Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

Haunted by an unmet promise, the Swart family loses touch after the death of their matriarch. Adrift, the lives of the three siblings move separately through the uncharted waters of South Africa; Anton, the golden boy who bitterly resents his life’s unfulfilled potential; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by a nebulous feeling of guilt.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

Set in the mountains of southern Appalachia, Demon Copperhead is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father’s good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Relayed in his own unsparing voice, Demon braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses.

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

One afternoon, in a town in Southeastern Nigeria, a mother opens her front door to discover her son's body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings.

To his customers and neighbors on 125th street, Ray Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time.

Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth—all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of Bonds, a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit.

We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made - and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests.

It is in 1950s Brighton that Marion first catches sight of Tom. He teaches her to swim, gently guiding her through the water in the shadow of the city's famous pier, and Marion is smitten - determined her love alone will be enough for them both. A few years later, near the Brighton Museum, Patrick meets Tom. Patrick is besotted, and opens Tom's eyes to a glamorous, sophisticated new world of art, travel, and beauty. The two lovers must share him, until one of them breaks and three lives are destroyed.

To Paradise is a fin de siècle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love—partners, lovers, children, friends, family, and even our fellow citizens—and the pain that ensues when we cannot.

Born to survivalists in the mountains of Idaho, Tara Westover was seventeen the first time she set foot in a classroom. Her family was so isolated from mainstream society that there was no one to ensure the children received an education, and no one to intervene when one of Tara’s older brothers became violent. When another brother got himself into college, Tara decided to try a new kind of life. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge University.

Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair.

Shocking and controversial when it was first published in 1939, Steinbeck's Pulitzer prize-winning epic The Grapes of Wrath remains his undisputed masterpiece. Set against the background of Dust Bowl Oklahoma and Californian migrant life, it tells of Tom Joad and his family, who, like thousands of others, are forced to travel west in search of the promised land. Their story is one of false hopes, thwarted desires, and broken dreams, yet out of their suffering Steinbeck created a drama that is intensely human, yet majestic in its scale and moral vision.

Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on the brink of a new and optimistic era. But for Elsa Wolcott, deemed too old to marry in a time when marriage is a woman’s only option, the future seems bleak. Until the night she meets Rafe Martinelli. By 1934, the world has changed; millions are out of work and drought has devastated the Great Plains. Elsa must make an agonizing choice: fight for the land she loves or leave it behind and go west, to California, in search of a better life for her family.

A sweeping story of three generations of women, crossing from London to Ireland and back again, and the enduring effort to retrieve the secrets of the past.

On a balmy midsummer's evening in 1923, a young woman - foreign, dishevelled and heavily pregnant - is found unconscious just off the railway tracks in the tiny logging community of Woody Creek. The town midwife, Gertrude Foote, is roused from her bed when the woman is brought to her door. Try as she might, Gertrude is unable to save her, but the baby lives.

Over the course of a long, hot summer in London, the lives of three very different married couples collide when their children join the same tutoring circle, resulting in illicit relationships, shocking violence, and unimaginable fallout. There’s Eve, a bougie earth mother with a well-stocked trust fund; she has three little ones, a blue-collar husband, and is obsessed with her Instagrammable recipes and lifestyle.

In 1964, Maggie wakes to find herself in a mental asylum, with no idea who she is or how she got there. Remnants of memories swirl in her mind - a familiar song, a storm, a moment of violence. Slowly, she begins to piece together the past and the events which brought her to this point.

Winner of the Orange Broadband Prize for Fiction 2008, The Road Home is the best-selling story of Lev, a middle-aged migrant from Eastern Europe, who moves to London in search of work after losing his wife and job. Lev's London is awash with money, celebrity and complacency. The world Tremain creates is both convincing and poignant.

Berlin, 1989. Siblings Rune and Lotte are shaken awake by Mama and told to follow her quietly into the night. Last time they snuck away from Papa, with Mama bruised and broken, they were back within a week. But this time they are starting a new life, Mama says - where nobody can ever hurt them again. Ten years later, the memories of their escape are blurry; Mama is long gone, and the siblings are back at Papa’s house.

Nanzeen's inauspicious birth in a Bangladeshi village imbues in her a sense of fatalism that she carries across continents. Married off to a man old enough to be her father, Nanzeen moves to London and cares for her family. But gradually she begins to question whether fate controls her or whether she has a hand in her own destiny. She discovers both the complexity that comes with free choice and the depth of her attachment to her husband, her daughters and her new world.

Little Brian Wilcox's murder is the hottest story in Scotland. Every major newspaper crowds its pages with stories examining the crime from every angle. If only Paddy Meehan could get a scoop on the case. A nationally syndicated story would surely launch her fledgling journalism career out of the free local rag she's been working at.

It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

A grieving mother calls out to her faraway son. A student forgoes the lurid appeal of dating apps in exchange for a painter’s love. The anonymous voices of queer native men converge amid violent eroticism. A man just out of prison balances the uneasy weight of family and freedom, while a professor returns home to conduct research only to be haunted by a dark specter. The stories and voices in Billy-Ray Belcourt’s debut story collection are buoyed by philosophical undergirding, poetic demand, and the complex relationship between aesthetics and ethics.

Ruth’s childhood was a happy one, and her family—on her mother’s side—large and loving. But her father’s French origins have always remained a mystery. Now, with aged relatives beginning to die, Ruth decides to research her father’s family before it’s too late. When she discovers a series of long-lost cassettes, everything she thought she knew about them shatters. The tapes expose an unimaginable truth–an epic wartime story of hidden love and sacrifice, stretching back to occupied France.

It’s 1914, and World War I is ceaselessly churning through thousands of young men on both sides of the fight. The violence of the front feels far away to Henry Gaunt, Sidney Ellwood and the rest of their classmates, safely ensconced in their idyllic boarding school in the English countryside. News of the heroic deaths of their friends only makes the war more exciting. Gaunt, half German, is busy fighting his own private battle—an all-consuming infatuation with his best friend, the glamorous, charming Ellwood—without a clue that Ellwood is pining for him in return

Agnes is a wild creature who walks her family’s land with a falcon on her glove and is known throughout the countryside for her unusual gifts as a healer, understanding plants and potions better than she does people. Once she settles with her husband on Henley Street in Stratford-upon-Avon, she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband, whose career on the London stage is taking off when his beloved young son succumbs to sudden fever.

From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried….

It begins as your typical boy meets boy. While out with friends at their local university drag night, Tom buys Ming a drink. Confident and witty, a magnetic young playwright, Ming is the perfect antidote to Tom’s awkward energy, and their connection is instant. Tom finds himself deeply and desperately drawn into Ming’s orbit, and on the cusp of graduation, he’s already mapped out their future together. But shortly after they move to London to start their next chapter, Ming announces her intention to transition.

When Paul enters university in early 1970s Pittsburgh, it’s with the hope of moving past the recent death of his father. Sensitive, insecure, and incomprehensible to his grieving family, Paul feels isolated and alone. When he meets the worldly Julian in his freshman ethics class, Paul is immediately drawn to his classmate’s effortless charm. Paul sees Julian as his sole intellectual equal — an ally against the conventional world he finds so suffocating.

On October 22, 1989, in the small town of St. Joseph, Minnesota, eleven-year-old Jacob Wetterling was kidnapped at gunpoint. Twenty-seven years later, Danny Heinrich led authorities to the boy’s remains. What lies between is the riveting story of the search for Jacob, told by his mother, Patty. With down-to-earth candor, she details the investigation as it unfolds, discusses her family’s struggles, and shows how she maintained her energy and optimism.

When Elwood Curtis, a black boy growing up in 1960s Tallahassee, is unfairly sentenced to a juvenile reformatory called the Nickel Academy, he finds himself trapped in a grotesque chamber of horrors. Elwood’s only salvation is his friendship with fellow “delinquent” Turner, which deepens despite Turner’s conviction that Elwood is hopelessly naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble.

You are born to a king, but marry a tyrant. You stand helplessly as he sacrifices your child to placate the gods. You watch him wage war on a foreign shore and you comfort yourself with violent thoughts of your own. You play the part, fooling enemies who deny you justice. And slowly, you plot. But when your husband returns in triumph, what then? Acceptance or vengeance—death follows both. So you bide your time and force the gods' hands in a wretched game of vengeance.

From the New York Times best-selling authors of America's First Daughter comes the epic story of Eliza Schuyler Hamilton - a revolutionary woman who, like her new nation, struggled to define herself in the wake of war, betrayal, and tragedy. In this haunting, moving, and beautifully written book, Dray and Kamoie used thousands of letters and original sources to tell Eliza's story as it's never been told before - not just as the wronged wife at the center of a political sex scandal but also as a founding mother who shaped an American legacy in her own right.

It’s spring 1999, and 25-year-old Lia Cope and her prickly 73-year-old grandmother, Mineko, are sharing a bedroom in Curtain, Texas, the ranching town where Lia grew up and Mineko began her life as a Japanese war bride. Both women are at a turning point: Mineko, long widowed, moved in with her son and daughter-in-law after a suspicious fire destroyed the Cope family ranch house, while Lia, an architect with a promising career in Austin, has unexpectedly returned under circumstances she refuses to explain.

Mack Anders will do anything for his wife, Daisy. Even die. With the woman he loves fading away from Alzheimer’s, Mack fakes his own passing. The insurance makes certain that Daisy will be taken care of with dignity and comfort until the end. In a lonesome cabin in the Wyoming wilderness, he lives off the grid with nothing but thoughts of the past to keep him company and the belief that Daisy is better off without him.

Union soldier John Chenneville suffered a traumatic head wound in battle. His recovery took the better part of a year as he struggled to regain his senses and mobility. By the time he returned home, the Civil War was over, but tragedy awaited. John’s beloved sister and her family had been brutally murdered. Their killer goes by many names. He fought for the North in the late unpleasantness, and wore a badge in the name of the law. But the man John knows as A. J. Dodd is little more than a rabid animal, slaughtering without reason or remorse, needing to be put down.