
Parade
A Novel
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Narrado por:
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Genevieve Gaunt
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De:
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Rachel Cusk
This program is read by actor Genevieve Gaunt, who has appeared in Doctor Who, The Royals, and Harry Potter and the Prisoner of Azkaban.
From Rachel Cusk, author of the Outline trilogy, comes this startling, exhilarating novel that once again expands the notion of what fiction can be and do.
Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success.
In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas.
At the age of twenty-two, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries.
When a mother dies, her children confront her legacy: the stories she told, the roles she assigned to them, the ways she withheld her love. Her death is a kind of freedom.
Parade is a novel that demolishes the conventions of storytelling. It surges past the limits of identity, character, and plot to tell the story of G, an artist whose life contains many lives. Rachel Cusk is a writer and visionary like no other, who turns language upside down to show us our world as it really is.
A Macmillan Audio production from Farrar, Straus and Giroux.
©2024 Rachel Cusk (P)2024 Macmillan AudioListeners also enjoyed...




















Editorial Review
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No clue what it was about…
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Very Insightful, a Wow for me!
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A challenging listen
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The writing style of Parade is self-indulgent to an extreme, abandoning any plot development or even sense of linearity in time in favor of an insufferable spiral of obsessive navel-gazing about gender and fine art. There is something to be said about how this sort of obsession could form in the deeply misogynist culture that we come from, but in 2025 I have a very difficult time relating to any languishing self-victimizing narrative coming from the perspective of a successful white woman (both within the fiction and from the author). Misogyny is very much real and worthy of discussion, but anyone who blames every single minuscule aspect of their suffering in life on gender politics is imprisoning themselves more than anyone else ever could.
Given that the perspective on gender and sex in this book seems rooted in second-wave feminism at best I was stunned to learn just before writing this review that it was released in 2024… and then I wasn’t, when I remembered the current state of gender politics in Britain and how prominent voices like JK Rowling have shaped the narrative of misogyny to revolve solely around the biological processes of people assigned female at birth. Reality is not so simple. It is regressive, depressing and inaccurate to reduce the experiences and marginalizations of all of womankind solely to this concept of a childbearing nature. Please let women be more than that.
And as a side note, the fine art discussion also calls to mind parodies of art critics where the critic turns every single image they see into a confirmation of their own preexisting worldview, turning every little thing into a deep commentary about some philosophy of life that the writer carries. I am an artist myself; while analysis does have its place, sometimes a painting really is just a damn painting.
Narrator was fine, nothing exceptional about the performance. To be fair it’s hard to be exceptional when you’re given source material as dull as this.
Incomprehensible biologically-essentialist nonsense
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