Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Sara made one promise to herself when she was growing up in foster care: that if she was lucky enough to have a family, she’d always do whatever it took to protect them. Looking around her home with its cozy kitchen and living room, where her energetic teenage daughters and gorgeous 4-year-old son all eat, play and live together, she knows she’d do anything to keep them safe. So when Sara’s husband Matt loses his job and every shred of his confidence with it, she knows it’s up to her to bring the family back from the brink.

When Becca’s first love shows up on her social media feed, she can’t help but smile fondly. Once upon a time Connor was the love of her life, and though it was over 10 years ago, he’s always held a place in her heart. Then he sends her a message. He sounds happy - still kind and funny, still living across the world in Australia. But he wants to know everything about her life now. How can Becca tell him the truth? About her workaholic husband, her stressful job, and the challenges of caring for her elderly father and her three-year-old daughter, Mia?

He was there for her first steps. He helped with her homework. And then, two days before her ninth birthday, Martha’s father walked out. She never knew what went wrong, but she and her mother, Fran, never saw or heard from him again. Fifteen years later, Martha and Fran live in a remote, pretty cottage in Cornwall. Fran paints illustrations for children’s books, while Martha trains as an animal nurse at the local vet’s surgery. But then Martha sees a strange message on her mother’s phone - from her father. Desperate for answers, she tracks him down.

When Mel arrives at the holiday cottage in the Lake District, she expects to find the heating on and her husband Luke and the two children waiting for her. Maybe a bottle of wine open… Instead, there is just a note on the side, saying they’ve gone out for a walk. But they aren’t back several hours later, and Mel knows something is wrong. Really wrong. When a search doesn’t find them, she has to confess to the police that her marriage isn’t all that it seems.

The phone rings. What Eva doesn’t realize is that the call will signal the end of what she knows to be true. The end of trusting her family. And the end of everything keeping her safe. The phone call is from a hospital hundreds of miles away. A woman has been admitted with a serious head injury, saying she’s Eva’s older sister. A sister Eva never knew she had. Whose name - Nancy - has never once been mentioned by her parents. It seems impossible. Could the two people who brought Eva up have lied to her for her whole life?