On the night Miles Abernathy—sixteen-year-old socialist and proud West Virginian—comes out as trans to his parents, he sneaks off to a party, carrying evidence that may finally turn the tide of the blood feud plaguing Twist Creek: Photos that prove the county’s Sheriff Davies was responsible for the so-called “accident” that injured his dad, killed others, and crushed their grassroots efforts to unseat him. The feud began a hundred years ago when Miles’s great-great-grandfather, Saint Abernathy, incited a miners’ rebellion that ended with a public execution at the hands of law enforcement.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

Chuck Warren died tragically at the old abandoned mill, but Paz Espino knows it was no accident—there's a monster under the town, and she's determined to kill it before anyone else gets hurt. She'll need the help of her crew—inseparable friends, bound by a childhood pact stronger than diamonds, distance or death—to hunt it down. But she's up against a greater force of evil than she ever could have imagined.

Maya has always belonged to Alana. After four years of dating, and on the precipice of graduating high school, Maya has been too terrified to consider the idea of life outside of their volatile relationship. Until she finds the courage to break up with Alana while they’re hiking in Southern California. Then Alana goes missing. As the police get involved and the media run wild with the story, everyone seems to think that Maya is lying about Alana’s disappearance. Secretly, Maya knows they’re right: if Alana’s dead, she’s the one to blame. But that’s not Maya’s only secret.

London, 1883. The Veil between the living and dead has thinned. Violet-eyed mediums commune with spirits under the watchful eye of the Royal Speaker Society, and sixteen-year-old trans, autistic Silas Bell would rather rip out his violet eyes than become an obedient Speaker wife. After a failed attempt to escape an arranged marriage, Silas is diagnosed with Veil sickness—a mysterious disease sending violet-eyed women into madness—and shipped away to Braxton’s Finishing School and Sanitorium.

After the long journey from England, Ellis arrives in America full of hope. James Fort is where a better life will begin for her: where she will work as an indentured servant to Henry Collins and his pregnant wife, gain financial security, and fall deeply in love with bold, glorious Jane Eddowes. But as summer turns to fall, Ellis begins to notice the cracks in this new life—the viciousness of the colonists toward the Indigenous people and the terrifying anger Henry uses to control his wife and Ellis—leaving her to wonder if she has sentenced herself to a prison rather than a new home.

On the night Miles Abernathy—sixteen-year-old socialist and proud West Virginian—comes out as trans to his parents, he sneaks off to a party, carrying evidence that may finally turn the tide of the blood feud plaguing Twist Creek: Photos that prove the county’s Sheriff Davies was responsible for the so-called “accident” that injured his dad, killed others, and crushed their grassroots efforts to unseat him. The feud began a hundred years ago when Miles’s great-great-grandfather, Saint Abernathy, incited a miners’ rebellion that ended with a public execution at the hands of law enforcement.

When Cal Ware wins a scholarship to an elite New England boarding school, he's thrilled to leave his past behind. Back home in Mississippi, he was the poor queer kid who never fit in. But at Essex Academy, he'll be able to reinvent himself. Or so he hopes… But at Essex, Cal's classmates only see his cheap clothes and old iPhone. They mock his accent and can't believe he's never left the country or heard of The Hamptons. Cal, at his breaking point, is about to give up and return to Mississippi when he learns about a secret society on campus—the key to becoming Essex royalty.

When you grow up in a funeral home, death is just another part of life. But for sixteen-year-old Jaxon Santiago-Noble, it’s also part of his family’s legacy. Most dead bodies in the town of Jacob’s Barrow wind up at Jaxon’s house; his mom is the local mortician, after all. He doesn’t usually pay them much mind, but when Christian Reyes is brought in after a car accident, Jaxon’s world is turned upside down. There are a lot of things Jaxon wishes he could have said to his once best friend and first crush. When he accidentally resurrects Christian, Jaxon might finally have that chance

Fifteen-year-old Kam is head over heels for Ash, the boy who swept him off his feet. But his family and best friend, Bodie, are worried. Something seems off about Ash. He also has a habit of disappearing, at times for days. When Ash asks Kam to join him on a trip to Joshua Tree, the two of them walk off into the sunset . . . but only Kam returns. Two years later, Kam is still left with a hole in his heart and too many unanswered questions. So it feels like fate when a school trip takes him back to Joshua Tree.

