When Ashana Persaud meets Poppy Morgan on a school trip, she’s sure it’s too good to be true. Coffee dates turn to museum trips until, soon, the two girls can see a future together—one that’s seemingly snatched from them when a hit-and-run takes Ash’s life on New Year’s Eve. As the last person to die before midnight, Ash is bestowed the title of reaper. Only those close to death can perceive a reaper, so when Ash runs into Poppy one lonely night—and Poppy sees her—they can't be sure if it's the second chance they've wished for, or a tragedy lying in wait.

In Temple Folk, Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America. The ten “beautiful and vivid” (Jacqueline Woodson, National Book Award­–winning and New York Times bestselling author) stories in this collection contribute to the bounty of diverse narratives about Black life by intimately portraying the experiences of a community that resists the mainstream culture to which they are expected to accept and aspire to while functioning within the country in which they are born.

1967. While London comes alive with the new youth revolution, the suburban Fischer family seems to belong to an older world of conventional stability: pretty, dutiful homemaker Phyllis is married to Roger, a devoted father with a career in the Foreign Office. Their children are Colette, a bookish teenager, and Hugh, the golden boy.

It’s 2017, and Olga and her brother, Pedro “Prieto” Acevedo” are bold-faced names in their hometown of New York. Prieto is a popular Congressman representing their gentrifying Latinx neighborhood in Brooklyn while Olga is the tony wedding planner for Manhattan’s powerbrokers. Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the one percent, but she can’t seem to find her own...until she meets Matteo, who forces her to confront the effects of long-held family secrets.

It’s a hot and sticky Sunday in Lafayette, Louisiana, and Glory has settled into her usual after-church routine, meeting gamblers at the local coffee shop, where she works as a small-time bookie. Sitting at her corner table, Glory hears that her best friend—a nun beloved by the community—has been found dead in her apartment. When the police declare the mysterious death a suicide, Glory is convinced that there must be more to the story and, with her reluctant daughter in tow, launches a shadow investigation in a town of oil tycoons, church gossips, and a rumored voodoo priestess.

On a struggling Texas plantation, six enslaved women slip from their sleeping quarters and gather in the woods under the cover of night. The Lucys—as they call the plantation owners, after Lucifer himself—have decided to turn around the farm’s bleak financial prospects by making the women bear children. They have hired a “stockman” to impregnate them. But the women are determined to protect themselves.

Jeanette is a bright and rebellious orphan who is adopted into an evangelical household in the dour, industrial North of England and finds herself embroidering grim religious mottoes and shaking her little tambourine for Jesus. But as this budding missionary comes of age, and comes to terms with her unorthodox sexuality, the peculiar balance of her God-fearing household dissolves. Jeanette’s insistence on listening to truths of her own heart and mind - and on reporting them with wit and passion - makes for an unforgettable chronicle of an eccentric, moving passage into adulthood.

As a member of the strictly religious Satmar sect of Hasidic Judaism, Deborah Feldman grew up under a code of relentlessly enforced customs governing everything from what she could wear and to whom she could speak to what she was allowed to read. Yet in spite of her repressive upbringing, Deborah grew into an independent-minded young woman whose stolen moments reading about the empowered literary characters of Jane Austen and Louisa May Alcott helped her to imagine an alternative way of life among the skyscrapers of Manhattan.

Robin Coste Lewis’ electrifying collection is a triptych that begins and ends with lyric poems considering the roles desire and race play in the construction of the self. The central panel is the title poem, “Voyage of the Sable Venus”, a riveting narrative made up entirely of titles of artworks from ancient times to the present - titles that feature or in some way comment on the Black female figure in Western art.

Through poverty, adolescence, and a fraught relationship with her mother, Ashley Ford wishes she could turn to her father for hope and encouragement. There are just a few problems: he’s in prison, and she doesn’t know what he did to end up there. She doesn’t know how to deal with the incessant worries that keep her up at night, or how to handle the changes in her body that draw unwanted attention from men. In her search for unconditional love, Ashley begins dating a boy her mother hates.

Francesca Ekwuyasi’s debut novel tells the interwoven stories of twin sisters, Kehinde and Taiye, and their mother, Kambirinachi. Kambirinachi feels she was born an Ogbanje, a spirit that plagues families with misfortune by dying in childhood to cause its mother misery. She believes that she has made the unnatural choice of staying alive to love her human family and now lives in fear of the consequences of that decision.

When fourteen-year-old Lamya H realizes she has a crush on her teacher—her female teacher—she covers up her attraction, an attraction she can’t yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don’t matter, and it’s easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: When Maryam learned that she was pregnant, she insisted no man had touched her.

From the moment Sylvie and Andrée meet in their Parisian day school, they see in each other an accomplice with whom to confront the mysteries of girlhood. For the next 10 years, the two are the closest of friends and confidantes as they explore life in a post-World War One France, and as Andrée becomes increasingly reckless and rebellious, edging closer to peril. Sylvie, insightful and observant, sees a France of clashing ideals and religious hypocrisy - and at an early age is determined to form her own opinions.

The Secret Lives of Church Ladies explores the raw and tender places where Black women and girls dare to follow their desires and pursue a momentary reprieve from being good. The nine stories in this collection feature four generations of characters grappling with who they want to be in the world, caught as they are between the church's double standards and their own needs and passions.

Josephine Alibrandi is 17 and in her final year of school. Dealing with her mum and the ways of her Nonna are daunting enough as she prepares for her exams. But Josie is about to discover real life gets in the way of her carefully-made plans.