In 2002, Dan Slepian, a veteran producer for NBC’s Dateline, received a tip from a Bronx homicide detective that two men were serving twenty-five years to life in prison for a 1990 murder they did not commit. Haunted by what the detective had told him, Slepian began an investigation of the case that eventually resulted in freedom for the two men and launched Slepian on a two-decade personal and professional journey into a deeply flawed justice system fiercely resistant to rectifying—or even acknowledging—its mistakes and their consequences.

Andrea Rodríguez is nine years old when her mother whisks her and her brother, Pablo, away from Woronoco, the tiny Massachusetts factory town that is the only home they’ve known. With no plan and no money, she leaves them with family in the mountainside villages of Puerto Rico and promises to return.

Grief Is for People is a deeply moving and surprisingly suspenseful portrait of friendship, and a book about loss packed with verve for life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in friends, philosophy, and art, hoping for a framework more useful than the unavoidable stages of grief.

When Reyna Grande was nine years old, she walked across the US-Mexico border in search of a home, desperate to be reunited with the parents who had left her behind years before for a better life in the City of Angels. What she found instead was an indifferent mother, an abusive, alcoholic father, and a school system that belittled her heritage. With so few resources at her disposal, Reyna finds refuge in words, and it is her love of reading and writing that propels her to rise above until she achieves the impossible and is accepted to the University of California, Santa Cruz.

Many cultural and religious traditions expect those who are grieving to step away from the world. In contemporary life, we are more often met with red tape and to-do lists. This is exactly what happened to Geraldine Brooks when her partner of more than three decades, Tony Horwitz–just sixty years old and, to her knowledge, vigorous and healthy–collapsed and died on a Washington, D. C. sidewalk.

Amy Lin never expected to find a love like the one she shares with her husband, Kurtis, a gifted young architect who pulls her toward joy, adventure, and greater self-acceptance. On a sweltering August morning, only a few months shy of the newlyweds’ move to Vancouver, thirty-two-year-old Kurtis heads out to run a half-marathon with Amy’s family. It’s the last time she sees her husband alive.

It's 1990. In Dalton, Maine, life goes on. Rose goes to work at the diner every day, her bruises hidden from both the customers and her two young boys. At a table she waits, Dr. Richard Haskell looks back on the one choice that's charted his entire life, before his thoughts wander back to his wife, Trudy, and her best friend. Trudy and Bev have been friends for longer than they can count, and something more than lovers to each other for some time now—a fact both accepted and ignored by their husbands.

At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends.

In 2011, three successful and highly educated women fell head over heels for the brilliant and charming Ethan Schuman. Unbeknownst to the others, each exchanged countless messages with Ethan, staying up late into the evenings to deepen their connections with this fascinating man. His detailed excuses about broken webcams and complicated international calling plans seemed believable, as did last minute trip cancellations. After all, why would he lie? Ethan wasn't after money—he never convinced his marks to shell out thousands of dollars for some imagined crisis.

Bookstores have always been unlike any other kind of store, shaping readers and writers, and influencing our tastes, thoughts, and politics. They nurture local communities while creating new ones of their own. Bookshops are powerful spaces, but they are also endangered ones. In The Bookshop, we see the stakes: what has been, and what might be lost. Evan Friss’s history of the bookshop draws on oral histories, archival collections, municipal records, diaries, letters, and interviews with leading booksellers to offer a fascinating look at this institution beloved by so many.

In September 2017, a knock on the door upends Michelle Horton’s life: she learns that her sister has just shot her partner and is now in jail. Stunned, Michelle rearranges her life to raise Nikki's two young children alongside her own son. During the investigation that follows, Michelle is shocked to learn that Nikki had been hiding horrific abuse for years. Michelle launches a fight to bring Nikki home, squaring off against a criminal justice system designed to punish the entire family.

Haiwen is buying bananas at a 99 Ranch Market in Los Angeles when he looks up and sees Suchi, his Suchi, for the first time in sixty years. To recently widowed Haiwen it feels like a second chance, but Suchi has only survived by refusing to look back. Suchi was seven when she first met Haiwen in their Shanghai neighborhood, drawn by the sound of his violin. Their childhood friendship blossomed into soul-deep love, but when Haiwen secretly enlisted in the Nationalist army in 1947 to save his brother from the draft, she was left with just his violin and a note: Forgive me.

