
The Portrait of a Lady
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Narrado por:
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Wanda McCaddon
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De:
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Henry James
When Isabel Archer, a young American woman with looks, wit, and imagination, arrives in Europe, she sees the world as "a place of brightness, of free expression, of irresistible action". She turns aside from suitors who offer her their wealth and devotion to follow her own path. But that way leads to disillusionment and a future as constricted as "a dark narrow alley with a dead wall at the end". In one of the most moving conclusions in modern fiction, Isabel makes her final choice.
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Would you listen to The Portrait of a Lady again? Why?
Probably. It's a very detailed book and explains the characters' motives and thought processes so thoroughly, yet without taking you out of the story in the least, that you feel very connected to everything going on. Some people find this a drawback in James' work but I find it a highlight. This sort of exposition makes the story much more realistic and connectable.With so much detail, rich characters, great dialogue and an engaging story, I could definitely see myself re-reading this in future.
What did you like best about this story?
The storyline between Ralph and Isabel.Which character – as performed by Wanda McCaddon – was your favorite?
Ralph.Was this a book you wanted to listen to all in one sitting?
Yes. The pacing is very good.Any additional comments?
Wanda McCaddon's performance is quite excellent in many aspects but she does have a difficult time maintaining separate voices for each character sometimes and will slip even in a conversation between only two characters. It can be slightly confusing from time to time but I would still recommend her as she's good with conveying the right emotional tone.Loved it
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Good story
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Thought provoking
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"In still other words: all the systems of exchange that organize patriarchal societies and all the modalities of productive work that are recognized, valued, and rewarded in these societies are men’s business. The production of women, signs, and commodities is always referred back to men (when a man buys a girl, he “pays” the father or the brother, not the mother … ), and they always pass from one man to another, from one group of men to another. The work force is thus always assumed to be masculine, and “products” are objects to be used, objects of transaction among men alone." (Luce Irigaray, The Sex Which is Not One" (1985)
Marvellous and still so relevant
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Excellent in every way.
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Bleak and believable
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Stylistically he reminds me of John Singer Sargent, a master of his craft, an absolute master, but somehow without revealing enough about his subjects.
Wonderful narrator, exquisite writing, but something is off
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More complex than I'd imagined
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Stunning
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Complex and absorbing
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