When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Roman Grady is the sole reporter for the local newspaper in a tiny Hudson Valley town—a town so small that every store opening and DUI is considered newsworthy. But when Roman's longtime girlfriend, Ashley, the mother of his four-year-old son, is found dead, he realizes he had no idea what was really going on in her life. And when he starts asking questions, he’s not prepared for the answers.

We were always The Four. From our very first day at High Realms. The four scholarship pupils. Outsiders in a world of power and privilege. And, according to everyone else, we were dangerous. It would have made our lives a lot easier if Marta had simply pushed our prefect Genevieve out of our bedroom window that day. Certainly, it would have been tragic. She would have died instantly. But Marta didn’t push her then, or–if you choose to believe me–at any other time. If she had, all of what we went through would not have happened.

Julie’s mother Kate is a force of nature–a glamorous woman of seventy, a self-made real estate developer, a grande dame in Florida society, and a power broker in Florida politics. It wasn’t easy for Julie to grow up in the shadow of such a dynamo, but she loves her mother, and she and her husband Eric are thrilled when Kate marries her long-lost high school sweetheart, a salt-of-the-earth man named Charlie. But their storybook romance ends abruptly.

Cate Winter, at 34, is a wildly successful neuroscientist and entrepreneur who has invented a cure for Alzheimer's that will improve the lives of millions. On the verge of selling her biotech company for an obscene sum, she is also about to become very rich. But Cate has a secret that keeps her deeply uneasy about everything she is and does: she grew up at the Cleckley Institute, a treatment facility for the rehabilitation of psychopathic children. And, as far as she knows, she is the institute's only success: all of her peers have become thwarted, maladjusted or even criminal adults.

Bea couldn't be more excited to trade the stifling Stockholm summer heat for vacation on Gotland Island. She’s looking forward to spending quality time with her beloved husband of thirty-two years, Niklas, and their two moody teenage daughters, and recuperating from the stress of daily life in the company of her beloved in-laws. One night shortly before their departure, Bea and Niklas have a seemingly mundane argument over a trivial issue, and Niklas goes out with a friend to blow off steam.

Julia and Christopher Hygate have the picture-perfect life: gobs of money thanks to their lucrative shipping enterprise and an estate on a secluded island. When they meet Eve Sylvester, they know she is the exact person they should hire to be their child's nanny. Eve doesn’t have any living relatives, she’s lost touch with her friends, and her partner is out of the picture. Best of all, she’s expecting a baby. Eve thinks she’s landed the greatest gig—previously penniless, now she’ll live like a queen and have a promising future for her daughter. But the job seems too good to be true.

An unflinching examination of motherhood and the dark side of domesticity set against a suburban backdrop that's anything but blissful. This twisty tale invites listeners to a slow motion unravelling that culminates in a devastating finale!

For two years Lucy and Sam renovated their beautiful Victorian home but spiraling debts are forcing them to sell. The agreement with their real estate agent is that they won’t be home for viewings, but when Lucy gets a voicemail saying the Agent is running late, she realizes she will have to show the prospective buyer around herself. Suffering from extreme anxiety and claustrophobia, Lucy watches the stranger on their doorstep waiting to be let in.

Ten years ago, June’s beloved husband drowned on their honeymoon, his body never found. Now, a decade later, June is finally ready to move on. She owns a natural wine bar in Brooklyn and is engaged to a patient, supportive man named Kyle. She’s excited to finally begin a new chapter in her life and start a family. But out of the blue, she sees him—Josh, her first husband. Is this just a hallucination from the guilt June carries about finally moving on, or is it possible that her husband never died in the first place?

When Jenny St. John was eighteen, she moved to Los Angeles from her rural midwestern hometown and scored the lead role in an independent film called The Divide. Under the intimate direction of young auteur Serge Grumet, Jenny was on her way to becoming the next indie darling. But then the movie tanked, and Jenny never caught a second break. Now, two decades later, after floundering on the fringes of the entertainment industry, she’s barely keeping afloat running a low-level grift as a psychic life coach. But when news surfaces that Serge has been murdered, Jenny’s life is turned upside down.

Cain Barrett, the wealthy owner of the nearby Grandview Hotel, has his eye on Jenny. He’ll help her any way he can, but Cain has problems of his own … A brutal murder at the Copper Star, entries in a dusty journal, and ghostly sightings at both hotels … is the connection a figment of Jenny’s imagination, or a threat to her life? And who is causing trouble for Cain? As they work together to solve the mystery, Cain vows not to let anything, or anyone—living or dead—stand between him and the woman he has come to love.

On paper, Claire has it all. A long and happy marriage, two lovely daughters, and a big house in the country. But she’s hiding a secret… Struggling with issues from her school days, Claire finds her life beginning to unravel as she seeks comfort in the arms of her best friend’s husband. When she learns of a school reunion, she sees her opportunity to put things right. But even the best-laid plans can go awry, and not everyone is willing to forgive and forget.

Influencer Meredith Lee didn’t teach Aspen Palmer how to blossom on social media just to be ditched as soon as Aspen became big. So can anyone really blame Mer for doing a little stalking? Nothing serious, more like Stalking Lite. Then, Mer gets lucky; she finds one of Aspen’s kids’ iPads and swipes it. Now, she has access to everything: the family calendar and Aspen’s social media accounts. Would anyone else be able to resist tweaking things a little here and there, showing up in Aspen’s place for meetings with potential sponsors?

Agnes Corey, a junior editor at a small independent publisher, has been hired by enigmatic author Veronica St. Clair to transcribe the sequel to her 1993 hit phenomenon, The Secret of Wyldcliffe Heights. St. Clair has been a recluse since the publication of the Jane Eyre-esque book, which coincided with a terrible fire that blinded and scarred her. Arriving in the Hudson Valley at St. Clair’s crumbling estate, which was once a psychiatric hospital for “wayward women,” Agnes is eager to ensure St. Clair’s devoted fans will get the sequel they’ve been anticipating for the past thirty years.

Everyone in America knows Dylan Read, or at least has heard her music. Since releasing her debut album her senior year of high school, Dylan’s spent fifteen years growing up in the public eye. She’s not only perfected her skills when it comes to lyrics and melody; she’s also learned how to craft a public narrative that satisfies her fans, her label, and the media. In the circles of fame and celebrity in which she now travels, the careful maintenance of Dylan Read pop star is often more important than the songs themselves.