The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

The Mongol army led by Genghis Khan subjugated more lands and people in 25 years than the Romans did in 400. In nearly every country the Mongols conquered, they brought an unprecedented rise in cultural communication, expanded trade, and a blossoming of civilization.

The Roman gladiator has long been a figure of fascination. Portrayed frequently in fine art and popular culture alike, the gladiator is both a real part of history and a legend of a romanticized past. We know that these men entertained Roman audiences by fighting in dangerous and often deadly games. But who were the gladiators? What were their lives like? And why do they continue to have such a strong hold on our imagination, centuries after the fall of the Roman Empire?

In 1992, the deadliest year in Chicago’s history, seven-year-old Dantrell Davis was shot and killed in front of his elementary school inside the public housing complex Cabrini-Green. What happened to Dantrell led to a truce among Chicago’s gangs, but it also ignited a national panic about poverty and violence in America’s cities. Dantrell’s name would soon be used to demolish all of Chicago’s high-rise public housing, displacing tens of thousands of low-income families.

Experience a bold take on this classic autobiography as it’s performed by Oscar-nominated Laurence Fishburne. In this searing classic autobiography, originally published in 1965, Malcolm X, the Muslim leader, firebrand, and Black empowerment activist, tells the extraordinary story of his life and the growth of the Human Rights movement. His fascinating perspective on the lies and limitations of the American dream and the inherent racism in a society that denies its non-White citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time.

In the early years of the twentieth century, Mississippi County, Arkansas, was a brutal and profitable place. Home to starving, landless farmers, the county produced almost two percent of the entire world’s cotton. It was also the site of two rape trials that made national headlines: an accusation that sent two Black men, almost certainly innocent, to death row; and the case of two white men, almost certainly guilty, who were likewise sentenced to death but who would ultimately face a very different fate.

From one of the greatest foreign correspondents of our time, whose essential and profound on the ground reporting from Afghanistan for The New Yorker from before 9/11 to the return of the Taliban to power in 2021 has definitively shaped our understanding of the country and its fate, comes the complete accounting of that era, combining previously published dispatches and new reporting into a narrative of great impact and lasting value.

From the author of the acclaimed New York Times bestseller LAWRENCE IN ARABIA a stunningly revelatory narrative history of one of the most momentous events in modern times, the jaw-dropping stupidity of the American government, and the dawn of the age of religious nationalism.

The battle zone on and behind Sword witnessed on 6 June some of the most dramatic and tumultuous scenes, the greatest human stories, of the entire war in the West embracing 30,000 paratroopers, infantry, commandos and of course aircrew and sailors – not to mention the German and French participants. Although the core facts of Sword Beach are familiar, Max Hastings will explore new angles and fresh personalities in this new history of what was perhaps the supreme military achievement of the Western war.

At twenty-five years old, Michael Stewart was a young Black aspiring artist, deejay, and model, looking to make a name for himself in the vibrant downtown art scene of the early 1980’s New York City. On September 15, 1983, he was brutally beaten by New York City Transit Authority police for allegedly tagging a 14th Street subway station wall.