When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

In 1919, Kathryn Wombacher finds a lonely-hearts ad placed by one Walter Andrew: "Would be pleased to correspond with a refined young lady or widow. Object, matrimony.” Kathryn and Walter fall in love and marry within weeks. What Kathryn doesn’t know...is that her new husband is really James “Bluebeard” Watson, a notorious West Coast serial killer who catfished and married 22 women, murdering 10.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

The Gallagher family has called Deeprath Castle home for 700 years. Nestled in the Wicklow Mountains of Ireland, the estate is now slated to become a public trust, and book lover and scholar Carragh Ryan is hired to take inventory of its historic library. But after meeting Aidan, the current Viscount Gallagher, and his enigmatic family, Carragh knows that her task will be more challenging than she'd thought.

I didn’t believe in the Rule of Three. Not at first. It was just one of those urban myths you hear about all the time. A story my boyfriend told me about a girl cursed by the number three. A girl whose parents had killed themselves after her sibling had died in an accident. Which meant that she was doomed to die too because that’s the Rule of Three. Bad things always happen in threes, they say, and they are right. Because it’s happening again.

On paper, Claire has it all. A long and happy marriage, two lovely daughters, and a big house in the country. But she’s hiding a secret… Struggling with issues from her school days, Claire finds her life beginning to unravel as she seeks comfort in the arms of her best friend’s husband. When she learns of a school reunion, she sees her opportunity to put things right. But even the best-laid plans can go awry, and not everyone is willing to forgive and forget.

Perfect for fans of Philippa Gregory and Alison Weir, The Virgin's Daughter is the first book in a captivating new saga about the next generation of Tudor royals, which poses the thrilling question: What if Elizabeth I, the celebrated Virgin Queen, gave birth to a legitimate heir?

Lilly Bly desperately wants to have a baby. She is struggling with infertility and bad spending habits when her husband, Jack, gets a new job that moves them from Chicago to a small town in Wisconsin. Impractical Lilly falls in love with a decrepit mansion well out of their price range—she is convinced that she will finally get pregnant and have a baby in this house—and Jack agrees to it. But when Lilly learns that her dream house was the site of a gruesome triple homicide/suicide in the 1950s, she begins to experience strange occurrences that soon lead her to believe the house is haunted.

With poetic precision and psychological acuity, Norah Vincent’s Adeline reimagines the events that brought Virginia Woolf to the banks of the River Ouse, offering us a denouement worthy of its protaganist. Channeling Virginia and Leonard Woolf, T. S. and Vivienne Eliot, Lytton Strachey, and Dora Carrington, Vincent lays bare their genius and their blind spots, their achievements and their failings, from the inside out. And haunting every moment is Adeline, the name given to Virginia Stephen at birth, which becomes the source of Virginia’s greatest consolation, and her greatest torment.

When Adrianna arrives at the small, run-down cottage, near the sea in rural Norfolk, she can’t help but breathe a sigh of relief. Here she can forget her life in the city, and the problems she’s left behind there, at least for a while. But – like Adrianna herself – the cottage holds secrets. And when Adrianna finds a mysterious bundle of notes hidden under a floorboard, she can’t shake the idea that they’ve been waiting for her. Especially when – in the rambling, overgrown garden – she then finds a strangely-carved stone, drawing her into a centuries-old mystery…

In the hot summer of 1965, Bostonian Franklin Warren arrives in Bethany, Vermont, to take a position as a detective with the state police. Warren's new home is on the verge of monumental change; the interstates under construction will bring new people, new opportunities, and new problems to Vermont, and the Cold War and protests against the war in Vietnam have finally reached the dirt roads and rolling pastures of Bethany.

In the grisly aftermath of a botched bank heist, career criminal Anne Heller has no choice but to return to her family’s cabin–a secluded shack in Colorado’s San Luis Valley, and the site of her mother’s untimely death. Along for the ride are Jessup, Anne’s badly wounded partner, and Dutch, the police officer she’s taken hostage. As they wait for help, Anne discovers strange relics from her mother’s past and begins to unfold the mystery of her childhood at the cabin.

After thirteen months at war, Vittorio Gandy is haunted by memories. Once a gifted painter, now he can’t bear the vivid, bleeding colors on a canvas. His young son doesn’t remember him, and his wife, Valerie, is scared of him. But the most disconcerting change is in Vitto’s father, Robert Gandy, who has fallen from being a larger-than-life sculptor to a man whose heart has been broken by the death of his muse—Vitto’s mother. When Robert steals away in the night, Valerie, Vitto, and his new acquaintance and fellow veteran John go to the only place Robert might remember.

The mass suicide of a cult known as The Flock sent shockwaves through the small rural town of Iola, Michigan. Led by the charismatic Dominic Bragg, The Flock camped at an abandoned bird sanctuary before their sudden and shocking demise. The deaths came just weeks after one of their members, Laurel Tai, a local pageant queen, was abducted. The town turned its blame and fear onto the sole survivor, Claire Kettler—Laurel’s best friend. Burdened by grief and unanswered questions about her friend’s murder and her fellow cult members’ deaths, Claire can’t help but wonder what really happened.

Cate Winter, at 34, is a wildly successful neuroscientist and entrepreneur who has invented a cure for Alzheimer's that will improve the lives of millions. On the verge of selling her biotech company for an obscene sum, she is also about to become very rich. But Cate has a secret that keeps her deeply uneasy about everything she is and does: she grew up at the Cleckley Institute, a treatment facility for the rehabilitation of psychopathic children. And, as far as she knows, she is the institute's only success: all of her peers have become thwarted, maladjusted or even criminal adults.

Marshall is still trying to put the pieces together after the death of her husband. After she is involved in a terrible accident, her editor sends her to the small, backwards town of Raeford to investigate a clearly ridiculous rumor: that a horse has given birth to a healthy, human baby boy. When Marshall arrives in Raeford, she finds an insular town that is kinder to the horses they are famous for breeding than to their own people. But when two horribly mangled bodies are discovered in a field—one a horse, one a human—she realizes that there might be a real story here.

Kara Johnson always knew she’d die young and violently. It didn’t matter who delivered the final blow, she would deserve it—her years spent running drugs and spreading violence would guarantee it. But death doesn’t always go as planned.

“Oh, Mrs. Sirman, there’s a problem with your husband’s cremation.” “What sort of problem?” “It’s his body.” “What about it?” “It won’t burn.” And so it begins for Pam Sirman…the first step toward learning that everything she thought she knew about her husband is wrong, perhaps even his humanity. But if he's not human, what is he? Pam is one of three lives that will be drawn together by the apocalypse of the Upwelling.