawing this book to a conclusion while laying the groundwork for the sequeal.I thoroughly enjoyed it.
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Humour
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Not that good
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If you could sum up Instruments of Darkness in three words, what would they be?
unusual, engaging, good(mystery)Who was your favorite character and why?
Lady Harriett, because she seemed to be a woman ahead if her time, but in a realistic way (meaning that as one might suspect, her interest in science was not supported by everyone). however, the less believeable part was that a woman of her station in life could have formed such a tight allegience with another man while her husband was at sea without a lot more social difficulties. I liked it, but I still think that that time in history was one in which her relationship would have been viewed as scandalous, and that didn't play a very large role in this book. Some, but much less than I think would have actually been the case at that time.Would you listen to another book narrated by Wanda McCaddon?
Yes, but not for this series. her voice (to me) sounded perfect for the role of someone older. Apologies to her, it only reflects my own "ear" for listening expectations. not her skill!Any additional comments?
As an American, I found the historical perspective of being part of the British military during the Revolutionary War quite interesting.Unexpectedly good
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I would hope, since this is the first of a series, that the subsequent books get better. The author writes well. This story is interesting, to a point. There are twists that make it suspenseful enough to hold one's attention (I found the manner in which the "yellow man" is dispatched to be quite creative). The characters are fairly well developed and the author does an admirable job of giving just enough information about her characters' backstories to leave listeners wanting to know more. This is a good way to set-up a series.
I would not say it was a waste of time, but neither was it so good that I couldn't put it down. I would urge others to listen for themselves and then share their thoughts with the rest of us. I'd like to hear more opinions about this author/book/narrator.
Not The Best, But Not Too Bad...
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What fun
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Good not great
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