How could a man have been murdered when he was found alone in his study, a gun in his hand, and the door locked from the inside? It had to be suicide, the police figured. Although there was no suicide note, there was a letter proving conclusively that Roland Nelson, over the last several months, was being blackmailed. But to his daughter, Ann, whom he had seen only spasmodically since he had left her mother when Ann was a baby, there were unanswered questions.

The four of them had only two things in common - their name and a love for the ladies. John Boce was a no-account accountant who lusted after food, drink, cars, and women. John Thompson was a secretive librarian who liked his books and his women well-stacked. John Viviano was a fashion photographer with a great feel for a body - any body! And John Pilgrim was a poetic bum who had the girls hanging on his every stanza. All of them wanted the same woman, but which one wanted her enough to kill?

Who killed Cox, the robber? Was it Ruth Tully, who visited Crandall Cox on the night of his death and who might have decided to quench a torrid past with a spray of bullets? What about Sandra Jean, the knock-'em-dead beauty who knew more than she was telling about the sudden demise of blackmailer Cox? Or had some past scandal driven lawyer Ollie Hurst and his wife, Norma, to claim the blackmailer's life? Dave Tully didn't know who the killer was, but if he didn't find out fast, the price of failure could be death....

You are invited to a murder. That was how the invitations should have read when aged millionaire Hendrik Brass sent out his messages to six oddly assorted men and women who knew neither him nor each other. All arrived at the isolated Brass mansion, lured by the tantalizing promise of fabulous wealth. But from the moment the shining brass doors of the grotesquely constructed house swung shut behind them, they began to realize they had been enticed into playing parts in a monstrous joke - the joke of a twisted, brilliant mind…

The Tragedy of Errors is the lengthy and detailed plot outline for the final but never published Ellery Queen novel, containing all the hallmarks of the greatest Queen mysteries - the dying message, the succession of false solutions before the astonishing truth is revealed, and scrupulous fair play to the listener. And the theme is one that Queen had been developing for many years: the manipulation of events in a world going mad by people who aspire to the power of gods.

In New York City in the early 1930s, a man is poisoned on a crowded streetcar during rush hour. Everyone sees Longstreet die - but no one sees the killer. Inspector Thumm's few clues all lead up a blind alley. He finally seeks the aid of Drury Lane - retired Shakespearean actor, master of disguise, and amateur sleuth. Seated amid the splendor of the vast medieval halls of his castle on the Hudson, Drury Lane hears the story from the inspector.

When mere accusation takes the place of evidence, freedom is in peril. What happens after the murder is the story of what Johnny Shinn—late of Army Intelligence and veteran of two wars—in spite of himself, does about it. The tense lynch trial that is the focus of the action is really the trial of Johnny Shinn as an American.

Frightfully rich and awesomely respectable, the McKells had never been touched by scandal. At least, not until the handsome Dane McKell discovered his father's secret affair. Determined to protect his mother, he forced a meeting with the other woman.

But Dane didn't count on falling in love with her himself. Nor did he count on the front page murder that engulfed them all. Sheila, exotic young international leader of haute couture, is found murdered in her Park Avenue penthouse.

Ellery Queen and Sherlock Holmes are the undisputed masters of analytical deduction - their talents and methods strikingly, almost uncannily, alike. Through the strange interlocking of events past and present, the two celebrated detectives meet to focus their razor-sharp intellects - and their brilliant powers of observation - on the mystery of…Jack the Ripper.

Agatha Christie's first two Poirot novels, narrated with a general-American accent. The Mysterious Affair at Styles: Someone has poisoned wealthy Emily Inglethorp. But who? And how? Everyone suspects Emily's young husband, Alfred...and Alfred seems to be actually trying to get arrested and charged.... The Murder on the Links: Poirot comes to France in response to a desperate plea for help to find his client already murdered - stabbed in the back and lying in an open grave. Brusque, arrogant Inspector Giraud thinks he knows who did it.

Ever since disgraced associate Orrie Cather’s suicide, armchair detective Nero Wolfe has relished retirement in his Manhattan brownstone on West 35th Street. Two years after Cather’s death, only a visit from Maria Radovich - and the urging of Wolfe’s prize assistant, Archie Goodwin - could draw the eccentric and reclusive genius back into business. Maria’s uncle, New York Symphony Orchestra conductor Milan Stevens, formerly known as Milos Stefanovic, spent his youth alongside Wolfe as a fellow freedom fighter in the mountains of Montenegro.

Cody Hoyt, while a brilliant cop, is an alcoholic struggling with two months of sobriety when his mentor and AA sponsor Hank Winters is found burned to death in a remote mountain cabin. At first it looks like the suicide of a man who's fallen off the wagon, but Cody knows Hank better than that. Sober for fourteen years, Hank took pride in his hard-won sobriety and never hesitated to drop whatever he was doing to talk Cody off a ledge. When Cody takes a closer look at the scene of his friend's death, it becomes apparent that foul play is at hand.

In 1919, Delano, Georgia, appoints its first chief of police. Honest and hardworking, the new chief is puzzled when young men start to disappear. But his investigation is ended by the fatal blast from a shotgun. Delano's second chief-of-police is no hero, yet he is also disturbed by what he sees in the missing-persons bulletins. In 1969, when Delano's third chief takes over, the unsolved disappearances still haunt the police files.

Two pirates do battle on an old junk ship in Singapore Harbor. They leap nimbly from deck to rigging, crossing swords like fencing masters. And then one surprises the other, slicing a rope and sending the unfortunate pirate tumbling into the bay. This is how stuntman Angelo Sacchetti dies. Edward Cauthorne was his opponent, a fellow stuntman whose career died along with Sacchetti. He’s selling used cars when two thugs approach him.

Meet Me at the Morgue is the story of a kidnapping that led to four murders. In his search for the killer, Howard Cross digs deep into the Los Angeles underworld, finding along the way a beautiful, lost adolescent mourning a dead lover, a suitcase hidden under an aging sadist's bed, and a slovenly gentleman with an ice pick in his neck. Ross Macdonald has never written a story quite like this, and neither has anyone else.