From one of the most acclaimed Irish writers today, a new novel about smalltown Ireland that explores a community on the mend and the power of love and trauma to both bring people together and divide them

A few weeks after the 2016 election, at Thanksgiving with his daughter’s family, Rhys Kinnick snapped. After an escalating fight about politics, he hauled off and punched his conspiracy theorist son-in-law. Horrified by what he'd done, by the state of the country and by his own spiraling mental health, Rhys chucked his smartphone out a car window and fled for a cabin in the woods, off the grid and with no one around—except a pack of hungry raccoons. Now, seven years later, Kinnick’s old life is about to land right back on his crumbling doorstep.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

Thirty years ago, Laura’s mother, Viola, went missing. She left behind her purse, her keys and her mysterious paintings of a red house. Viola was never found, and her family never recovered. Laura, an artist herself, held on to the paintings. On the back of each work, her mother scrawled in Italian, “I will not be here forever.” The family never understood what Viola meant.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

Going Home is a sparkling, funny, bighearted story of family and what happens when three men—all of whom are completely ill-suited for fatherhood—take charge of a toddler following an unexpected loss.

When his grandfather dies, Jay travels south with his family to the property they’ve inherited, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm’s manager, different from him in every way except for one.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter. 2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible.

In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates...

For social worker Mallory Ward, working with at-risk youth is a calling. But when one of her clients is tragically killed, she finds herself at a crossroads. Despite long-held resentments toward her distant mother, Mallory retreats to her childhood home on the Rhode Island coast to contemplate her future. Instead, she’s confronted by her past, not only in the renewed tensions with her mother but in the unexpected appearance of a familiar face—and the wrenching losses that drove her away a decade ago.

From a dazzling new talent, the story of a newly divorced young mother forced to reckon with the secrets of her own childhood when she brings her daughters back to the big house where she was raised.

April 1941: Belfast has escaped the worst of the Second World War—so far. Over the next two months, it will be so destroyed from above that people will say, in horror, “My God, Belfast is finished.” Many won’t make it through, and those who do will be forever changed. Living amid the rubble are sisters Emma and Audrey. One is engaged to be married; the other is in a secret relationship with another woman.

Rich Cohen’s Murder in the Dollhouse is the chilling story of Jennifer Dulos, a beautiful, rich suburban mother who dropped her kids off at the New Canaan Country School one morning and vanished. Her body has never been found. Dulos was in the midst of an ugly divorce—one of the most contentious in Connecticut state history. The couple, a beautiful, highly connected pair, met at Brown University, had five children, and led what appeared to be a charmed life. In the wake of her disappearance, Dulos’s husband and his girlfriend were arrested.

Twin sisters Clara and Dempsey have always struggled to relate, their familial bond severed after their mother vanished into the Thames. In adulthood, they are content to be all but estranged, until Clara sees a woman who looks exactly like their mother on the streets of London. The catch: this version of Serene, aged not a day, has enjoyed a childless life.

How does the son of a Presbyterian minister wind up winning a Pulitzer Prize for writing a wildly inaccurate newspaper column read by millions of people? In Class Clown, Dave Barry takes us on a hilarious ride, starting with a childhood largely spent throwing rocks for entertainment—there was no internet—and preparing for nuclear war by hiding under a classroom desk. After literally getting elected class clown in high school, he went to college, where, as an English major, he read snippets of great literature when he was not busy playing in a rock band (it was the sixties).

Thirty years ago, Laura’s mother, Viola, went missing. She left behind her purse, her keys and her mysterious paintings of a red house. Viola was never found, and her family never recovered. Laura, an artist herself, held on to the paintings. On the back of each work, her mother scrawled in Italian, “I will not be here forever.” The family never understood what Viola meant.