London, 1930. The five greatest women crime writers have banded together to form a secret society with a single goal: to show they are no longer willing to be treated as second class citizens by their male counterparts in the legendary Detection Club. Led by the formidable Dorothy L. Sayers, the group includes Agatha Christie, Ngaio Marsh, Margery Allingham and Baroness Emma Orczy. They call themselves the Queens of Crime. Their plan? Solve an actual murder, that of a young woman found strangled in a park in France.

When her estranged mother dies, Stella is left with an unusual inheritance: a one-way plane ticket and a note reading “Go to Paris.” Stella is hardly cut out for adventure; a traumatic childhood has kept her confined to the strict routines of her comfort zone. But when her boss encourages her to take time off, Stella resigns herself to honoring her mother’s last wishes.

Marshall Miller would’ve remembered her face even if he hadn’t seen it on a MISSING poster. When a young woman disappears in his small town, the investigation hinges on Marshall’s haunted sighting of her, crying in the back seat of a police car driven by a cop named Maddox. There’s only one problem: no local cop named Maddox exists. But the speeding ticket he handed to Marshall certainly does.

Amy Lin never expected to find a love like the one she shares with her husband, Kurtis, a gifted young architect who pulls her toward joy, adventure, and greater self-acceptance. On a sweltering August morning, only a few months shy of the newlyweds’ move to Vancouver, thirty-two-year-old Kurtis heads out to run a half-marathon with Amy’s family. It’s the last time she sees her husband alive.

Susan Lieu has long been searching for answers. About her family’s past and about her own future. Refugees from the Vietnam War, Susan’s family escaped to California in the 1980s after five failed attempts. Upon arrival, Susan’s mother was their savvy, charismatic North Star, setting up two successful nail salons and orchestrating every success—until Susan was eleven. That year, her mother died from a botched tummy tuck. After the funeral, no one was ever allowed to talk about her or what had happened.

Rebecca Little and Colleen Long, childhood friends who grew up to be journalists, both experienced late-term loss, and together they take an incisive, deeply reported look at the issue, working to shatter taboos that have made so many pregnant people feel ashamed and alone.

Whiskey Tender traces how a mixed tribe native girl—born on the California Yuma reservation and raised in Navajo territory in New Mexico—comes to her own interpretation of identity, despite her parent’s desires for her to transcend the class and “Indian” status of her birth through education, and despite the Quechan tribe’s particular traditions and beliefs regarding oral and recorded histories.

Come to Paris, August 2021, when the City of Lights was still empty of tourists and a thirst for long-overdue pleasure gripped those who wandered its streets. After New York City emptied out in March 2020, Glynnis MacNicol, aged forty-six, unmarried with no children, spent sixteen months alone in her tiny Manhattan apartment. The isolation was punishing. A year without touch. Women are warned of invisibility as they age, but this was an extreme loneliness no one can prepare you for. When the opportunity to sublet a friend’s apartment in Paris arose, MacNicol jumped on it.

A haunting and beautiful memoir from a Cambodian refugee who lost her country and her family during Pol Pot's genocide in the 1970s but who finds hope by reclaiming the recipes she tasted in her mother's kitchen.

On a cold day in March of 1911, officials marched twelve Black men into the heart of a forest in Maryland. Under the supervision of a doctor, the men were forced to clear the land, pour cement, lay bricks, and harvest tobacco. When construction finished, they became the first twelve patients of the state’s Hospital for the Negro Insane. For centuries, Black patients have been absent from our history books. Madness transports listeners behind the brick walls of a Jim Crow asylum. In Madness, journalist Antonia Hylton tells the 93-year-old history of Crownsville Hospital.

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved out for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret.

As the American hostage crisis in Iran boiled into its seventh month in the spring of 1980, six heavily armed gunman barged into the Iranian embassy in London, taking twenty-six hostages. What followed over the next six days was an increasingly tense standoff, one that threatened at any moment to spill into a bloodbath.

Many cultural and religious traditions expect those who are grieving to step away from the world. In contemporary life, we are more often met with red tape and to-do lists. This is exactly what happened to Geraldine Brooks when her partner of more than three decades, Tony Horwitz–just sixty years old and, to her knowledge, vigorous and healthy–collapsed and died on a Washington, D. C. sidewalk.