Amy Nicols (Lizzy Caplan) was an FBI agent with a dogged need to protect everyone—until that instinct caused her to mishandle a crisis, lose innocent lives, and lose her job. Now a civilian working in private security, that mistake still haunts her. One morning on the commuter train, she overhears a young couple plotting a murder. Ignoring warnings from her family and friends, Amy’s instinct to protect and serve compels her to investigate. But the further she goes, the more she finds her own life in danger.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Photographer Isla Wilson is thrilled she's landed her dream job, but the clients who hired her are getting stranger by the day. It sounded so perfect—a month's assignment at the lush Scottish Highlands property of architect Alban McGregor, and his wife, Jessica. But in the woods, there's a playhouse with a chilling history. Two years ago, the McGregors' daughter Elodie was abducted and then died in that playhouse. The townspeople insist her abductor had to be a stranger in their town. Alban refuses to knock the playhouse down, even keeping a picture of it on his wall.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

London, 1941: Miss Jane Treen is at her desk, strong black coffee in hand and fluffy ginger cat by her side, when her top-secret government work is interrupted by an urgent call to Devon. A woman has been found dead in a lake in a place where she shouldn’t have been. Jane needs to gather the clues and find the killer before someone else from the agency gets hurt… Shy and handsome code-breaker Arthur Cilento is bewildered by the arrival of the efficient Miss Treen and her cat Marmaduke.

Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York - for her first London season.

March 1833. Kiera and her husband, Sebastian Gage, have decided to settle in Edinburgh for the winter with their infant daughter. This also allows Kiera to enjoy long hours painting in her studio, making progress on the portraits she soon hopes to unveil in her own exhibit. She's thrilled when she receives an invitation to the auction of the late Lord Eldin's coveted art collection, and she and Gage eagerly accept. When the floor collapses beneath the gathering, killing one of their fellow bidders, Kiera and Gage are lucky to escape with their lives.

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

Amelia Amesbury—widow, mother, and countess—has a secret. Amelia writes for a London penny paper, doling out advice on fashion, relationships, and manners under the pen name Lady Agony. But when a lady’s maid writes Amelia to ask for advice when she believes her mistress has been murdered—and then ends up a victim herself—Amelia is determined to solve the case.

1927: Accompanying Mr. Redvers on an assignment to Ootycamund to quell revolutionary rumblings, Jane finds there’s more than meets the eye to India’s Queen of Hill Stations. Ooty’s lush tea plantations and tranquil gardens barely conceal its secrets--scandalous affairs, political sabotage, and a mounting anti-colonial movement. Even Redvers intends to subvert his official mission in Ooty, by arranging a series of clandestine meetings with local resistance leaders. But it’s not until the shocking death of a British national that Jane and Redvers are truly drawn into Ooty’s deepest shadows.

August 1816. England is in the grip of what will become known as the Year Without a Summer. Facing the twin crises of a harvest-destroying volcanic winter and the economic disruption caused by the end of the Napoleonic Wars, the British monarchy finds itself haunted by the looming threat of bloody riots not seen since the earliest days of the French Revolution. Amidst the turmoil, a dead man is found hanging upside down by one leg in an abandoned chapel, his hands tied behind his back. The pose eerily echoes the image depicted on a tarot card known as Le Pendu, the Hanged Man.

In Regency England, the eccentric Colebrook sisters are amateur detectives who use their wits and invisibility as “old maids” to fight injustice in this delightful and fiercely feminist novel of mystery and adventure from New York Times bestselling author Alison Goodman.

1926 – Christie is a darling of the literary circuit and the most desired guest in London’s glittering social scene. She can often be found at meetings of the Detection Club – where mystery writers come together to share ideas, swap secrets and drink copiously. But then a fellow author's initiation ceremony takes a gruesome turn, and one of the group ends up dead. Now, Agatha is no longer just the creator of great mystery plots – she’s a player in one.

It's the 1930s, and a mysterious illness is spreading over Scotland. But the noble and ancient family of Inverkillen, residents of Loch Down Abbey, are much more concerned with dwindling toilet roll supplies and who will look after the children now that Nanny has regretfully (and most inconveniently) departed this life. Then Lord Inverkillen, earl and head of the family, is found dead in mysterious circumstances. The inspector declares it an accident but Mrs MacBain, the head housekeeper, isn't so convinced.