As Wodehouse himself once noted, "Blandings has impostors like other houses have mice." On this particular occasion, there are two imposters, both intent on a dangerous enterprise. Lord Emsworth's secretary, the Efficient Baxter, is on the alert and determined to discover what is afoot - despite the distractions caused by the Honorable Freddie Threepwood's hapless affair of the heart.

Brighton, 1957: a sunny seaside resort with a sinister underbelly. This den of villainy is policed by the touchingly innocent Inspector Steine, who naively believes he wiped out all the hoodlums in the Middle Street Massacre six years earlier. Can long-suffering Sergeant Brunswick and keen Constable Twitten persuade him that a criminal mastermind is at large - and that the station's charlady, Mrs Groynes, might bear investigation?

A rollicking collection of six acclaimed dramatisations of P.G Wodehouse's Jeeves & Wooster novels, starring Michael Hordern and Richard Briers as Jeeves and Wooster. Also featuring Maurice Denham, Paul Eddington, David Jason, John Le Mesurier, Miriam Margolyes, Jonathan Cecil, Liza Goddard and Patrick Cargill.

Whose Body? first introduced Lord Peter to the world and begins with a corpse in the bath of a London flat. Clouds of Witness finds Wimsey investigating murder close to home, and in Unnatural Death he investigates the suspicious demise of an elderly woman. First broadcast on BBC radio in the 1970s and presented here in their entirety, these full-cast adaptations are admired by fans of the genre worldwide.

Beginning with A Study in Scarlet and concluding with The Hound of the Baskervilles, this epic project took over 8 years to complete - and this landmark collection contains the extraordinary result. Here is the world's first ever fully dramatised Sherlock Holmes canon: 56 short stories and 4 novels, all made by the same team of directors, producers, dramatists and leading actors, and packed with the high production qualities of a film or TV drama that set it apart.

Seven BBC Radio 4 full-cast dramatisations of P. D. James' acclaimed mysteries, plus P. D. James in Her Own Words. This collection includes: Cover Her Face, A Taste for Death, Devices and Desires, A Certain Justice, The Private Patient, An Unsuitable Job for a Woman and The Skull Beneath the Skin.

Meet Dr Anthony Webster and Dr Ruth Anderson, two pathologists attempting to live normal lives in an atmosphere of death, decay and seriously unpleasant smells. Anthony loves his chosen profession, finding every cadaver exciting and surprising: 'they're like Kinder eggs that have died'. Ruth, however, longs for a juicy murder mystery, instead of one routine autopsy after another.

Inspector Purbright is a thoroughly English policeman: affable, polite, dogged and decent. Created by award-winning crime writer Colin Watson, he appeared in 12 Flaxborough mysteries, four of which were adapted for BBC TV under the title Murder Most English. These five radio dramatisations star Peter Jeffrey, John Pullen and John Rowe as Purbright.

Inspired by Henry Cecil's 1955 comic novel of the same name, Brothers in Law first appeared on BBC One in 1962, providing Richard Briers with his first starring role on television as idealistic young barrister Roger Thursby. Adapted by Richard Waring from TV scripts by Frank Muir and Denis Norden, it took to the airwaves in 1970, running for three years until 1972. As the series opens, the rookie lawyer is in his first year at chambers, and struggling to learn the ropes.

All four series of the Eastern bloc embassy sitcom starring Dinsdale Landen. Set in a British embassy somewhere in Russia as the Cold War draws to a close, this entertaining sitcom follows Her Majesty's Ambassador Mr Mackenzie as he navigates the idiosyncrasies of life behind the Iron Curtain. Together with his first secretary, William Frost, and personal assistant Helen Waterson, he manages matters ranging from dissidents to diplomatic dinners, all while maintaining his urbane, unflappable demeanour.

Meet Surbiton’s most famous residents: Tom, Barbara, Margo and Jerry. It is Tom Good's 40th birthday, and he feels thoroughly unfulfilled. If only he can discover what 'It' is, and if he can, will his wife Barbara agree to do 'It' with him? The subsequent and sudden transformation of the Goods’ home into a smallholding causes consternation for Margo and Jerry next door, and they decide it’s their duty to interfere. So begins The Good Life, the much loved classic sitcom starring Richard Briers, Felicity Kendal, Paul Eddington and Penelope Keith.

Meet Clare Barker, the social worker who likes nothing more than sorting out other people's problems (while failing to deal with her own). Wracked with guilt over being white, middle-class and heterosexual, she has a dedicated social conscience (unless it's inconvenient for her) and lives to interfere in other people's lives—both on a personal and professional basis. Bearing the brunt of her control freakery and lack of self-awareness are her family, colleagues and long-suffering teacher partner, Brian—all of whom have their own frustrations, disappointments and dramas.

With his cape, canes and shovel hat, portly amateur sleuth Dr Gideon Fell cuts an eccentric figure - but his odd appearance belies his sharp intellect and astonishing faculty for deduction. Created by crime novelist John Dickson Carr and supposedly based on fellow author G. K. Chesterton, Dr Fell appeared in 23 novels between 1933 and 1967. This radio collection comprises all eight of the BBC adaptations based on Carr's best-selling books.

Penelope Keith stars in the much-loved sitcom about an aristocrat forced to part with her family home. When her husband's death leaves her financially strapped, Audrey Fforbes-Hamilton has no choice but to sell her beloved Grantleigh Estate. With butler Brabinger in tow, she decamps to the tiny Old Lodge cottage, where she keeps a close - and disapproving - eye on the new squire: the nouveau riche Richard DeVere, a wholesale food magnate of Czech descent.

Between 1980 and 1988 on BBC television and radio, the exploits of the Rt Hon Jim Hacker MP (Paul Eddington) - later Prime Minister - kept the British nation enthralled. Helped - and hampered - by his diligent Permanent Secretary Sir Humphrey Appleby (Nigel Hawthorne) and his Principle Private Secretary Bernard Woolley (Derek Fowlds), Hacker and his department became synonymous with government bureaucracy and administrative double dealing.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Superstar comedian and Hollywood box-office star Kevin Hart turns his immense talent to the written word by writing some words. Some of those words include: the, a, for, above, and even even. Put them together and you have the funniest, most heartfelt, and most inspirational memoir on survival, success, and the importance of believing in yourself since Old Yeller.

When two childhood best friends blow up their respective romantic relationships, they make a time-sensitive pact: serial-cheater Chuck cannot sleep with anyone as she attends a three-month-long recovery group for cheaters, while sex-deprived Sofia vows to hook up with as many people as possible before recommitting to monogamy and tying the knot with her long-time fiancé. To keep things interesting, Chuck and Sofia decide to revive a past tradition from their summer camp days—also known as the dawning of sluthood.

The True Story of The Coward Brothers follows two musical brothers – one English, one American, both the illegitimate sons of dubious parentage who may, as they claim to be, "one and half-brothers" – perhaps a reference to the disparity in their height and relative talents.

Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.