The Double and The Gambler
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Narrated by:
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Michael Page
About this listen
The Double, written in Dostoevsky's youth, was a sharp turn away from the realism of his first novel, Poor Folk. The first real expression of his genius, The Double is a surprisingly modern hallucinatory nightmare in which a minor official named Goliadkin becomes aware of a mysterious doppelgänger - a man who has his name and his face and who gradually and relentlessly begins to displace him with his friends and colleagues. In the dilemma of this increasingly paranoid hero, Dostoevsky makes vividly concrete the inner disintegration of consciousness that would become a major theme of his work.
The Gambler was written 20 years later, under the pressure of crushing debt. It is a stunning psychological portrait of a young man's exhilarating and destructive addiction, a compulsion that Dostoevsky - who once gambled away his young wife's wedding ring - knew intimately from his own experience. In the disastrous love affairs and gambling adventures of his character, Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.
The two strikingly original short novels brought together here - in new translations by award-winning translators - were both literary gambles of a sort for Dostoevsky.
©2005 Richard Pevear and Larissa Volokhonsky (P)2019 TantorListeners also enjoyed...
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In the twilight of the Austro-Hungarian Empire, a young cavalry officer is invited to a dance at the home of a rich landowner. There - with a small act of attempted charity - he commits a simple faux pas. But from this seemingly insignificant blunder comes a tale of catastrophe arising from kindness and of honour poisoned by self-regard. Beware of Pity has all the intensity and the formidable sense of torment and of character of the very best of Zweig's work. Definitive translation by the award-winning Anthea Bell.
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One of my favorite authors
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Dombey and Son
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In this carefully crafted novel, Dickens reveals the complexity of London society in the enterprising 1840s as he takes the listener into the business firm and home of one of its most representative patriarchs, Paul Dombey.
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Perfect pair
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By: Charles Dickens
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The Count of Monte Cristo [Classic Tales Edition]
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Trust. Betrayal. Revenge. The Count of Monte Cristo is the quintessential masterpiece of Alexandre Dumas. In Edmond Dantes we find an early materialization of the modern superhero. He is a dashing young sailor imprisoned unjustly for treason. While in prison he meets a holy man who imparts to him all his wisdom. The "abbe" also divulges the profound secret of a hidden treasure. Dantes realizes that with such immense wealth, one could wreak a hateful vengeance on one's enemies.
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The proof is in the narrator!
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The Castle
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A land-surveyor, known only as K., arrives at a small village permanently covered in snow and dominated by a castle to which access seems permanently denied. K.'s attempts to discover why he has been called constantly run up against the peasant villagers, who are in thrall to the absurd bureaucracy that keeps the castle shut, and the rigid hierarchy of power among the self-serving bureaucrats themselves.
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A masculine and coquettish reading
- By Alan on 05-27-12
By: Franz Kafka
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Fathers and Sons
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When Arkady Petrovich comes home from college, his father finds his eager, naive son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticising the landowning way of life and by his outspoken determination to sweep away the traditional values of contemporary Russian society.
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The greatest novel I'll ever read
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Anna Karenina
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Anna Karenina seems to have everything - beauty, wealth, popularity and an adored son. But she feels that her life is empty until the moment she encounters the impetuous officer Count Vronsky.
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Beautiful story, amazing narration
- By Marcus Vorwaller on 08-02-08
By: Leo Tolstoy
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Anna Karenina
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Vladimir Nabokov called Leo Tolstoy's Anna Karenina "one of the greatest love stories in world literature." Set in imperial Russia, Anna Karenina is a rich and complex meditation on passionate love and disastrous infidelity. Married to a powerful government minister, Anna Karenina is a beautiful woman who falls deeply in love with a wealthy army officer, the elegant Count Vronsky.
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Not good dramatization but an ok reading
- By Bookoholics Anon on 05-07-11
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The Life and Adventures of Nicholas Nickleby
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The Life and Adventures of Nicholas Nickleby is closely modelled on the 18h-century novels that Charles Dickens loved as a child, such as Robinson Crusoe, in which the fortunes of a hero shape the plot. The likeable young Nicholas, left penniless on the death of his father, sets off in search of better prospects.
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loved it much more than expected!
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By: Charles Dickens
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The Turmoil
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Bigger, newer, faster. Demolish and rebuild, then demolish and rebuild again. Smoke, soot, and noise are the badges of prosperity, and growth is for growth's sake.
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Fast and heartwarming
- By dfjord on 08-06-24
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Amerika
- The Missing Person: A New Translation by Mark Harman Based on the Restored Text
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A Brilliant new translation of the great writer's least Kafkaesque novel, based on a German-language text that was produced by a team of international scholars and that is more faithful to Kafka's original manuscript than anything we have had before. With the same expert balance of precision and nuance that marked his translation of Kafka's The Castle, the award-winning translator Mark Harman now restores the humor and particularity of language to Amerika.
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ha ha ha this is terrific
- By tom on 01-29-14
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Anna of the Five Towns
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Set in stifled, industrial Staffordshire in the late 19th century, against a strong evangelical background, Anna of the Five Towns tells of the courting of hard businessman Ephraim Tellright's daughter by prosperous and accomplished Henry Mynors. As her father's fortune grows, so does Anna understanding. She realises her legacy and responsibility for the possible ruination of her father's tenants, Titus Price and his son, Willie, who also loves her.
By: Arnold Bennett
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Le Pere Goriot
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Honoré de Balzac uses his classic style of detail to describe a most controversial setting in his novel Le Pere Goriot. The story takes place in Paris just after the fall of Napoleon in 1819. The story focuses on three characters, Rastignac, a student who wants to try and make it big in the capital, Vautrin, an interesting and funny character who is also quite mysterious, and the main character, Goriot, that carries a heavy burden that only a loving parent would endure.
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A minor masterpiece
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The Brothers Karamazov [Naxos AudioBooks Edition]
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Overall
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Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.
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A Spiritual and Philosophical Tour-de-Force
- By Rich on 02-27-16
By: Constance Garnett - translator, and others
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most accessible dostoevsky book.
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A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side.
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Awful hero, great narrator
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What listeners say about The Double and The Gambler
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Nom de Guerre
- 10-05-24
Actually my favorite Dostoyevsky
I'm a big Dostoyevsky fan and lover of Russian literature in general, and I love Dostoyevsky's longer works (especially Brothers K and Crime and Punishment), but I have to admit that I found these two novellas even more to my liking. the Double is magical and the Gambler is an exquisite examination of the descent of multiple characters into self-destructive monomania. And of course, the translation is fluid and enchanting.
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- Kenneth Meier
- 05-06-23
Excellent.
Truly sister stories of delusion and slavery of spirit. The audible divergences in voice per character is a tour de force in voice acting. Well done
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- S. P. Holman
- 01-21-20
The Gambler is Brilliant
Dostoevsky’s dry sense of humor and biting sarcasm are showcased in The Gambler. Narrator Michael Page gives a spectacular performance bringing the story to life. Definitely worth the price of admission.
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- Tad Davis
- 02-25-19
Exciting
Michael Page does a wonderful job with these paired novels by Dostoevsky: the dialogue is especially well done, ranging from the supercilious tones of the winners in life to the increasing desperation of its losers.
In The Double, the petty bureaucrat Goliadkin finds himself in an unusual situation: someone who looks exactly like him, and who is also named Goliadkin, has been hired by the same office. Goliadkin at first befriends the newcomer, but soon finds him to be a serious rival. Trying to compete with this rival — in fact, even just trying to understand who or what he is — leads to a long descent into madness.
Or was he mad all along? Like many of Dostoevsky’s heroes, he is morbidly self-conscious, torturing himself (and sometimes the reader) by second-guessing his every move, including his own second-guessing. Some people find Dostoevsky’s characters enlighteningly existential; I find them clinical and claustrophobic.
But there is no denying the power of Dostoevsky's prose. His description of Goliadkin’s thinking overflows all boundaries, giving a totally convincing impression of madness without ever really becoming incoherent. The frantic hysteria in Page’s voice matches this flood of impressions beautifully.
The audiobook leaves Goliadkin behind and plunges immediately into the next novella, The Gambler. (In fact “plunging” is an appropriate description: there is no transition between one story and the next. It goes something like this: “....he [Goliadkin] had long foreseen it, The Gambler, a novel, from a young man’s notes....” This is a common problem. I do wish audiobook producers would take the trouble to build in longer pauses between stories: 3 or 4 seconds at a minimum. Otherwise the impact of closing words is drained by the sudden shift into a new narrative.)
But the bungled transition is over in seconds, and rest of the novel is a masterpiece. The term “totally convincing” applies here as well: in this case, it involves a painful and closely observed portrait of gambling addiction. Apparently it was based on Dostoevsky’s own bitter experience. The narrator tells his own story, and like most of Dostoevsky's main characters, he's a lost man. It just takes him most of the novel to realize it.
Dostoevsky wrote the story in an apartment in Florence. I had the opportunity once to stand in front of the building, which is on a quiet street and marked with a plaque. When I think about it now, I'll be thinking about it with Michael Page’s passionate reading echoing through my head.
LATER UPDATE: memory plays tricks sometimes. The novel Dostoevsky was writing while he was living in Florence was not The Gambler; it was The Idiot. The plaque on the house in Italy leaves no question about this: here Dostoevsky “compí il romanzo L’Idiota,” it says. The Idiot is a good novel too, but it’s not this one.
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