This second instalment in the story of the legendary hero begins with Theseus' triumphant return from Crete after slaying the Minotaur. Having freed the city of Athens from the onerous tribute demanded by the ruler of Knossos - the sacrifice of noble youths and maidens to the appetite of the Labyrinth's monster - Theseus has returned home to find his father dead and himself the new king. But his adventures have only just begun: He still must confront the Amazons; capture their queen, Hippolyta; and face the tragic results of Phaedra's jealous rage.

Alexias, a young Athenian of good family, grows up just as the Peloponnesian War is drawing to a close. The adult world he enters is one in which the power and influence of his class have been undermined by the forces of war, and more and more Alexias finds himself drawn to the controversial teachings of Sokrates.

Alexander's beauty, strength and defiance were apparent from birth, but his boyhood honed those gifts into the makings of a king. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son's loyalty, teaching Alexander politics and vengeance from the cradle. His love for the youth Hephaistion taught him trust, while Aristotle's tutoring provoked his mind and Homer's Iliad fuelled his aspirations.

In a vivid depiction of Ancient Greece and its legendary heroes, The Mask of Apollo tells the story of Nikeratos, the gifted tragic actor at the centre of political and cultural activity in Athens, 400 B. C. Wherever he goes, Nikeratos carries a golden mask of Apollo, a relic and reminder of an age when the theatre was at the height of its greatness and talent. Only a mascot at first, the mask gradually turns into Nikeratos' conscience as he encounters famous thinkers, actors, and philosophers, including the famous Plato himself.

The Persian Boy traces the last years of Alexander's life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas is sold as a courtesan to King Darius of Persia, but finds freedom with Alexander the Great after the Macedon army conquers his homeland. Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes mutinous army, and his own ferocious temper.

Set in sixth-century Greece at the time of the Tyrants, the Persian Wars, and a great flowering of the arts, this novel takes the form of Simonides' memoirs, written in retirement in Sicily. The author was a fellow of the Royal Society of Literature, and she also wrote "The King Must Die".

After surviving the Dunkirk retreat, Laurie Odell, a young homosexual, critically examines his unorthodox lifestyle and personal relationships, as he falls in love with a young conscientious objector and becomes involved with a circle of world-weary gay men.

Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child—not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power—the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.

Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the kingdom of Phthia to be raised in the shadow of King Peleus and his golden son, Achilles. “The best of all the Greeks”—strong, beautiful, and the child of a goddess—Achilles is everything the shamed Patroclus is not. Yet despite their differences, the boys become steadfast companions. Their bond deepens as they grow into young men and become skilled in the arts of war and medicine—much to the displeasure and the fury of Achilles’ mother, Thetis, a cruel sea goddess with a hatred of mortals.

Daughter of a god, wife of a king, prize of antiquity's bloodiest war, Helen of Troy has inspired artists for millennia. Now Margaret George, the highly acclaimed best-selling historical novelist, has turned her intelligent, perceptive eye to the myth that is Helen of Troy.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Julian the Apostate, nephew of Constantine the Great, was one of the brightest yet briefest lights in the history of the Roman Empire. A military genius on the level of Julius Caesar and Alexander the Great, a graceful and persuasive essayist, and a philosopher devoted to worshipping the gods of Hellenism, he became embroiled in a fierce intellectual war with Christianity that provoked his murder at the age of thirty-two, only four years into his brilliantly humane and compassionate reign.

In ancient Greece, a skilled marble sculptor has been blessed by a goddess who has given his masterpiece—the most beautiful woman the town has ever seen—the gift of life. After marrying her, he expects Galatea to please him, to be obedience and humility personified. But she has desires of her own and yearns for independence. In a desperate bid by her obsessive husband to keep her under control, Galatea is locked away under the constant supervision of doctors and nurses. But with a daughter to rescue, she is determined to break free, whatever the cost.

Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice. When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur.

This second instalment in the story of the legendary hero begins with Theseus' triumphant return from Crete after slaying the Minotaur. Having freed the city of Athens from the onerous tribute demanded by the ruler of Knossos - the sacrifice of noble youths and maidens to the appetite of the Labyrinth's monster - Theseus has returned home to find his father dead and himself the new king. But his adventures have only just begun: He still must confront the Amazons; capture their queen, Hippolyta; and face the tragic results of Phaedra's jealous rage.

Alexias, a young Athenian of good family, grows up just as the Peloponnesian War is drawing to a close. The adult world he enters is one in which the power and influence of his class have been undermined by the forces of war, and more and more Alexias finds himself drawn to the controversial teachings of Sokrates.

Alexander's beauty, strength and defiance were apparent from birth, but his boyhood honed those gifts into the makings of a king. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son's loyalty, teaching Alexander politics and vengeance from the cradle. His love for the youth Hephaistion taught him trust, while Aristotle's tutoring provoked his mind and Homer's Iliad fuelled his aspirations.

The Persian Boy traces the last years of Alexander's life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas is sold as a courtesan to King Darius of Persia, but finds freedom with Alexander the Great after the Macedon army conquers his homeland. Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes mutinous army, and his own ferocious temper.

In a vivid depiction of Ancient Greece and its legendary heroes, The Mask of Apollo tells the story of Nikeratos, the gifted tragic actor at the centre of political and cultural activity in Athens, 400 B. C. Wherever he goes, Nikeratos carries a golden mask of Apollo, a relic and reminder of an age when the theatre was at the height of its greatness and talent. Only a mascot at first, the mask gradually turns into Nikeratos' conscience as he encounters famous thinkers, actors, and philosophers, including the famous Plato himself.

After surviving the Dunkirk retreat, Laurie Odell, a young homosexual, critically examines his unorthodox lifestyle and personal relationships, as he falls in love with a young conscientious objector and becomes involved with a circle of world-weary gay men.

One man. Two armies. The fate of the ancient world in the balance. In Tides of War, Steven Pressfield presents an epic saga of Greek strife and conflict with the same historical precision and heartbreaking human scale that made his last novel, Gates of Fire, an international best seller.

Here is one of the best historical novels ever written. Lame, stammering Claudius, once a major embarrassment to the imperial family and now emperor of Rome, writes an eyewitness account of the reign of the first four Caesars: the noble Augustus and his cunning wife, Livia; the reptilian Tiberius; the monstrous Caligula; and finally old Claudius himself. Filled with poisonings, betrayal, and shocking excesses, I Claudius is history that rivals the most exciting contemporary fiction.

This is the story of the young Theseus: Prince of Troizen, King of Eleusis and Athens, and slayer of the Minotaur. Acclaimed novelist Mary Renault weaves myth, legend, history, and fiction into the story of a young hero's search for his destiny and the countless challenges he faces. From Theseus's early life as a prince, to his leadership of a captive team of bulldancers in Crete—not to mention his thrilling encounters with Poseidon—The King Must Die captures the full force of adventure, battle, and an epic quest.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child—not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power—the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.