Thrown Away Child is a memoir covering Louise Allen’s abusive childhood in a foster home, how she survived - using her love of art as a sanctuary - and how she hopes to right old wrongs now by fostering children herself and campaigning for the improvement of foster care services. It is a compelling and inspirational story. This book gives a voice to the many children who grew up unhappily in care.

It was meant to be Caitlin's perfect summer, but betrayed by her best friend and her boyfriend, she finds herself hitchhiking home alone, heartbroken, and penniless. When a smiling family pulls up on the roadside to help her on her way, she's relieved at first - they seem friendly, normal. And when they offer her a warm bed in their cottage for the night, she's grateful - it's not safe for young women travelling alone in the dark, and she's in no rush to get home, where she knows a grave secret is due to blow her family apart.

On the day Concord Webster turned eighteen, the Devil died. The Devil's real name was Judge Martin, but Concord's mother called him the Devil. She said he boiled babies for dinner and made lampshades out of human skin. So why did she, who hated him so venomously, have a key to his house? The key will unlock more than just Judge's front door. It will also unlock a multitude of stories - where magic children talk to crows, men disappear in piles of leaves, and James Dean lookalikes kiss in dark alleys - and reveal a secret history that will change Concord's life forever.

No one would have described Manningtree Grove as fashionable. Few would have found it especially interesting. But it was not an unpleasant place to live: the old railway line lay in a valley, and the gardens looked onto it. It was the kind of place where nothing ever happened. Yet it was here that Peter Yearman first sold his soul to the devil....

Chrissie is eight and she has a secret: she has just killed a boy. The feeling made her belly fizz like soda pop. Her playmates are tearful and their mothers are terrified, keeping them locked indoors. But Chrissie rules the roost - she's the best at wall-walking, she knows how to get free candy, and now she has a feeling of power that she never gets at home, where food is scarce and attention scarcer.

Teenager Edie Hudson was nobody’s little darling, which made vanishing all too easy. Two decades later, she’s been forgotten by everyone except her mother, Samantha. And the person who knows what happened to her. Samantha has had a long time to remember, and to regret. Having seen how little her daughter mattered to the community in the months following her disappearance, she wonders if Edie was lost before she was even gone. Or was it guilt, not indifference, that made the locals turn a blind eye? When she meets Frances, she at last starts to hope for answers.

Black Swan Green tracks a single year in what is, for 13-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in dying Cold War England, 1982. But the 13 chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell's subtlest and most effective achievement to date.

For a family with four kids, two dogs, assorted cats, and a constant stream of family and friends dropping by, life in the Austin family home has always been remarkably steady and contented. When a family friend suddenly dies in a plane crash, the Austins open their home to an orphaned girl, Maggy Hamilton. The Austin children - Vicky, John, Suzy, and Rob - do their best to be generous and welcoming to Maggy. Vicky knows she should feel sorry for Maggy, but having sympathy for Maggy is no easy thing.

These tales open a portal into the spirit of the season, when time slows down and magic starts to happen. From trees with mysterious powers to a tinsel baby that talks, philosophical fairies to flying dogs, a haunted house to a disappearing train, Winterson's innovative stories encompass the childlike and spooky wonder of Christmas, perfect for listening to by the fire with loved ones or while traveling home for the holidays.

To 10-year-old Jamie, his family has fallen apart because of the loss of someone he barely remembers: his sister Rose, who died five years ago in a terrorist bombing. To his father, life is impossible to make sense of when he lives in a world that could so cruelly take away a 10-year-old girl. To Rose's surviving 15-year-old twin, Jas, every day she lives in Rose's ever-present shadow, forever feeling the loss like a limb, but unable to be seen for herself alone.

Tessa has just months to live. Fighting back against hospital visits, endless tests, drugs with excruciating side-effects, Tessa compiles a list. It’s her To Do Before I Die list. And number one is Sex. Released from the constraints of ‘normal’ life, Tessa tastes new experiences to make her feel alive while her failing body struggles to keep up. Tessa’s feelings, her relationships with her father and brother, her estranged mother, her best friend, and her new boyfriend, all are painfully crystallised in the precious weeks before Tessa’s time runs out.

Kelly is taking her twin daughters to their first day of school, ushering them into the classroom, her heart breaking to think they might not need her any more, when she turns around and sees that her newborn baby is gone. As a desperate search ensues, baby Noah is quickly found - parked in front of a different classroom. But when Kelly reaches forward to comfort him, she finds something tucked beside his blanket. A locket that belonged to her sister Freya. A locket Kelly hasn’t seen since the day Freya died.

Leon loves chocolate bars, Saturday morning cartoons, and his beautiful, golden-haired baby brother. When Jake is born, Leon pokes his head in the crib and says, "I'm your brother. Big brother. My. Name. Is. Leon. I am eight and three quarters. I am a boy." Jake will play with no one but Leon, and Leon is determined to save him from any pain and earn that sparkling baby laugh every chance he can. But Leon isn't in control of this world where adults say one thing and mean another, and try as he might he can't protect his little family from everything.

Patrick Clarke is a 10-year-old boy trying to make sense of his world. He is confused. His Ma and Da fight too much. School seems like a joke. And love, though it has a good reputation, seems pretty cruel. Paddy sees everything, but has trouble understanding it all. His story is an exuberant romp through the triumphs, indignities, and troublemaking detours of an Irish childhood.

London, 1942: Thirteen-year-old Nell and five-year-old Olive are being sent away from home to escape the devastation of the East End during the Blitz. Leaving behind their beloved mother and brothers, they don’t know if they will ever see them again. As the sisters adjust to their new life in a close-knit Welsh village, they gradually find hope in the friendships they make. And Nell kindles a special bond with fellow evacuee Jimmy, who makes her smile even at the hardest of times. But when little Olive’s safety is threatened, Nell makes a decision that will change their lives forever.

