The flood waters are rising. And so is the body count… Police officer Fiona MacLeish has been ordered to step back from her role in Police Scotland. Haunted by the murder of her parents, she’s dangerously close to breaking point: and is back in her remote childhood home nestled in a valley on the Scottish border. But there’s a terrifying storm coming…

It starts with the hanging woman in the Maple Valley woods; the woman with no shoes, no car and no name. On paper it’s an obvious case of suicide - but to Officer Dean Matheson, something doesn’t add up. Then there are the other deaths, deaths that also look like suicides - but are they? The victims are all women living on the fringes of society, addicts and criminals. Who will miss them? Does anyone really care if they die? Dean Matheson is making it his business to care, even if it means he becomes a target....

It is an ordinary September morning when I nearly lose my little girl. My mouth is dry, my hands shake when I see that she has darted unexpectedly into the playground.... The place where my own childhood ended. Where I can’t set foot inside. As she wobbles on top of the climbing frame about to fall, a silent scream freezes in my throat. So when a stranger hears her cries and rushes to help, I feel weak with relief. I thank him as my daughter presses her tear-stained face into my skirt. Looking into his warm brown eyes and gentle smile, I feel an instant connection.

Four years ago, six young girls were snatched from the streets of quiet, suburban Pioneer Heights—chilling, fake “missing” posters of each victim hung around town just before they were taken. Ex-police officer Sally Fairburn has always been haunted by the case and their inability to bring the girls home. Having lost her own daughter, she knows only too well the pain it brings....

In England's shadowy corners, from misty woods to ancient university halls, criminal psychologist and head of the Ritualistic Behavioural Crime unit Dr Harrison Lane, confronts the country’s most challenging crimes. A boy's body with cryptic messages. A man pinned down by horseshoes. A student etched with strange symbols. Each scene is a piece of a terrifying puzzle only Harrison can solve. As he unravels these ritualistic killings, Harrison digs up long-buried secrets that shake quiet towns to their core. But the deeper he delves, the more his own past threatens to engulf him.

It was Beth Katz’s serial killer father who made her like she is: a successful FBI agent and an unstoppable vigilante dedicated to hunting down murderers who have evaded capture. Beth will push herself to the limits to deliver justice. Even if it means killing those who deserve to die.

Leah and her three best friends get changed into their pyjamas, eat pizza, and argue about what film to watch. They laugh together, until the early hours. But the next morning, Leah blinks open her eyes and sees three empty sleeping bags. The other girls are gone. Twenty years later. In her small hometown, still-haunted Leah has never been able to shake off the rumours and whispers. How could she have slept through it all? She must know what happened.

When Detective Maria Miller walks up creaking stairs into the attic of the old brownstone she senses this isn’t an ordinary crime scene. The brutality of the murder is enough to shock even an experienced detective like Maria. But there’s something else. An unsettling presence seems to lurk in the shadows sending a chill through Maria’s bones, making her desperate to run back down the stairs and never return. The killing is identical to the murder of an actress sixty years before, a crime that tore a family apart and sent shockwaves through New York City.

My sister died. Her friends lied. And now that I’ve brought them all together, I’m going to learn the truth....

Twenty years ago, my best friend, Bailey, was found dead by the train tracks, half of our friendship locket missing from her pale neck. She never took that off. Officially, it was ruled a tragic accident–but I knew better. She’d been crowned prom queen only hours earlier, and someone’s jealousy had finally gotten to them.

When a woman's body is discovered in a cathedral and hours later a young man is found hanging from a tree outside his home, Detective Lottie Parker is called in to lead the investigation. Both bodies have the same distinctive tattoo clumsily inscribed on their legs. It's clear the pair are connected, but how? The trail leads Lottie to St Angela's, a former children's home, with a dark connection to her own family history. Suddenly the case just got personal.

When the body of a woman is found hanging from a tree in her front garden, rookie Detective Morgan Brookes is first on the scene. But Olivia Potter is past saving. And when her husband and daughters cannot be traced, Morgan knows there is more to this tragedy. And then she finds them. Lying huddled together in the dark basement, each of their faces covered with a small cotton cloth, their bodies cold to the touch. But as Morgan kneels beside the family, she realizes that one of the girls is still breathing.

It was meant to be Caitlin's perfect summer, but betrayed by her best friend and her boyfriend, she finds herself hitchhiking home alone, heartbroken, and penniless. When a smiling family pulls up on the roadside to help her on her way, she's relieved at first - they seem friendly, normal. And when they offer her a warm bed in their cottage for the night, she's grateful - it's not safe for young women travelling alone in the dark, and she's in no rush to get home, where she knows a grave secret is due to blow her family apart.

Long blonde hair. Sparkling dark eyes. Perfect pearly white teeth. I’ve never met her before, but I know exactly who she is as I spot her through the crowds of the terminal. Because our new guest is the spitting image of the daughter we lost. And that’s exactly why I chose her.

The first three crime thrillers in the Detective Sebastian Clifford series together in a single collection for the first time. This collection includes Web of Lies, Speak No Evil, and Never Too Late.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.