Tama is just a helpless chick when he is rescued by Marnie, and this is where his story might have ended. “If it keeps me awake,” says Marnie's husband Rob, a farmer, “I'll have to wring its neck.” But with Tama come new possibilities for the couple's future. Tama can speak, and his fame is growing. Outside, in the pines, his father warns him of the wickedness wrought by humans. Indoors, Marnie confides in him about her violent marriage. The more Tama sees, the more the animal and the human worlds—and all the precarity, darkness and hope within them—bleed into one another.

In late-twenty-first-century Australia, Tao-Yi and her partner Navin spend most of their time inside an immersive, consumerist virtual reality called Gaia. They log on, go to work, socialise and even eat in this digital utopia. Meanwhile, their aging bodies lie suspended in pods inside cramped apartments. Across the city, in the abandoned real world, Tao-Yi's mother remains stubbornly offline, dwindling away between hospital visits and memories of her earlier life in Malaysia.

Doctor Jack Troy was born and raised in Faha, but his responsibilities for the sick and his care for the dying mean he has always been set apart from the town. His eldest daughter, Ronnie, has grown up in her father’s shadow, and remains there, having missed one chance at love – and passed up another offer of marriage from an unsuitable man. But in the Advent season of 1962, as the town readies itself for Christmas, Ronnie and Doctor Troy’s lives are turned upside down when a baby is left in their care.

A novel that leaps across centuries past and future, as if different eras were separated by only a door. Lina and her father arrive at an enclave called The Sea, a staging post between migrations, with only a few possessions. In this mysterious and shape-shifting place, a building made of time, pasts and futures collide. Lina befriends her neighbors: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China.

Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence—words, images, transactions, memes, voices, viruses—travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth.

In 1979, in a version of England where nobody won WWII, 13-year-old triplets are the only boys left in an orphanage whose dark secret is the reason for their existence– and the key to their survival.

Could the Founding Fathers have created a better, more enduring republic? What would you say to them if you could go back in time? What warnings would you give? For Harry Brown, a young and passionate libertarian with a deep love for economics and history, these questions are more than academic—they are an obsession. Harry often debates with friends about how the framers might have better safeguarded the Constitution against those who seek to concentrate federal power for their own ends.

Centuries ago, the holy river Saraswati flowed through what is now Punjab. Many dismiss this as myth, but when Satnam arrives in his ancestral village for his grandmother's funeral, he finds water in the dried-up well behind her house. The discovery sets in motion a contentious scheme to unearth the lost river as an act of Hindu nationalist pride.

In a future plagued with natural disasters, criminals known as “scavs” raid damaged cities. Their most important rule: don’t help the survivors. Bear, a twenty-nine-year-old engineer, breaks that rule when he takes Salix, a Native American college student, back to his scav team’s flying ship for medical treatment. Captain Baxter allows her to board but will not let her leave. Salix hopes to escape, but Baxter’s growing obsession with her makes that impossible. As the situation grows tense, a tsunami in Portugal prompts a scav raid.

Tama is just a helpless chick when he is rescued by Marnie, and this is where his story might have ended. “If it keeps me awake,” says Marnie's husband Rob, a farmer, “I'll have to wring its neck.” But with Tama come new possibilities for the couple's future. Tama can speak, and his fame is growing. Outside, in the pines, his father warns him of the wickedness wrought by humans. Indoors, Marnie confides in him about her violent marriage. The more Tama sees, the more the animal and the human worlds—and all the precarity, darkness and hope within them—bleed into one another.

Debbie Jones thinks life is an adventure. Even having lost her husband a year ago, she’s ready for whatever the world might throw her way. Being in her sixties doesn’t mean it’s all over for her yet, and she loves her new job doing neighbourhood support for a charity. Then she knocks on a stranger’s front door. Ruth Waverley doesn’t like surprises. Her life isn’t perhaps all she once dreamed off, but what other options are there for a woman in her sixties? She’s proud of her home and children. And she likes her life well enough. Then she hears someone knocking at the door.

Sam and Daisy have been best friends since university. Back then Daisy was a wild, Fleetwood Mac-obsessed girl descended from the Yorkshire Moors, while Sam’s youth was misspent traipsing around Liverpool on shopping trips and nights out. But as they lean against each other on a wooden bench in the tired garden of their beloved local pub, gazing out at Sam’s wedding, they have no idea that their paths are about to truly diverge for the first time.

Lucy Greer is at the end of her rope. Desperate to pick up the broken pieces of her life—and atone for past mistakes—she finds herself on the doorstep of successful entrepreneur, Thomas Caine, who has hired her to care for his ailing wife. But beneath the polished surface, something is terribly wrong. It all began when the Caines' teenage son vanished years ago. The housekeeper has theories, the ex-wife has secrets. But Emilia, now trapped in her silent prison, knows the darkest truth of all. Now, with Lucy's help, the carefully constructed lies within thi beautiful home are about to shatter.

In late-twenty-first-century Australia, Tao-Yi and her partner Navin spend most of their time inside an immersive, consumerist virtual reality called Gaia. They log on, go to work, socialise and even eat in this digital utopia. Meanwhile, their aging bodies lie suspended in pods inside cramped apartments. Across the city, in the abandoned real world, Tao-Yi's mother remains stubbornly offline, dwindling away between hospital visits and memories of her earlier life in Malaysia.

Dystopian masterminds James Hunt, author of Static, and Roger Hayden, author of Grid Down, which have collectively accumulated 200+ five-star reviews come together in this SUPER BOX SET for the first time!

Baezy (rhymes with Daisy) is born in 2069, the centennial of the legendary Woodstock Music and Art Fair. Everything peace, love, and flower power is celebrated that year in a wave of nostalgia that takes over fashion, music, and the public's imagination. She grows up listening to and loving the artists of that time, dreaming of witnessing everyone from Joan Baez to Santana in person.

From the author of The End We Start From, now a major film starring Jodie Comer, and taking inspiration from the influential artists and intellectuals of the Bloomsbury Group, Days of Light is a sweeping, sensual historical novel of art, desire, and faith set against the backdrop of a changing England.

Nine years ago, Lt. Commander Ky, a test pilot from the future, was flung back in time to a world that never existed. In this world, Carthage won the Punic Wars and Rome was all but destroyed, pushed back to a corner of the British Isles. That war is over. With Ky's help, the Romans formed a new Britannic Empire, defeated the mighty Carthaginian Empire, and set up a new paradigm in Europe.

The year is 1940, and Great Britain's forces struggle against the Nazi war machine. France has fallen to Adolf Hitler's army, and England is next. A British secret agent pays the ultimate price to deliver early warning to harness the power of the occult to conquer Great Britain by launching a supernatural assault that no defending military force could possibly deflect.

On Tigris, children develop telekinesis beginning at the age of five. By the time they're pre-teens, though, their special abilities peak, then slip away as they reach maturity. Being able to "teek" gives them power—even over most adults—until they gradually become regular teenagers, no longer special, no longer with authority and status. Some handle the Transition better than others.