Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately.

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin?

In her second story collection, Sittenfeld shows why she’s as beloved for her short fiction as she is for her novels. In these dazzling stories, she conjures up characters so real that they seem like old friends, laying bare the moments when their long held beliefs are overturned.

The year is 2038, and the formerly bustling town of Three Rivers, Texas, is a surreal wasteland. Under the authoritarian thumb of its tech industrialist mayor, Pablo Henry Crick, the town has outlawed reading and forced most of the town’s mothers to work as indentured laborers at the Big Tex Fish Cannery, which poisons the atmosphere and lines Crick’s pockets. Scraping by in this godforsaken landscape are best friends Prosperina and Neftalí—the latter of whom, one of the town’s last literate citizens, hides and reads the books of the mysterious renegade author Jazzmin Monelle Rivas.

Written with White’s signature honesty, irreverence, and wit, The Loves of My Life is the culmination of a legend's life and work, a delightful and moving tour of over seventy years of being unabashedly gay and in love with love in all its forms.

From “the great German-language writer of his generation” (Joshua Cohen) comes the second novel of Christian Kracht’s career narrated by an eponymous “Christian”. Eurotrash begins in Zurich, where Christian has returned to care for his 80-year-old mother after her discharge from a psychiatric institution. Confronting the dark shadows of his family’s past—particularly his grandfather’s strong ties with the Nazi regime—and struggling to navigate the emotionally wrenching terrain of his relationship with his mother, he sets off on a road trip with her.

Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.

What is the difference between men and women? Jennifer Finney Boylan, bestselling author of She’s Not There and co-author of Mad Honey with Jodi Picoult, examines the divisions—as well as the common ground—between the genders, and reflects on her own experiences, both difficult and joyful, as a transgender American.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

Late one night on a Yorkshire farm, in the midst of an illegal rave, a young man is nearly bludgeoned to death with a solid gold bar. An ambitious young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic newspaper columnist, and a radical anarchist movement that has taken up residence on the farm. She solves the mystery, but her viral exposé raises more questions than it answers.

Pathemata, Or, The Story of My Mouth is an experiment in interiority written in the pandemic studio. Something of a companion piece to 2009’s Bluets, Pathemata merges a pain diary chronicling a decade of jaw pain with dreams and dailies, eventually blurring the lines between embodied, unconscious, and everyday life.

In this inspiring self-help handbook, a trans activist dares us to be the change we want to see—both out in the world, and amongst our closest connections. Lifelong activist and educator Dean Spade dares us to decide that our interpersonal actions are not separate from our politics of liberation and resistance. Many activist projects and resistance groups fall apart because people treat each other poorly, trying desperately to live out the cultural myths about dating and relationships that we are fed from an early age.

Born with a congenital muscle disorder, Shaka spends her days in her room in a care home outside Tokyo, relying on an electric wheelchair to get around and a ventilator to breathe. But if Shaka’s physical life is limited, her quick, mischievous mind has no boundaries: She takes e-learning courses on her iPad, publishes explicit fantasies on websites, and anonymously troll-tweets to see if anyone is paying attention (“In another life, I’d like to work as a high-class prostitute”). One day, she tweets into the void an offer of an enormous sum of money for a sperm donor.

The daughter of a Taiwanese father and white mother, Vi Liu has never quite fit into her Midwestern college town. Aimless after getting dumped by her boyfriend and dropping out of college, Vi works at the front desk of a hotel where she greets guests, refills cucumber water samovars, and tries to evade her bubbly blond coworker, Rachel. Little does Vi know her life is about to be permanently transformed when she agrees to a night out with Rachel. In the alley outside the bar, Vi discovers a strange blob—a small living creature with beady black eyes.

The award-winning poet Anne Carson reinvents a genre in Autobiography of Red, a stunning work that is both a novel and a poem, both an unconventional recreation of an ancient Greek myth and a wholly original coming-of-age story set in the present.

Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.

Sanjana Satyananda is trying to recover her life. It’s been a year since she walked out on her husband, a struggling actor named Killian, at a commune in India, after a disagreement about whether to have children. Now, Sanjana is struggling to resurrect her busted anthropology dissertation and crashing at her annoyingly perfect sister’s while her well-adjusted peers obsess over marriages, mortgages, and motherhood. Sanjana needs to move forward—and finalize her divorce, ASAP.