Mary Coles and her husband, Graham, have just moved to a cottage on the edge of a small village. The house hasn't been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It's idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy, and the color hit of Pop Art, Autumn is a witty excavation of the present by the past. The novel is a stripped-branches take on popular culture and a meditation, in a world growing ever more bordered and exclusive, on what richness and worth are, what harvest means.

Eleven-year-old Philip Noble has a big problem. His dad has appeared to him as a member of the Dead Fathers Club, a club for "ghost dads" whose murders are unavenged. His father's road accident, it turns out, was no accident at all. Uncle Alan is responsible for his dad's death, and if Philip doesn't succeed in killing his uncle just before his dad's birthday, just 10 weeks away, his dad's spirit will never rest.

When Cora and her little sister, Mimi, are sent to stay with their great-aunt in the isolated village of Bryers Guerdon, they receive a less than warm welcome and are desperate to go back to London. But Auntie Ida’s life was devastated the last time two young girls were at Guerdon Hall, and now her nieces’ arrival has reawakened an evil that has lain in wait for years. A haunting voice in an empty room; a strange, scarred man lurking in the graveyard; mysterious words scrawled on the walls of the abandoned church ... all point to a horrifying truth that has held Bryers Guerdon in its grip for centuries.

A father's wounded heart. A mother's patient love. An eager boy, an impetuous girl, and, above all, the healing power of nature. These are the classic ingredients that fill Virginia Sorensen's Newbery Award-winning novel with a tender power and lift it to classic status.

For a family with four kids, two dogs, assorted cats, and a constant stream of family and friends dropping by, life in the Austin family home has always been remarkably steady and contented. When a family friend suddenly dies in a plane crash, the Austins open their home to an orphaned girl, Maggy Hamilton. The Austin children - Vicky, John, Suzy, and Rob - do their best to be generous and welcoming to Maggy. Vicky knows she should feel sorry for Maggy, but having sympathy for Maggy is no easy thing.

The mysterious Stalkers show up at almost the same instant 12-year-old Aiden Cain’s grandmother dies. Following his grandmother’s instructions, Aiden decides to seek out a powerful sorcerer at Melstone House. Yet when he arrives, he discovers the man died a year earlier. Melstone House now belongs to the sorcerer’s adult grandson Andrew, who agrees to help Aiden with the Stalker problem.

With an eye for rendering the timely in a timeless way and enchanting audiences with lyrical prose and grace, Ali Smith's ambitious Seasonal Quartet—a series of four stand-alone novels, separate but interconnected—artfully guided us through #MeToo, Brexit, the refugee crisis, a global pandemic, and more. Now, Smith's highly anticipated Companion Piece looks to the future and builds upon this "time-sensitive project". This new novel stands apart from the Quartet, which remains discrete unto itself.

The four Melendy children live with their father and Cuffy, their beloved housekeeper, in a worn but comfortable brownstone in New York City. There's thirteen-year-old Mona, who has decided to become an actress; twelve-year-old mischievous Rush; ten-year-old Randy who loves to dance and paint; and thoughtful Oliver, who is just six-years-old.

Over the course of a long, hot summer in London, the lives of three very different married couples collide when their children join the same tutoring circle, resulting in illicit relationships, shocking violence, and unimaginable fallout. There’s Eve, a bougie earth mother with a well-stocked trust fund; she has three little ones, a blue-collar husband, and is obsessed with her Instagrammable recipes and lifestyle.

It's 1939, and for Georg, son of an English academic living in Germany, life is full of cream cakes and loving parents. It is also a time when his teacher measures the pupils' heads to see which of them have the most 'Aryan'- shaped heads. But when a university graduation ceremony turns into a pro-Nazi demonstration, Georg is smuggled out of Germany to war-torn London and then across enemy seas to Australia where he must forget his past and who he is in order to survive. Hatred is contagious, but Georg finds that kindness can be, too.

As World War II draws closer and closer to Guernsey, Vivienne de la Mare knows that there will be sacrifices to be made. Not just for herself, but for her two young daughters and for her mother-in-law, for whom she cares while her husband is away fighting. What she does not expect is that she will fall in love with one of the enigmatic German soldiers who take up residence in the house next door to her home. As their relationship intensifies, so do the pressures on Vivienne.

Speed and self-confidence, that’s Astrid’s motto. Nicknamed “the little thunderbolt,” she loves to spend her days racing down the hillside on her sled, singing loudly as she goes, and visiting Gunnvald, her grumpy, septuagenarian best friend and godfather, who makes hot chocolate from real chocolate bars. She just wishes there were other children to share her hair-raising adventures with. But Astrid’s world is about to be turned upside down by two startling arrivals to the village of Glimmerdal: first a new family, then a mysterious, towering woman who everyone seems to know.

Owls Do Cry is Janet Frame's first novel. She describes her idea behind it in the second volume of her autobiography: 'Pictures of great treasure in the midst of sadness and waste haunted me and I began to think, in fiction, of a childhood, home life, hospital life, using people known to me as a base for main characters, and inventing minor characters.'

Polly has two sets of memories.... One is normal: school, home, friends. The other, stranger memories begin nine years ago, when she was 10 and gate-crashed an odd funeral in the mansion near her grandmother's house. Polly's just beginning to recall the sometimes marvelous, sometimes frightening adventures she embarked on with Tom Lynn after that. And then she did something terrible, and everything changed. But what did she do? Why can't she remember? Polly must uncover the secret, or her true love - and perhaps Polly herself - will be lost.