To follow people’s lives is my favorite thing about this book.

The stories of growth through one’s life. From young children to adulthood. All the trials and goodness

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Rich, sweeping depiction of a fascinating period

I tried reading this when it came out and couldn't get into it, but listening made a difference. I loved it and am profoundly impressed with Byatt's great talents. She has remarkable insight into character and the zeitgeist of this time in history, the flowering of arts and crafts at the turn of the century in England and Germany. She mesmerizes with her fairly tales, and slowly reveals darkness and secrets under the lovely surfaces. Artists and art lovers will appreciate the details of the decorative arts and the Paris exhibition of 1900. WWI is always painful to read about but she also adds war poetry by one of the characters that is brilliant.
The narrator does well with the women characters, but all her men sound the same. Unfortunate, but it did not affect my enjoyment of a marvelous book.

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2 people found this helpful

That life happens during history…

And is shadowed by the tales we spin to understand it—this book gorgeously, epically portrays that. I had trouble at the start with the many characters, so pay attention during the first midsummer party! Oh Byatt has made a beautiful kaleidoscope here…

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Masterful Performance Deepens the Novel's Magic

I read The Children's Book years ago and found it enthralling. Because the setting relates to a project I'm doing for work, I wanted to re-read it, and I did so alternately with listening to this performance on Audible. I found myself coming back to the audiobook again and again and looking forward to my commute so I could plug it in.. Rosalyn Landor is an outstanding reader, able to evoke character, time, and place with her voice alone; her expressive interpretations of multiple characters across age, class, regional accent, and sex distinctions is nothing short of magical. You feel as if each character is real, and as if you are eavesdropping on their lives and conversations. This performance is truly the best one I've experienced in a decade of listening to audible, and I can't recommend Landor as a reader highly enough -- she is marvelous.

The book itself is also a phenomenon. It is a sweeping, Dickensian narrative of the various aesthetic and political movements connected to three families in late Victorian-Edwardian England, using children's literature, ceramics, and puppetry as symbols of innovation, cultural change, and the inner lives and relationships of the characters. Highly recommended for lovers of historical and literary fiction.

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I'm in mourning because I finished it

This is a broad sweeping book, and it helps if you are interested in art history and world history of the late 19th and early 20th century, or are interested in making things, or love fairy tales. As with other Byatt novels, some parts are challenging, while others are magical. For me it brought a great revival of my own interest in making things. I also became caught up in the historical changes, which increasingly build with a sense of doom toward World War I. There are a number of theses and themes interwoven in the cycles of childhood and adulthood that I found interesting and will not mention here to avoid spoiling the plots. There are many stories looking backward while time marches forward. There are, perhaps better on paper, somewhat lengthy catalogues of world events for each period of the book. But I've rarely been so unwilling to part with a book and plan to buy it again in paper. The narrator Rosalyn Landor is extraordinary, and manages male, female, children, magical animals, and multiple foreign accents and latin with great success. Highly recommended.

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7 people found this helpful

Long and rambling, but I have no regrets!

This is a sweeping, vast novel. Yes, Byatt gets too in the weeds sometimes with teaching us history. But I greatly enjoyed what she taught me, and feel much more informed about the Arts & Crafts movement, and so much more. I would recommend to people who love the 19th C and who are into art history. Rosalyn Landor was brilliant as the narrator. I would definitely suggest "listening" rather than "reading" this book - I suspect Landor's excellence as an actor and narrator helped make the book more engaging than if I was staring at a page.

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Byatt at her best

Will re in text on paper and celebrate with marginalia to interact more deeply with this text.

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a great little slice of the crafts life

But a little twisted. As in the past, Byatt has a way of showing the dark side of relationships. Between the lines and the fairy tales are some really awful relationships with children and adults. Disturbing almost. Or maybe i was just feeling sensitive that week, but it's not a lighthearted romp despite the fairy tales inserted here and there. it's actually quite sad. and worth the time if you're in the mood for that.

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10 people found this helpful

A Work of True Genius

The Children's Book is a collection of fantasies--not just Olive Wellwood's evolving children's stories and Stern's marionette shows, but the fantasies lived out by the adults in the decades leading up to the first World War. The expos? of these fantasies is at the heart of the novel. Olive and Humphrey believe in the fantasy of free love: that it causes no jealousy between spouses, nor that it damages any of the seven children in their household, born from various liaisons yet raised to believe they are true siblings. Love, sad to say, does not conquer all, and some in the novel who give it too freely pay a heavy price. Another fantasy: that freedom allows children to grow up happy and full of potential; but freedom taken too far borders upon neglect, and not all children are by nature independent. Another set of fantasies: that art can change the course of world events, and that genius is always to be indulged for its own sake. The list goes on and on. Like the characters' fantasy lives, Olive Wellwood's stories are delightfully magical on the surface yet dark and dangerous underneath.

The novel's style and structure are inseparable, both building on the possibilities and threats in the space between fantasy and reality, between the Victorian age and the new post-world war period. Some readers have complained about excessive details in the first part of the novel; others complain about the brevity of the last. I feel this is intentional on Byatt's part, a verbal realization of the changing cultural and political milieu. The late Victorian period was still addicted to rigid social mor?s and manners, embellishment of one's person and one's home, etc.--and, as such, it gave birth to a myriad of reactionary movements, most of them equally pompous in their moral (or amoral) certitude. On the other hand, the rapid and extensive devastation of the war, a political killing machine gone

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18 people found this helpful

A history lesson

Any additional comments?

A sprawling history lesson of Victorian & Edwardian England through WWI. A bit dry, abstract, & professorial in spots, largely unfocused, but with a richly drawn cast of interesting characters that are a cross-section of English society. I wavered between 3 & 4 stars for the novel itself, and settled on 4 because when Byatt's good, as she often is in this novel, she's very, very good. But what a stunning performance by Rosalyn Landor! She will henceforth, forever and always, be the voice of A.S. Byatt in my head whenever I read other Byatt novels.

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4 people found this helpful