
On Writers and Writing
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Narrated by:
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Margaret Atwood
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By:
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Margaret Atwood
What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world?
Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift? Atwood's wide reference to other writers, living and dead, is balanced by anecdotes from her own experiences, both in Canada and elsewhere. The lightness of her touch is offset by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of western literature.
Margaret Atwood was born in 1939 in Ottawa and grew up in northern Quebec, Ontario, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College. Throughout her 30 years of writing, Atwood has received numerous awards and honorary degrees. Hew novel The Blind Assassin won the 2000 Booker Prize for Fiction. She is the author of more than 25 volumes of poetry, fiction, and non-fiction and is perhaps best known for her novels, which include Alias Grace (1996), The Robber Bride (1994), Cat's Eye (1988), The Handmaid's Tale (1983), Surfacing (1972) and The Edible Woman (1970). Acclaimed for her talent for portraying both personal lives and worldly problems of universal concern, Atwood's work has been published in more than 35 languages, including Japanese, Turkish, Finnish, Korean, Icelandic, and Estonian.
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pensive Margaret Atwood
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I could have continued listening.
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A writer who honestly likes writing
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Atwood Great, Audible Also There
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One of the Greats
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Excellent!
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It’s not the kind of book with steps and bullet points and tips and tricks. It’s more of an essay, an attempt, to metatextually embody what is writing, the writer, and the others too. And it does.
Don’t get me wrong. Atwood is brilliant and this work is true to her brilliance. It is inspiring and revealing.
But it’s heavy lifting.
It’s riddled with scholarly references of stories, tales, and works I was largely not familiar with. They may have been minimally obscure works I would have encountered had I been in a situation to go to grad school for literature. She explained them well enough without being condescending, it was very honorable to this ignorant reader. I could still follow and get the gist. But it was work.
I think I would prefer to consume this as a handbook. A little at a time, at my own pace, as needed. It would need be a physical copy. And it would likely sit on my desk for accessibility when the mood struck. I’m certain I would like a paragraph or page at a time more than the unrestrained flow of narration.
And the narration. Atwood was 81 the day this was released. It’s a gift we got to hear this work in her own voice. Yes it’s gravely, more so at times than others. It has the dignified monotone of the high brow, scholarly reciter of their own work. That can be intimidating or grounding or annoying or inspiring. I found it to be a gift.
A Gift to Chew Not Imbibe
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amazing book
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Thought provoking and informative!
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For writers and readers alike
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