Chizmar assembles 35 stories, including a previously unpublished novella, and presents us with A Long December. This massive new collection features more than 150,000 words of Chizmar's very best short fiction and includes 8,000 words of autobiographical story notes. Eerie, suspenseful, poignant, the stories in A Long December range from horror to suspense, crime to dark fantasy, mainstream to mystery.

1983: Three students from a small college embark on a week-long road trip to film a documentary on roadside memorials for their American Studies class. The project starts out as a fun adventure with long stretches of empty road and nightly campfires where they begin to open up with one another. But as they venture deeper into the Appalachian backwoods, the atmosphere begins to darken. They notice more and more of the memorials feature a strange, unsettling symbol hinting at a sinister secret.

Martin Lorensen is a twenty-three-year-old counselor for disturbed teenagers. He’s bright, compassionate, attractive, and outgoing. He’s also—and this is the most interesting thing—not dead. Martin has improbably survived not one but two deadly disasters that claimed dozens of lives. The kid is riding one hell of a lucky streak. Two federal agents think there is something darker at play. Now that they’ve arranged to interview Martin, they want answers. Martin is ready to share everything he knows. One thing is for certain: when it comes to escaping death, luck doesn’t figure into it at all.

Each tale is a magic trick, luring you toward the light while leading you down an ever-darkening path. There is hope mingled with horror, and that s Chizmar s secret power. His storytelling always beats with a huge, passionate heart. Stephen King says he writes terrific stories served with a very large slice of disquiet pie, and with The Long Way Home, Richard Chizmar has taken his evocative and compelling storytelling to an entirely new level.

Something festive is growing in the sewer... After last year’s tragedy, Douglas’ parents are ignoring Christmas. But when Douglas finds an eerie strand of lights slithering through the sewer, he unwittingly unleashes merry terror upon his neighborhood’s tacky lights contest. String lights spread like invasive kudzu, turning festive decorations into surreal, predatory nightmares.

When young Henry Thorne is kidnapped and held prisoner in a remote farmhouse surrounded by miles of forest, he finds himself connecting with a strange force living in the woods—using that bond to wreak havoc against his captors. Unknown to the boy, however, is that this ancient being has its own reasons for wanting the interlopers gone—there is something hidden beneath the house, tucked away in the dark, damp root cellar . . . waiting for its return.

Willy and Marianne’s farmhouse in Maine has acres of meadow and fresh air, and a lonesome bridle path in the forest along which Willy daydreams and ambles. When he’s loaned a decrepit old baby stroller to cart his groceries home, the rickety squeak of the wheels comforts him. So do the sweet coos of a baby Willy knows can’t be real. Can it? In this twisted thicket, wishes come true—with a price.

Muriel McAuley has lived in the Scottish fishing village of Witchaven all her life. She was born there, and she intends to die there. But when an overseas property developer threatens to evict the residents from their homes and raze Witchaven to the ground in the name of progress, all seems lost . . . until the day a mysterious fog bank creeps inland.

Struggling with money, raising a child alone, and fleeing a volatile ex, Jess McMachen accepts a job caring for an elderly patient. Flo Gardner—a disturbed shut-in and invalid. But if Jess can hold this job down, she and her daughter, Izzy, can begin a new life. Flo's vast home, Nerthus House, may resemble a stately vicarage in an idyllic village, but the labyrinthine interior is a dark, cluttered warren filled with pagan artefacts. And Nerthus House lives in the shadow of a malevolent secret. A sinister enigma determined to reveal itself to Jess and to drive her to the end of her tether.

A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

The house sits stoic and slightly askew off the coast of Raven's Head. Its off-kilter windows are both charming and disorienting, its walls of overstuffed bookshelves both comforting and claustrophobic. When Leo and Lark Parrish arrive at their vacation home with their parents, their mother's idea of a quintessential Maine getaway seems like both a blessing and a curse.

An alien invasion comes to one man’s doorstep in the form of a story-creature, followed by death and rebirth in a transformed Earth, in this Tor.com Original science fiction tale from Jeff VanderMeer, the New York Times best-selling author of the Southern Reach trilogy.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Take a trip to a terrifying carnival and uncover the secrets within, solve a mysterious puzzle box and await your reward, join a travelling circus and witness the strangest ventriloquist act you've ever seen. In this follow-up to the bestselling Cursed: An Anthology, you'll unearth curses old and new. From a very different take on Snow White, to a new interpretation of The Red Shoes, the best in fantasy spin straw into gold, and invite you into the labyrinth.

David Young, Deacon Price, and Beth Harris live with a dark secret. As children, they survived a religious group's horrific last days at the isolated mountain Red Peak. Years later, the trauma of what they experienced never feels far behind. When a fellow survivor commits suicide, they finally reunite and share their stories. Long-repressed memories surface, defying understanding and belief. Why did their families go down such a dark road? What really happened on that final night? The answers lie buried at Red Peak.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Chizmar assembles 35 stories, including a previously unpublished novella, and presents us with A Long December. This massive new collection features more than 150,000 words of Chizmar's very best short fiction and includes 8,000 words of autobiographical story notes. Eerie, suspenseful, poignant, the stories in A Long December range from horror to suspense, crime to dark fantasy, mainstream to mystery.

Each tale is a magic trick, luring you toward the light while leading you down an ever-darkening path. There is hope mingled with horror, and that s Chizmar s secret power. His storytelling always beats with a huge, passionate heart. Stephen King says he writes terrific stories served with a very large slice of disquiet pie, and with The Long Way Home, Richard Chizmar has taken his evocative and compelling storytelling to an entirely new level.

1983: Three students from a small college embark on a week-long road trip to film a documentary on roadside memorials for their American Studies class. The project starts out as a fun adventure with long stretches of empty road and nightly campfires where they begin to open up with one another. But as they venture deeper into the Appalachian backwoods, the atmosphere begins to darken. They notice more and more of the memorials feature a strange, unsettling symbol hinting at a sinister secret.

There are three ways up to Castle View from the town of Castle Rock: Route 117, Pleasant Road, and the Suicide Stairs. Every day in the summer of 1974, 12-year-old Gwendy Peterson has taken the stairs, which are held by strong (if time-rusted) iron bolts and zigzag up the cliffside. At the top of the stairs, Gwendy catches her breath and listens to the shouts of the kids on the playground. One day a stranger calls to Gwendy: "Hey, girl. Come on over here for a bit. We ought to palaver, you and me."

The blizzard begins pummeling the Midwest on Christmas Eve, leaving hundreds of passengers stranded at Chicago's O'Hare International Airport. Todd Curry doesn't need another reason to disappoint his son, so he joins three other people in renting the last four-wheel drive available and they set out into the blinding snow. Only two hours into the treacherous trip west, Todd swerves to avoid a man in the middle of the highway. The stranger claims his daughter is lost somewhere out in the snow.