Roger West is a home-loving, hard-hitting and very human policeman. Nicknamed 'Handsome' West, he's more than just a pretty face—he's also Scotland Yard's youngest, smartest detective and a crime-solving supremo. Six of his adventures were dramatised for radio between 1967 and 1971, but only three survived, all of which are included in this box set.

Meet The Honourable Richard Rollison—a.k.a the Toff. A debonair aristocrat and ace amateur sleuth, he's the scourge of London's criminal underworld: sometimes working alone, sometimes hand-in-glove with the police. But wherever he goes, he leaves his distinctive calling card: a jaunty caricature featuring a top hat, a monocle, a bow tie and a cigar. In these two gripping thrillers, he finds himself involved in rural intrigue and a wedding-day mystery.

Three critically acclaimed recordings are joined together in this dazzling Agatha Christie Triple Bill, read by award-winning narrators Alison Larkin and James Warwick, star of the Partners in Crime TV series on Masterpiece Theater.

Beginning with A Study in Scarlet and concluding with The Hound of the Baskervilles, this epic project took over 8 years to complete - and this landmark collection contains the extraordinary result. Here is the world's first ever fully dramatised Sherlock Holmes canon: 56 short stories and 4 novels, all made by the same team of directors, producers, dramatists and leading actors, and packed with the high production qualities of a film or TV drama that set it apart.

Cantankerous and dishevelled, Chief Inspector Dover is no one's idea of a model detective - but he does have an uncanny knack for solving crimes. In these radio dramas, set in the 1960s and '70s, he and his long-suffering sergeant, Charlie McGregor, investigate sinister cases of kidnap and murder. The first four are adapted from Joyce Porter's novels, while the latter two are original stories based on her characters.

A comprehensive collection of the classic Sherlock Holmes stories starring Carleton Hobbs and Norman Shelley - plus bonus documentary. This unique collection contains the existing Sherlock Holmes dramas in chronological order of publication, each a faithful, standalone adaptation of the original tale. Of the 56 short stories in the canon, 51 are included here. Also featured are dramatisations of the four novels: A Study in Scarlet, The Sign of the Four, The Hound of the Baskervilles and The Valley of Fear.

Inspector Purbright is a thoroughly English policeman: affable, polite, dogged and decent. Created by award-winning crime writer Colin Watson, he appeared in 12 Flaxborough mysteries, four of which were adapted for BBC TV under the title Murder Most English. These five radio dramatisations star Peter Jeffrey, John Pullen and John Rowe as Purbright.

With his cape, canes and shovel hat, portly amateur sleuth Dr Gideon Fell cuts an eccentric figure - but his odd appearance belies his sharp intellect and astonishing faculty for deduction. Created by crime novelist John Dickson Carr and supposedly based on fellow author G. K. Chesterton, Dr Fell appeared in 23 novels between 1933 and 1967. This radio collection comprises all eight of the BBC adaptations based on Carr's best-selling books.

The village of Badger's Drift is the essence of tranquillity. But when resident and well-loved spinster Miss Simpson takes a stroll in the nearby woods, she stumbles across something she was never meant to see, and there's only one way to keep her quiet. Miss Simpson's death is not suspicious, say the villagers. But Miss Lucy Bellringer refuses to rest: her friend has been murdered. She is sure of it.

With his black hat, huge umbrella, unworldly simplicity and 'beaming but breathless geniality', Father Brown is one of fiction's best-loved amateur detectives. Short and tatty, but with the wisdom and insight to unravel the most wayward of criminal minds, he has entertained generations. In this collection of 13 full-cast dramatisations, the high priest of detection becomes involved in seven intriguing cases that will tax even his mental powers to the limit.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.