Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

A bird of good omen is murdered. A fickle crew is punished by supernatural, spectral beings. A skeletal ship is sighted moving against the wind and tide. The figure of Death along with a singular, gruesome companion man the fiendish craft. And as they draw closer, it becomes clear that the two play at dice for the soul of the ancient mariner. The result is nothing short of cataclysmic.

At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

Samuel Taylor Coleridge, in collaboration with his friend, William Wordsworth, revolutionized English poetry. In 1798 they produced their Lyrical Ballads, poems of imagination and reflection using "the language of men" - pointing the way forward for a generation of Romantic poets.

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

A must-listen classic! The Rime of the Ancient Mariner is the timeless story of what happens when a daring mariner ventures into Antarctic waters. When the storm approaches, adventure begins. Experience this epic tale like you've never heard it before with crisp, gripping narration!

A new re-interpretation of the classic mystical poetic work by the English poet and printmaker William Blake, The Marriage of Heaven and Hell is a must-listen for any serious literati or poet - as featured in the movie Dead Man by Jim Jarmusch, starring Johnny Depp.

Ovid's sensuous and witty poetry brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation - often as a result of love or lust - where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of Ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy.

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Miller, through Keats’s poetry, brilliantly resurrects and brings vividly to life, the man, the poet in all his complexity and spirit, living dangerously, disdaining respectability and cultural norms, and embracing subversive politics. Keats was a lower-middle-class outsider from a tragic and fractured family, whose extraordinary energy and love of language allowed him to pummel his way into the heart of English literature; a freethinker and a liberal at a time of repression, who delighted in the sensation of the moment.

The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included on the recording are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age.

Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.

"Evangeline: A Tale of Acadie" is an epic poem by the American poet Henry Wadsworth Longfellow, published in 1847. The poem follows an Acadian girl named Evangeline and her search for her lost love Gabriel, set during the time of the expulsion of the Acadians. The idea for the poem came from Longfellow's friend, Nathaniel Hawthorne. Longfellow used dactylic hexameter, imitated from Greek and Latin classics, though the choice was criticized.

Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.

The Arthurian legend of Camelot has been told many times, but never better than by Alfred Tennyson. Employing some of the most stirring and beautiful blank verse ever written, Tennyson crafted his version of the Knights of the Round Table over the course of nearly fifty years, completing it in 1885. Despite the length of time, Tennyson managed to maintain a high level of style and continuity throughout.

Faust by Johann Wolfgang von Goethe, is a poem, translated by Bayard Taylor, which tells the beautiful and emotional story of a man who has seen and done it all. However, despite all of his learning and education, his life still feels empty and unaccomplished. He believes wholeheartedly that there is something else out there. Faust, having exhausted all other fields of study, turns to magic for fulfillment. He summons the devil and makes a pact - that if the devil can show him something rewarding and fulfilling, he will give the devil his soul.

A bird of good omen is murdered. A fickle crew is punished by supernatural, spectral beings. A skeletal ship is sighted moving against the wind and tide. The figure of Death along with a singular, gruesome companion man the fiendish craft. And as they draw closer, it becomes clear that the two play at dice for the soul of the ancient mariner. The result is nothing short of cataclysmic.

Sappho was a female poet who was well known in ancient Greece and Rome for her lyrical poetry. She was most famous for her poems involving women who loved women, and it is from her name that sapphic, a term referring to sexual relations between women, originated. This is a compendium of her surviving work, a collection of 54 fragments translated by Henry de Vere Stacpoole.

"Evangeline: A Tale of Acadie" is an epic poem by the American poet Henry Wadsworth Longfellow, published in 1847. The poem follows an Acadian girl named Evangeline and her search for her lost love Gabriel, set during the time of the expulsion of the Acadians. The idea for the poem came from Longfellow's friend, Nathaniel Hawthorne. Longfellow used dactylic hexameter, imitated from Greek and Latin classics, though the choice was criticized.

When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.

Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

" The Gods of Pegana" is the first book by Lord Dunsany, published in 1905. The book is a series of short stories linked by Dunsany's invented pantheon of deities who dwell in Pegana.

Twelve billionaires rule the United States, while those called freemen are forced to serve the rich. But that was 60 years ago, before the Scarlet Plague. In this post-apocalyptic novella, a ragged and tattered old man tells his progeny of what life was like before The Scarlet Plague appeared - and wiped out civilization as they knew it.

Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out in correspondence. Despite writing almost 1800 poems in her life, very few were published until after her death. Here, the poems are presented in chronological order in their original form, unaltered by editorial revision, in one volume. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings of her last years.

Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.

The Aeneid represents one of the greatest cultural and artistic achievements of Western Civilization. Within the brooding and melancholy atmosphere of Virgil's pious masterpiece lies the mythic story of Aeneas and his flight from burning Troy, taking with him across the Mediterranean the survivors of the Greek onslaught. Aeneas, after many travails and adventures, including a love affair with Dido Queen of Carthage and a visit to the underworld to see his father, ends up in Italy.

In 1855, Walt Whitman published, at his own expense, the first edition of Leaves of Grass, a visionary volume of 12 poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, the writing is distinguished by an explosively innovative free-verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, this monumental work, now a classic of American poetry, was condemned as immoral upon publication.

Virgil's Georgics ranks as one of the most precious pastoral poems ever written, and it has served as a model for its type ever since. Georgics means "of or relating to agriculture or rural life" and it comes from the Greek word, "georgicus". Virgil's main theme in this, his second great work after The Eclogues, was the importance of peace both in the spiritual and physical sense.