Beyond the sainted Rembrandt—who harbored a startling darkness—and the mysterious Vermeer, whose true subject, it turned out, was lurking in plain sight, Moser got to know a whole galaxy of geniuses: the doomed virtuoso Carel Fabritius, the anguished wunderkind Jan Lievens, the deaf prodigy Hendrik Avercamp. Year after year, as he tried to make a life for himself in the Netherlands, Moser found friends among these centuries-dead artists. And he found that they, too, were struggling with the same questions that he was.

Rivalry is at the heart of some of the most famous and fruitful relationships in history. The Art of Rivalry follows eight celebrated artists, each linked to a counterpart by friendship, admiration, envy, and ambition. All eight are household names today. But to achieve what they did, each needed the influence of a contemporary - one who was equally ambitious but who possessed sharply contrasting strengths and weaknesses.

The celebrated painter Camille Pissarro (1830-1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas's and Mary Cassatt's experimental work, a support to Cezanne and Gauguin, and a comfort to Van Gogh, and was backed by the great Parisian art dealer Paul Durand-Ruel throughout his career. Nevertheless, he felt a persistent sense of being set apart, different, and hard to classify.

A humiliating military defeat by Bismarck's Germany, a brutal siege, and a bloody uprising - Paris in 1871 was in shambles, and the question loomed, "Could this extraordinary city even survive?" Mary McAuliffe takes the listener back to these perilous years following the abrupt collapse of the Second Empire and France's uncertain venture into the Third Republic. By 1900, Paris had recovered, and the Belle Epoque was in full flower, but the decades between were difficult, marked by struggles.

In spring 1936, the Holy Land erupted in a rebellion that targeted both the local Jewish community and the British Mandate authorities. The Great Arab Revolt would last three years, cost thousands of lives, and cast the trajectory for the Middle East conflict. The revolt was the crucible in which Palestinian identity coalesced, uniting all in a single struggle for independence. Yet the rebellion would ultimately turn on itself. British forces' aggressive counterinsurgency took care of the rest, finally quashing the uprising on the eve of World War II.

Hal Brands argues that a better understanding of Eurasia's strategic geography can illuminate the contours of rivalry and conflict in today's world. The Eurasian Century explains how revolutions in technology and warfare, and the rise of toxic ideologies of conquest, made Eurasia the center of twentieth-century geopolitics—with pressing implications for the struggles that will define the twenty-first.

In 1654, the Thunderclap—an enormous explosion at a gunpowder store—devasted the city of Delft, killing hundreds of people, including the extraordinary painter Carel Fabritius, and injuring thousands more. Framing the story around the life of Fabritius, Cumming illuminates this extraordinary moment in art history while also writing about her own father, a painter. Like Dutch art, the story gradually links country, city, town, street, house, interior—all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread.

The West and Islam - the sword and scimitar - have clashed since the 17th century, when, according to Muslim tradition, the Roman emperor rejected Prophet Muhammad's order to abandon Christianity and convert to Islam, unleashing a centuries-long jihad on Christendom. Sword and Scimitar chronicles the decisive battles that arose from this ages-old Islamic jihad, beginning with the first major Islamic attack on Christian land in 636.

Denmark, Finland, Norway, and Sweden, award-winning historian Ewan Butler writes, struggled through unions and separations with both outsiders and each other, developing their own personalities and languages yet retaining their ancient connections.

1968. The Vietnam War was raging. President Lyndon Johnson, facing a challenge in his own Democratic Party from the maverick antiwar candidate Eugene McCarthy, announced that he would not seek a second term. In April, Martin Luther King Jr. was assassinated and riots broke out in inner cities throughout America. Bobby Kennedy was killed after winning the California primary in June. In August, Republicans met in Miami, picking the little-loved Richard Nixon as their candidate.

In the 1860s, Napoleon III, intent on curbing the rise of American imperialism, persuaded a young Austrian archduke and a Belgian princess to leave Europe and become the emperor and empress of Mexico. They and their entourage arrived in a Mexico ruled by terror, where revolutionary fervor was barely suppressed by French troops. When the United States, now clear of its own Civil War, aided the rebels in pushing back Maximilian’s imperial soldiers, the French army withdrew, abandoning the young couple. The regime fell apart.

The art world is a much dirtier, nastier business than you might expect. Tony Tetro, one of the most renowned art forgers in history, will make you question every masterpiece you’ve ever seen in a museum, gallery, or private collection. Tetro’s “Rembrandts,” “Caravaggios,” “Miros,” and hundreds of other works now hang on walls around the globe.

Simon Schama explores the mysterious contradictions of the Dutch nation that invented itself from the ground up, attained an unprecedented level of affluence, and lived in constant dread of being corrupted by happiness. Drawing on a vast array of period documents and sumptuously reproduced art, Schama recreates in precise detail a nation's mental state. He tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators.

This collection of William L. Shirer’s radio broadcasts tells the vivid story of WWII and brings the suspense of the times to life for today’s audience. As the first journalist hired by CBS to cover the war in Europe, Shirer compiled two and a half years’ worth of wartime broadcasts including Hitler’s invasion of Austria, the armistice between France and Nazi forces in June of 1940, daily roundups of news from Paris, Vienna, Berlin, London and Rome, documenting the conditions of these countries under invasion.

