Gondolin, beautiful but undiscoverable, is central to the enmity of two of the greatest powers in the world. Morgoth of the uttermost evil seeks in vain to discover the marvellously hidden city of his Elven enemies, while the gods in Valinor refuse to support Ulmo Lord of Waters' designs to protect it. Into this world comes Tuor, cousin of Túrin, and guided unseen by Ulmo he sets out on the fearful journey to Gondolin to warn them of their coming doom.

One of the most important novels in classic literature, Nathaniel Hawthorne's The Scarlet Letter tackles the subject of adultery, with the notorious Hester Prynne at the forefront of the scandal in the Massachusetts Bay Colony. In the beginning of the novel, Hester is serving time in prison for having a child out of wedlock and is forced to wear a scarlet A on her clothing at all times, so she cannot run from her sin no matter where she goes.

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny.

"Elizabeth I of England is threatened by the survival of her Catholic cousin, Mary Stuart. Wrestling with her own conscience, the queen agonizes over Mary's fate, amidst fears for her own life. Court intrigue has never been more gripping than in this 'acute study in the art of double-dealing politics'.” (The New York Times)

Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.

"Evangeline: A Tale of Acadie" is an epic poem by the American poet Henry Wadsworth Longfellow, published in 1847. The poem follows an Acadian girl named Evangeline and her search for her lost love Gabriel, set during the time of the expulsion of the Acadians. The idea for the poem came from Longfellow's friend, Nathaniel Hawthorne. Longfellow used dactylic hexameter, imitated from Greek and Latin classics, though the choice was criticized.

Thus Spoke Zarathustra is one of the most extraordinary - and important - texts in Western philosophy. It was written by Friedrich Nietzsche between 1883 and 1885. He cast it in the form of a novel in the hope that his urgent message of the 'death of God' and the rise of the superman (Ubermensch) would have greater emotional as well as intellectual impact.

Hinds' Feet on High Places is Hannah Hurnard's best-known and best-loved book, a beautiful allegory dramatizing the yearning of God's children to be led to new heights of love, joy, and victory. Follow Much-Afraid on her spiritual journey through difficult places with her two companions, Sorrow and Suffering.

This collection, narrated by distinguished Broadway actor Brian Murray, includes nine poems from Leaves of Grass - among them "I Hear America Singing", "O Captain! My Captain", and "When Lilacs Last in the Dooryard Bloom’d", plus four other selections.

Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out in correspondence. Despite writing almost 1800 poems in her life, very few were published until after her death. Here, the poems are presented in chronological order in their original form, unaltered by editorial revision, in one volume. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings of her last years.

A bird of good omen is murdered. A fickle crew is punished by supernatural, spectral beings. A skeletal ship is sighted moving against the wind and tide. The figure of Death along with a singular, gruesome companion man the fiendish craft. And as they draw closer, it becomes clear that the two play at dice for the soul of the ancient mariner. The result is nothing short of cataclysmic.

Childe Harold's Pilgrimage is a fascinating portrait of 19th-century Europe - disillusioned and ravaged by the wars of the postrevolutionary and Napoleonic eras. Our protagonist, whose breathtaking journey eerily echoes Byron's own life story, forgoes his destiny back home for the exciting unknown - the nature of humanity and the transformative effects of travel burst through the pages in four powerful cantos of Spenserian stanzas. Here is the poem that set Byron on his meteoric rise to fame in London society.

At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

Samson Agonistes, the 'dramatic poem' by John Milton, was published in 1671, three years before the poet's death. Written in the form of a Greek tragedy, with the Chorus commenting on the action, it follows the biblical story of the blind Samson as he wreaks his revenge on the Philistines who have imprisoned him. A powerful subject, with a personal resonance for the blind Milton, it is a perfect work for the medium of audiobook where poetry and drama can be balanced equally.

Timothy and Jonah, wealthy entrepreneurs with a spoiled son, hide sins from their past—one involving a death on a cruise, the other a crime in Bali. Nathan and Samantha, the hot ex-nanny turned trophy wife, grapple with infertility and a shocking paternity secret. Bartosz and Angelika (he’s a chef, she’s a former sex worker) carry debts to the other couples they don’t even realize they owe. Over fourteen days, the couples bond—but their pasts are too deeply intertwined to stay hidden. The sly concierge, Putu, knows more than he lets on.

Life’s not going well for forty-year-old Abby. When her beautiful and charismatic best friend dies suddenly, she’s left reeling. Hetty’s always been such a dominant force in her life; now Abby must figure out who she is – and who she wants to be – without Hetty by her side. Abby has always been the odd one out in Hetty’s wealthy, privileged friendship group. Despite their differences, Abby has managed to carve out a place for herself. But Hetty isn’t an easy friend to have. She blows hot and cold, alternating between fierce loyalty and unwarranted cruelty.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

But Jason Asano is settling into his new life. Now, a contest draws young elites to the city of Greenstone to compete for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer. While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Although Jason seems uninvolved, he has unknowingly crossed the enemy’s path before.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

F. Scott Fitzgerald’s classic American novel of the Roaring Twenties is beloved by generations of readers and stands as his crowning work. This new audio edition, authorized by the Fitzgerald estate, is narrated by Oscar-nominated actor Jake Gyllenhaal (Brokeback Mountain). Gyllenhaal's performance is a faithful delivery in the voice of Nick Carraway, the Midwesterner turned New York bond salesman, who rents a small house next door to the mysterious millionaire Jay Gatsby....

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

"Your daughter is dead." When Kat Cavanaugh hears the words every mother dreads, her perfect world shatters. She takes in the beautiful long blonde hair, torn yellow dress, and chipped blue nail-varnish. It can’t be real. And then the police add the word "suicide". But Kat refuses to believe them. Even when they show her the familiar looping handwriting and smudged ink on the note her little girl left behind. She knows her bubbly, vivacious daughter would never take her own life.