Erica Skyberg is thirty-five years old, recently divorced—and trans. Not that she's told anyone yet. Mitchell, South Dakota, isn't exactly bursting with other trans women. Instead, she keeps to herself, teaching by day and directing community theater by night. That is, until Abigail Hawkes enters her orbit.

A seventy-year history of disability is threaded throughout these essays and intertwined with writing that celebrates lesbian love, explores the slapstick moments of life, and shares the obstacles and triumphs of becoming a writer later in life.

A coma can change a man, but the world Jack Jr. awakens to is one he barely recognizes. His advertising job is history, his Manhattan apartment is gone, and the love of his life has left him behind. He’s been asleep for two years; with no one to turn to, he realizes it’s been ten years since he last saw his family.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

Der Bestsellererfolg aus den USA − nominiert für den Women's Fiction Prize. Reese und Amy waren ein glückliches Paar, zwei Transfrauen in New York mit dem Traum von einer Familie. Doch dann entschloss sich Amy, wieder als Mann zu leben, und die Beziehung zerbrach. Als Ames drei Jahre später seine Chefin Katrina, eine starke, unabhängige Frau, schwängert, fasst er den Plan, dieses Kind gemeinsam zu dritt aufzuziehen. Ungewöhnlich − aber machbar. Ein moderner Gesellschaftsroman, der den Nerv der Zeit trifft. Intensiv gelesen von Britta Steffenhagen.

In the aftermath of a painful breakup, Mike and his friend Wade seek solace in the remote beauty of Devil's Cup State Park, Colorado. Their quest for peace is abruptly ended when a meteor strike causes a rock to fall, trapping them and a diverse group of campers within the ancient volcanic caldera. As they grapple with their new reality, a far more sinister challenge emerges from the depths of the earth.

Yael Clauneck is more interested in drinking and flirting than joining their powerful family’s business. They’re on the precipice of a predetermined life when they flee their own graduation party, galloping away in search of . . . well, they’re not sure, but maybe the chance to feel like life can still be a grand adventure. Margot Greenwillow—talented plant witch, tea lover, and greenhouse owner—has never felt further from adventure in her life. She’s been desperately trying to keep what remains of her family’s magic remedies business afloat.

British biographer Lily Gray is going to LA for one thing: To write the story of reclusive Hollywood actress, Clara Wild. Clara inexplicably stepped away from stardom at the height of her fame, leaving fans and the industry baffled. But as Lily dives deeper into the enigma surrounding Clara's retreat, she's met with more than writer's block—because Clara isn't exactly thrilled to spill her secrets. She's been pushed into the book in an effort to resurrect her career and doesn't know if she really wants to tell all.

Thirty years old with a lifetime of dysphoria and fuccbois rattling around in her head, Max is plagued by a deep dissatisfaction. Shouldn't these be the best years of her life? Why doesn't it feel that way? After taking a spill down the stairs at a New Year’s Eve party, she decides to make some changes. First: a stab at good old-fashioned heteronormativity.

In a reunified Korea of the near future, the sun beats down on a junkyard filled with abandoned robots, broken down for parts. Eleven-year-old Ruijie sifts through the scraps, searching for a piece that might support her failing body. There among the piles of trash, something catches her eye: a robot boy—so lifelike and strange, unlike anything she’s ever seen before.

Faruq Zaidi, a young journalist processing the recent death of his father, a devout Muslim, takes the opportunity to embed himself in a cult called “the nameless.” Based in the California redwoods and shepherded by an enigmatic Vietnam War veteran named Odo, the nameless adhere to the 18 Utterances, including teachings such as “all suffering is distortion” and “see only beauty.”

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life.

It’s 2024, and Tobey Harlan—college dropout, temporary waiter, recently dumped—steals from the wall of his father’s house three paintings by the venerated and controversial artist Di Stiegl. Tobey’s just lost everything he owns to a Northern California wildfire, and if he can sell the paintings (albeit in a shady way to a notorious tech bro) he can start life anew in a place no one will ever find him, perhaps even Oregon. A hundred years before, Klaus Aaronsohn—German-Jewish immigrant, resident of the Lower East Side—inveigles his way into a film studio in Astoria, Queens.