Healer Anja regularly drinks poison. Not to die, but to save—seeking cures for those everyone else has given up on. But a summons from the King interrupts her quiet, herb-obsessed life. His daughter, Snow, is dying, and he hopes Anja’s unorthodox methods can save her. Aided by a taciturn guard, a narcissistic cat, and a passion for the scientific method, Anja rushes to treat Snow, but nothing seems to work. That is, until she finds a secret world, hidden inside a magic mirror. This dark realm may hold the key to what is making Snow sick. Or it might be the thing that kills them all.

Strange things are happening behind the bright pink facade of Bayside’s premier laundromat, Joyful Suds; home to Joy Moody and her twin daughters. For much of their lives, Joy has been lying to Cassie and Andie. What started as a colorful tale to explain how the twins came to live with her grew over the years and was always something she meant to set straight. Joy really did think she had more time. Worse still, Joy is struggling to define the truth from the lies.

Terra Slater might not know anything about her birth family or where she comes from, but that’s never stopped her, and she fully intends her senior year to be her best yet. Until the dark and mysterious Thorne Wilder—a magical bounty hunter—moves to town, bringing revelations that wreck all of her plans. When Terra learns she is a golem, not born but crafted from mud and magic by a warlock, her world is upended. Worse, Cyrus Quill, the warlock who made her, is a fugitive, on the run from the witches who want to hold him accountable for his past crimes.

Paths converge and prophecies unfold as Safi and Iseult—the legendary Cahr Awen—fight their way across the Witchlands to heal the final Origin Well. With ancient figures rising from the past, the Raider King’s armies gathering for war, and the magic at the heart of everything dying too fast, the entire world is now on the brink of collapse. But when Safi and Iseult reach the Air Well with the Bloodwitch Aeduan at their side, they discover too late that Eridysi's Lament is not the prophecy they thought it was—and their journeys are only just beginning.

The Hellebore Technical Institute for the Gifted is the premier academy for the dangerously powerful: the Anti-Christs and Ragnaroks, the world-eaters and apocalypse-makers. Hellebore promises redemption, acceptance, and a normal life after graduation. At least, that’s what Alessa Li is told after she’s kidnapped and forcibly enrolled. But the Institute is more than just a haven for monsters. On graduation day, the faculty go on a ravenous rampage, feasting on Alessa’s classmates.

At the edge of Chicago, nestled on the shores of Lake Michigan, there is a waystation for the dead. Every night, the newly-departed travel through the city to the Station, guided by its lighthouse. There, they reckon with their lives, before stepping aboard a boat to go beyond. Nera has spent decades watching her father—the ferryman of the dead—sail across the lake, each night just like the last. But tonight, something is wrong.

The world is ending. It has been ending for some time. When did the ending begin? Perhaps when Evie’s mother died, or when her father died soon after. Perhaps when her sister, Elena, was forcibly institutionalized in a psychiatric hippie commune in Colorado. Certainly at some point over the last year, as New York City spun down the tubes, as bedbugs and vultures descended, as apartments crumbled to the ground and no one had the time or money to fight it, or even, really, to notice.

Camille has always preferred animals to people. The wild has nearly disappeared, but as a zookeeper at the last zoo in the world, on Alcatraz Island, she spends her days caring for playful chimpanzees, gentle tree frogs, and a restless jaguar. Outside, resistance groups and brutal cartels fight to shape the world’s future, but Camille is safe within her routines. That is, until a new zookeeper, Sailor, arrives from Paris. From their first meeting, Camille is drawn to Sailor, who seems to see something in Camille that no one has before.

Ten years ago, three little girls went missing from their tiny mountain town. While one was returned, the others were never seen again. After all this time without answers, the brother of one of the girls wants to hire an outsider, and he wants Annie. While she may not be from his town, she gets mountain towns. Mountain people. Driving back into the hills for a case this old—it might be a fool’s errand. But Annie needs to put money in the bank and she can’t turn down a case. Not even one that dredges up her own painful past.

Santo Domingo de la Calzada, 1532. London, 1827. Boston, 2019. Three young women, their bodies planted in the same soil, their stories tangling like roots. One grows high, and one grows deep, and one grows wild. And all of them grow teeth.