Ever since she was a child, Cléo, the French-American daughter of two academics, has had only one obsession: becoming a famous singer. Over the years, to everyone’s surprise but her own, she overcomes every obstacle and becomes a global superstar with millions of dollars, countless awards, and several Los Angeles villas to her name. But as any celebrity will tell you, getting to the top is one thing; staying there is another. Now thirty-three years old, Cléo is taking her first real vacation in years, on a remote island with no one else in sight.

Shiv Advani is an eighteen-year-old growing up in India. But he is no ordinary young man. Shiv has been personally chosen by Mahatma Gandhi to come to England, learn their laws, and then return home and help drive the British out of India. Before he leaves, his family insists he fulfill his arranged marriage, and he is hastily betrothed to a young woman he hardly knows. He arrives in London and soon discovers a world he is both repelled by and drawn to. Shiv knows his duty: get in, learn the letter of the law, get out.

When his grandfather dies, Jay travels south with his family to the property they’ve inherited, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm’s manager, different from him in every way except for one.

Curtis Wilson is a cello prodigy, growing up in the Southeast D.C. projects with a drug dealer for a father. But through determination and talent, and the loving support of his father’s girlfriend, Larissa, Curtis claws his way out of his challenging circumstances and rises to unimagined heights in the classical music world—even soloing with the New York Philharmonic. And then, suddenly, his life disintegrates. His father, Zippy, turns state’s evidence, implicating his old bosses. Now the family—Curtis included—must enter the witness protection program if they want to survive.

Laurel Nightingale wants to start again. However, after discovering a dead body shortly after arriving in the tight-knit community, she wonders if village life is as wholesome as she first thought. . . Local police are convinced the death was accidental, but Laurel suspects murder, and enlists new friend Maggie to join her quest in uncovering the truth. When a second body is found, Laurel ruffles feathers by pointing the finger at one of the locals. But, when her accusation backfires, she's left alienated and afraid.

An immersive historical drama about a young mother who starts a new life with her son in New York after faking their deaths on the Titanic—the U.S. debut of acclaimed British novelist Frances Quinn.

Beartooth is a novel about two survivalist brothers in desperate straits, who are lured into committing a crime in Yellowstone National Park. Thad and Hazen, long ago abandoned by their wayward mother, are drowning in medical bills and notices about back taxes. They live alone in an aging, timber house hand-built into the leeside of the Beartooth Mountains. Thad’s the older brother, responsible, a loner, the caretaker of Hazen, who is a little . . . different.

Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead.

Sady Doyle, hailed as "smart, funny, and fearless" by the Boston Globe, takes listeners on a tour of the female dark side, from the biblical Lilith to Dracula's Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein's "domineering" mother Augusta; exorcism casualty Anneliese Michel, starving herself to death to quell her demons; author Mary Shelley, dreaming her dead child back to life.

When Mulanyin meets the beautiful Nita in Brisbane – or Edenglassie, as it was once briefly known – his community still outnumbers the British settlers. Tensions are simmering just beneath the surface of a fragile peace, but hopes for independence are running high. Yet when colonial unrest tears through the region, Mulanyin's passion for his new bride clashes with his loyalty to a homeland in danger.

Bernadette Swift, a young copyeditor at Lenox & Park Publishing, is determined to become the first female CEO in the publishing industry. But first she needs to take the next step up that ladder with a promotion that her boorish and sexist boss wants to thwart. Seeking a base of support, Bernadette joins a feminist women's book club at the New York Public Library, and soon, she's inspiring her fellow members to challenge the male gatekeepers and decades of ingrained sexism in their workplaces and pursue their personal and professional dreams.

From a dazzling new talent, the story of a newly divorced young mother forced to reckon with the secrets of her own childhood when she brings her daughters back to the big house where she was raised.

Going Home is a sparkling, funny, bighearted story of family and what happens when three men—all of whom are completely ill-suited for fatherhood—take charge of a toddler following an unexpected loss.

Set in a remote village in the north of England, Open, Heaven unfolds over the course of one year in which two teenage boys meet and transform each other’s lives. James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries.