Listening to The Satires by Juvenal is to come face to face with the corruption, the debauchery, the waste, the sloth, and the mean-spirited greed of ancient Rome...or is it more like modern times? Indeed, these masterpieces of biting social commentary could easily have been written today about any number of metropolitan areas we are all familiar with.

Along with Virgil, Horace (Quintus Horatius Flaccus) was the greatest poet produced by Rome, and in many ways his work has had arguably an even greater impact. His brilliant expression and astonishing acumen continue to amaze readers today, either in their original Latin or in innumerable worldwide translations. Shakespeare's debt to Horace is incalculable, and it is difficult to read his Sonnets today without immediately being reminded of the famous Odes.

Acerbic wit and stinging satire are contrasted with delicate sensibility and passionate desire in the work of the Latin poet Catullus. Armed with an urbane sophistication and an aristocratic circle of friends, Catullus moved about easily in the upper ranks of Roman society and was acquainted with Cicero, Caesar, and Pompey among others.

Virgil's Georgics ranks as one of the most precious pastoral poems ever written, and it has served as a model for its type ever since. Georgics means "of or relating to agriculture or rural life" and it comes from the Greek word, "georgicus". Virgil's main theme in this, his second great work after The Eclogues, was the importance of peace both in the spiritual and physical sense.

The Twelve Caesars was written based on the information of eyewitnesses and public records. It conveys a very accurate picture of court life in Rome and contains some of the raciest and most salacious material to be found in all of ancient literature. The writing is clear, simple and easy to understand, and the numerous anecdotes of juicy scandal, bitter court intrigue, and murderous brigandage easily hold their own against the most spirited content of today's tabloids.

If you had been a court poet during the reign of the Roman emperor Nero, irritating the megalomaniac ruler would not have been wise. And one of the things which would have really angered Nero would have been the effort to write an epic poem about the struggle between Pompey and Caesar in which the noble hero (portrayed by Pompey) was the man who fought to preserve the Republic, and the selfish villain (portrayed by Caesar), the man who destroyed it. Yet Lucan wrote just such a poem.

Appian of Alexander was a Greek historian who lived at the height of the Roman Empire during the first half of the 2nd century AD, having been born around AD 95 and died about AD 165. Very little is known about him beyond what he reveals about himself, along with the fact that he lived in Alexandria. He was a Roman citizen and held several senior-level public offices, both in Alexandria and in Rome.

Martial was a Latin poet from Hispania best known for his 12 books of Epigrams, published in Rome between A.D. 86 and 103, during the reigns of the emperors Domitian, Nerva and Trajan. In these short, witty poems, he cheerfully satirises city life and the scandalous activities of his acquaintances, and romanticises his provincial upbringing.

Throughout history philosophers have sought to define, understand, and delineate concepts important to human well-being. One such concept is "knowledge." Many philosophers believed that absolute, certain knowledge, is possible—that the physical world and ideas formulated about it could be given solid foundation unaffected by the varieties of mere opinion.

In the pantheon of ancient men of letters, none hold a more venerated position than the Roman historian, Tacitus, venerated alike for the accuracy of his chronicles as well as for the superiority of his style. He was a writer of unexcelled genius and consummate skill. But his work fell into oblivion not long after his death, and has come down to us based on the text of a single tattered manuscript from the Middle Ages.

When Livy began his epic The History of Rome, he had no idea of the fame and fortune he would eventually attain. He would go on to become the most widely read writer in the Roman Empire and was eagerly sought out and feted like a modern celebrity. And his fame continued to grow after his death. His bombastic style, his intricate and complex sentence structure, and his flair for powerfully recreating the searing drama of historical incidents made him a favorite of teachers and pupils alike.

The Hellenica is Xenophon’s continuation of Thucydides’ history of the Peloponnesian War, literally resuming from where the previous author’s history was abruptly left unfinished and narrating the events of the final seven years of the conflict and the war’s aftermath. Some historians consider the Hellenica to be a personal work, written by Xenophon in retirement on his Spartan estate, and intended primarily for circulation among his friends, who would have known the main protagonists and events, having most likely participated in them.

Among the finest poets of ancient Greece was Hesiod, a contemporary of Homer, who lived in the eighth century B.C. It is still a matter of dispute whether Homer or Hesiod was the earlier poet, and sometimes whether they were one and the same person! At any rate, Hesiod's incredible poetry serves as a major source for our understanding of Greek mythology, farming practices, time keeping and astronomy. In and of itself, the "Works and Days" is unparalleled in its richness and beauty, easily rivaling Homer.

Julius Caesar wrote his exciting Commentaries during some of the most grueling campaigns ever undertaken by a Roman army. The Gallic Wars and The Civil Wars constitute the greatest series of military dispatches ever written. As literature, they are representative of the finest expressions of Latin prose in its "golden" age, a benchmark of elegant style and masculine brevity imitated by young schoolboys for centuries.

Pindar was one of the greatest lyric poets of ancient Greece. He is best known today for his odes to the victors of athletic contests, including those at famed Olympia. These odes, the only complete surviving pieces by Pindar, are marvels of sustained imagination, packed with dense parallels between the athletic victor, his illustrious aristocratic ancestors, and the myths of Olympian gods and heroes like Jason, Heracles, and Perseus.