Mr. Keen, Tracer of Lost Persons was one of the best loved of all radio shows, and often one of the most listened to programs on the airwaves. The public loved the caring, fatherly sleuth who could resolve any problem and knew just how to handle any situation. Bennett Kilpack and Philip Clarke star as "The Kindly Old Tracer," in 20 digitally remastered tales of the missing and the murdered. James Kelly co-stars as Mike Clancy, the Irish former cop who not only assists the sleuth, but considers himself the old gentleman's bodyguard.

She's like Sherlock Holmes with a sassy 1930s attitude! She's Hilary Caine, staff investigator for a British tabloid who knows her way around London…and around every murder case that comes her way!

Hard nosed, hard drinking, but never hard boiled - here's the crusading cameraman of the Morning Express hot on the trail of 16 rip-roaring cases: It's Casey, Crime Photographer! Staats Cotsworth stars as Casey, with Jan Miner as Ann Williams, Bernard Lenrow as Captain Logan, and John Gibson as Blue Note bartender Ethelbert - who doles out the drinks while jazz great Herman Chittison plays the piano.

The world-weary private investigator Harry Nile is one step ahead of the mob, but one step behind the bill collectors. That's why he takes pretty much any case he can catch—from robbery to kidnapping to murder. Phil Harper stars as Harry in twenty-one mood-filled mysteries, aided and assisted by Pat French as Murphy, his secretary extraordinaire. This is classic radio noir for a new generation, created and produced by Jim French.

Simon Templar, played here by Vincent Price (with Barry Sullivan substituting in two episodes), was wealthy and refined. He was well dressed, well traveled, and well educated. He was also The Saint, the "Robin Hood of modern crime," who was not afraid to break the law if that's what had to be done to ensure that justice was served. Larry Dobkin co-stars as Louie the Cabbie in these digitally restored and remastered tales that find Templar sailing, skiing, and delving in to the disparate worlds of mining, baseball, prizefighting, mystery writing, and more. The Saint sets all manner of matters straight, all the while maintaining excellent form.

Detective series Let George Do It came to radio in 1946. It starred Bob Bailey as ex-G.I. and detective-for-hire George Valentine. Clients came to Valentine's office after reading a newspaper carrying his classified ad: Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine.

"Who knows what evil lurks in the hearts of men? The Shadow knows!" A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds". Along with his team of operatives, the Shadow battled adversaries with chilling names like The Black Master, Kings of Crime, The Five Chameleons, and, of course, The Red Menace.

Candy Matson was a response to all the hard-boiled detectives on the radio, like Philip Marlowe, Sam Spade, and Pat Novak, and all those other detectives who were beaten up on a regular basis. Candy, played by Natalie Park, was hard-boiled in her own way. She never compromised her femininity, but she did know how to use a gun and didn't hesitate to use it when it was necessary. She didn't take any guff from the guys - the good guys or the bad guys. With a snappy comeback, she could take anybody's head off.

This anthology of post-World War II crime radio drama presents fictionalized crime, dramatizations of actual crimes, and programs that presented on-the-spot recordings of real police investigations. Radio Spirits is proud to present 20 adventures from 15 of the best (and most unusual) programs broadcast in the last dozen or so years of commercial network dramatic radio. Series include Gang Busters, The Line Up, Broadway's My Beat, Man from Homicide, Night Watch, and more!

Sharp-suited sharpies, slick-talking slicksters, high-rolling gamblers, and habitués of the racetrack - they're all here, and it's all in fun! Straight from the imagination of the legendary Broadway raconteur Damon Runyon, here is another rollicking collection of stories about bets and debts, lovers and losers, con men and wise guys.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.