Though perhaps less well-known today than the great empires that surrounded them, the historic peoples of Central Asia—such as the Scythians, the Sogdians, the Xiongnu nomads of Mongolia, the Turkic peoples, and many others—produced cultures of major significance. In the 24 lectures of Crossroads of Civilization: A History of Central Asia, taught by Professor Eren Tasar, you will embark on a wide-ranging journey into the majestic landscapes, steppe and desert cultures, resplendent cities, and epic conquests that characterized this mysterious part of the world.

Rivalry is at the heart of some of the most famous and fruitful relationships in history. The Art of Rivalry follows eight celebrated artists, each linked to a counterpart by friendship, admiration, envy, and ambition. All eight are household names today. But to achieve what they did, each needed the influence of a contemporary - one who was equally ambitious but who possessed sharply contrasting strengths and weaknesses.

The art world is a much dirtier, nastier business than you might expect. Tony Tetro, one of the most renowned art forgers in history, will make you question every masterpiece you’ve ever seen in a museum, gallery, or private collection. Tetro’s “Rembrandts,” “Caravaggios,” “Miros,” and hundreds of other works now hang on walls around the globe.

While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris. The artists who would make Impressionism the most popular art form in history were showing their first paintings amid scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been, at its inception, quite so controversial.

The fall of Constantinople in 1453 signaled a shift in history and the end of the Byzantium Empire. Roger Crowley's listenable and comprehensive account of the battle between Mehmed II, sultan of the Ottoman Empire, and Constantine XI, the 57th emperor of Byzantium, illuminates the period in history that was a precursor to the current jihad between the West and the Middle East.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

Hal Brands argues that a better understanding of Eurasia's strategic geography can illuminate the contours of rivalry and conflict in today's world. The Eurasian Century explains how revolutions in technology and warfare, and the rise of toxic ideologies of conquest, made Eurasia the center of twentieth-century geopolitics—with pressing implications for the struggles that will define the twenty-first.

The Roman empire was like no other. Stretching from the north of Britain to the Sahara, and from the Atlantic coast to the Euphrates, it imposed peace and prosperity on an unprecedented scale. Its only true rival lay in the east, where the Parthian and then Persian empires ruled over great cities and the trade routes to mysterious lands beyond. Tracing seven centuries of conflict between Rome and Persia, historian Adrian Goldsworthy shows how these two great powers evolved together

We have all seen, whether live, in photographs or on postcards, some of Claude Monet's legendary water lily paintings. They are in museums all over the world and are among the most beloved works of art of the past century. Yet, ironically, these soothing images were created amid terrible personal turmoil and sadness.

From the 17th to 18th centuries, bold thinkers cast off the authority of ancient traditions and embraced reason as the primary tool for understanding the world. These rationalists, or early modern philosophers, included René Descartes, Baruch Spinoza, and Gottfried Wilhelm Leibniz—visionaries whose answers to profound questions remain relevant today. Early Modern Philosophy: Descartes and the Rationalists covers the key philosophers of this period in 12 fascinating half-hour lectures, presented by award-winning teacher James D. Reid, Professor of Philosophy at Metropolitan State University.

Margaret Tudor, the elder sister of her more famous brother Henry VIII, is the single most important Tudor figure of this era that historians have consistently overlooked. Married at thirteen to the charismatic James IV of Scotland, a man more than twice her age, she would learn the skills of statecraft that would enable her to survive his early death, and to construct a powerful position in her adopted country of Scotland as she dealt with domestic issues as well as navigating international relations with England and France.

In spring 1936, the Holy Land erupted in a rebellion that targeted both the local Jewish community and the British Mandate authorities. The Great Arab Revolt would last three years, cost thousands of lives, and cast the trajectory for the Middle East conflict. The revolt was the crucible in which Palestinian identity coalesced, uniting all in a single struggle for independence. Yet the rebellion would ultimately turn on itself. British forces' aggressive counterinsurgency took care of the rest, finally quashing the uprising on the eve of World War II.

The celebrated painter Camille Pissarro (1830-1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas's and Mary Cassatt's experimental work, a support to Cezanne and Gauguin, and a comfort to Van Gogh, and was backed by the great Parisian art dealer Paul Durand-Ruel throughout his career. Nevertheless, he felt a persistent sense of being set apart, different, and hard to classify.

“As Albert Einstein almost certainly never said, everyone is a genius—but if you judge a fish by its ability to climb a tree, it will live its whole life believing that it is stupid.” So begins Katie Spalding’s spunky takedown of the Western canon, and how genius may not be as irrefutably great as we commonly understand. While most of us may never become Einstein, it may surprise you to learn that there’s probably a bunch of stuff you can do that Einstein couldn’t. And, as Spalding shows, the famous prodigies she explores here were quite odd by any definition.

In this incisive, fast-paced history, New York Times best-selling author Arthur Herman brilliantly reveals how Lenin and Wilson rewrote the rules of modern geopolitics. Through the end of World War I, countries marched into war only to increase or protect their national interests. After World War I, countries began going to war over ideas. Together, Lenin and Wilson unleashed the disruptive ideologies that would sweep the world, from nationalism and globalism to Communism and terrorism, and that continue to shape our world today.

The Longest Con tells the fascinating story of the partisan con artists who have corrupted conservative politics in our time, creating a toxic phenomenon that culminated in the election of Donald Trump, a bumptious fraud whose checkered career and tawdry retinue, including his presidential cabinet, have featured almost every variety of scam. But long before he appeared, Trump's path to power was blazed by the motley horde of swindlers and quacks who preceded him.