Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

Through her transcendent imagery, distinct punctuation, experimental slant rhyme, and wordplay, Emily Dickinson set herself apart from every other poet of her time. These essential works - thematically divided into poems on life, nature, love, and time and eternity - reveal a keen, humorous observer whose art, like the artist herself, defied tradition.

Originally distributed as a self-published booklet, A Season in Hell by Arthur Rimbaud quickly established him to be the "first punk" and a visonary mentor to the Beat poets for both his recklessness and fiery poetry according to famous poet of the Beat Generation, Allen Ginsberg.

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny.

When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.

Few novels have had as profound an impact on American culture as On the Road. Pulsating with the rhythms of 1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open road, Kerouac’s classic novel of freedom and longing defined what it meant to be “beat” and has inspired generations of writers, musicians, artists, poets, and seekers who cite their discovery of the book as the event that “set them free”.

Through Jim Burden's endearing, smitten voice, we revisit the remarkable vicissitudes of immigrant life in the Nebraska heartland, with all its insistent bonds. Guiding the way are some of literature's most beguiling characters: the Russian brothers plagued by memories of a fateful sleigh ride, Antonia's desperately homesick father and self-indulgent mother, and the coy Lena Lingard. Holding the pastoral society's heart, of course, is the bewitching, free-spirited Antonia.

Dubliners is a collection of short stories by James Joyce that was first published in 1914. The 15 stories were meant to be a naturalistic depiction of the Irish middle-class life in and around Dublin in the early years of the 20th century. The stories were written at a time when Irish nationalism was at its peak and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences.

Do you know that the Olympians weren’t the original immortals? Or that the Goddess Hera restored her virginity each year? The ancient Greeks wove one of the richest and best-preserved collections of stories of all the early civilizations, from the dawn of creation to the bloody siege at Troy.

For the last 20 years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.

Last night I dreamt I went to Manderley again.... The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady's maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives - presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave.

Bradbury's Mars is a place of hope, dreams, and metaphor - of crystal pillars and fossil seas - where a fine dust settles on the great, empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn - first a trickle, then a torrent, rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars...and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries—and there he dies suddenly.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.