It’s eighteen-year-old Gita Desai’s first year at Stanford, and the fact that she’s here and not already married off by her traditional Gujarati parents is a miracle. She’s determined to death-grip her good-girl, model student rep all the way to med school. Should be easy: If there’s one thing she’s learned from her family, it’s how to chup-re—to “shut up,” fade into the background. But when childhood memories of her aunt’s desertion and her then-uncle’s best friend resurface, Gita ends up ditching the books night after night in favor of partying and hooking up with strangers.

Leigh Somerset wants to spend some quality time with her kids before they grow up, and her husband has always fancied himself sort of a Clark Griswold figure. So the Somersets will be spending their family vacation on the road, driving from suburban Milwaukee to Orlando, Florida. Already off to a rocky start, they stumble upon an abandoned, half-burned down farmhouse in Indiana, and the Somersets inadvertently unleash an eerie history that will follow them the rest of their trip.

Shy, nerdy Tanvi has always thought of her perfect cousin Mimi as her sister. Not only did Mimi’s family raise Tanvi after the tragic death of her parents, fierce Mimi has always protected Tanvi at school. At least until Mimi fell under the spell of their flawless, rich classmate, Beth … Tanvi’s biggest bully. Fearing another terrible year, Tanvi decides to take a desperate, preemptive strike—and captures an incriminating photo of Mimi and Beth at a party. When Tanvi wakes up the next day with a bump on her head, scratches on her leg, and no memory of what caused her injuries, Mimi is gone.

Any Other City is a two-sided fictional memoir by Tracy St. Cyr, who helms the beloved indie rock band Static Saints. Side A is a snapshot of her life from 1993, when Tracy arrives in a labyrinthine city as a fledgling artist and unexpectedly falls in with a clutch of trans women, including the iconoclastic visual artist Sadie Tang. Side B finds Tracy in 2019, now a semi-famous musician, in the same strange city, healing from a traumatic event through songwriting, queer kinship, and sexual pleasure. While writing her memoir, Tracy perceives how the past reverberates into the present.

Felix Love has never been in love — and, yes, he’s painfully aware of the irony. He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many — Black, queer, and transgender — to ever get his own happily-ever-after.

At only seventeen years old, Ross Quest is already a master thief, especially adept at escape plans. Until her plan to run away from her legendary family of thieves takes an unexpected turn, leaving her mother’s life hanging in the balance. In a desperate bid, she enters the Thieves’ Gambit, a series of dangerous, international heists where killing the competition isn’t exactly off limits, but the grand prize is a wish for anything in the world—a wish that could save her mom.

For high school senior Nell and her friends, a vacation house on a private Florida island sounds like the makings of a dream spring break. But Nell brings secrets with her—secrets that fuse with the island's tragic history, trapping them all with a curse that surrounds the island in a toxic, vengeful mist and the surrounding waters with an unseen, devouring beast. Getting out alive means risking her friendships, her sanity, and even her own life.

Killer clowns, a hungry hedge maze, and rich kids who got bored. Friendly cannibals, impossible slashers, and the dead who don’t stay dead…. A museum curator who despises “diasporic inaccuracies.” A sweet girl and her diary of happy thoughts. An old house that just wants friends forever…. These stories are filled with ancient terrors and modern villains, but go ahead, go into the basement, step onto the old plantation, and open the magician’s mystery box because this time, the white guy dies first.

Theater star Teddy McGuire is ready for all his dreams to come true. He and his best friend, Annie, have been counting down the days to the end-of-the-year drama club trip to New York City. To make it even more magical, if they can win the annual scavenger hunt, they’ll get a chance to meet their popstar idol, Benji Keaton. But the universe has other plans: when Annie can’t go on the trip, Teddy is forced to room with tech crew loner Sebastian, who has no interest in the scavenger hunt—or Teddy—and seems to have a secret agenda of his own.

Growing up in Slater, Isadora Chang never felt at ease in the repressive small town, even before she realized she was bisexual—but after the deaths of two childhood friends, Slater went from feeling claustrophobic to suffocating. So, Isa took off before the town could swallow her, too. Even though it meant leaving everything she knew behind, including her last surviving friend, Mason. When Isa’s abusive father dies, however, she agrees to come back from art school just long enough to collect the inheritance. But then Mason turns up at the cemetery with a revelation and a plea.