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The Yellow House

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The Yellow House

De: Sarah M. Broom
Narrado por: Bahni Turpin
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A New York Times Best Seller
Winner of the 2019 National Book Award for Nonfiction

A brilliant, haunting and unforgettable memoir from a stunning new talent about the inexorable pull of home and family, set in a shotgun house in New Orleans East.

In 1961, Sarah M. Broom’s mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah’s father Simon Broom; their combined family would eventually number 12 children. But after Simon died, six months after Sarah’s birth, the Yellow House would become Ivory Mae’s 13th and most unruly child.

A book of great ambition, Sarah M. Broom’s The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America’s most mythologized cities. This is the story of a mother’s struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. The Yellow House expands the map of New Orleans to include the stories of its lesser known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the “Big Easy” of tourist guides and the New Orleans in which Broom was raised, The Yellow House is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. It is a transformative, deeply moving story from an unparalleled new voice of startling clarity, authority, and power.

Copyright 2019 by Sarah M. Broom. Recorded by arrangement with Grove Press, an imprint of Grove Atlantic, Inc. Kei Miller, excerpt from The Cartographer Tries to Map a Way to Zion (Carcanet Press Ltd); Peter Turchi, excerpt from Maps of the Imagination: The Writer as Cartographer (Trinity University Press); excerpt from The Poetics of Space by Gaston Bachelard, translated by Maria Jolas, copyright 1958 by Presses Universitaires de France, translation copyright 1964 by Penguin Random House LLC. Used by permission of Viking Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. All rights reserved; Tracy K. Smith, excerpt from “Ash” from Wade in the Water. Originally from the New Yorker (November 23, 2015). Copyright 2015, 2018 by Tracy K. Smith. Reprinted with the permission of The Permissions Company, Inc. on behalf of Graywolf Press, Minneapolis, Minnesota, graywolfpress.org; LeAlan Jones, Public Domain; Yance Ford, excerpt from the film Strong Island; John Milton, excerpt from Paradise Lost. Public Domain; Unified New Orleans Plan, Public Domain; Lil Wayne, excerpt from AllHipHop.com interview in early 2006; Adrienne Rich, the lines from “Diving into the Wreck”. Copyright 2016 by the Adrienne Rich Literary Trust. Copyright 1973 by W. W. Norton & Company, Inc., from Collected Poems: 1950-2012 by Adrienne Rich. Used by permission of W. W. Norton & Company, Inc; Joan Didion, excerpt from “In the Islands” from The White Album by Joan Didion. Copyright 1979 by Joan Didion. Reprinted by permission of Farrar, Straus and Giroux; Sam Hamill, excerpt from Narrow Road to the Interior: And Other Writings (Shambhala Classics).

©2019 by Sarah M. Broom. Recorded by arrangement with Grove Press, an imprint of Grove Atlantic, Inc. (P)2019 Audible, Inc.
Américas Esenciales de recuerdos Estados Unidos Estatal y Local Mujeres

Featured Article: The top 100 memoirs of all time


All genres considered, the memoir is among the most difficult and complex for a writer to pull off. After all, giving voice to your own lived experience and recounting deeply painful or uncomfortable memories in a way that still engages and entertains is a remarkable feat. These autobiographies, often narrated by the authors themselves, shine with raw, unfiltered emotion sure to resonate with any listener. But don't just take our word for it—queue up any one of these listens, and you'll hear exactly what we mean.

Compelling Family Memoir • Rich Historical Context • Nuanced Vocal Portrayal • Beautiful Descriptive Writing
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This was a slow start and I considered giving up, but in the end, I was glad I kept going with it. It's VERY well written, which matters to me, and in the end - it causes the listener some introspection. The narrator is one of my very favorites.

Stick with it

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The memoir, when focused on the author and her family story is interesting and compelling. But when the author drifts too long into the history and minutiae of some locations it becomes a dry textbook. And her distance/displacement from her personal emotions leaves me dissatisfied. Perhaps that displacement is the point of the story.

uneven mix of stories

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The; Yellow House was a San Francisco Victorian i n my story. I'm not black, either,or 6 ft tall; but we had almost duplicate lives. The house the various family & extended family, returning again & again, to finding myself there again, It really is a coming-of-age novel; for every woman.

Universal story

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“Water has a perfect memory and is forever trying to get back to where it was”. Toni Morrison.

“Begin as you want to end”. Ivory Mae Broom.

Sarah M. Broom penned a very informative memoir that shed light on many themes – family / community cohesiveness, belonging, love, loss, race and discrimination. Sarah and her family are from New Orleans East, a city bifurcated between the Mississippi River and the Industrial Canal. The story takes place predominantly in New Orleans East. She is the last of twelve children. In her memoir, the house is considered to be the unruly thirteenth child. Although the yellow house was destroyed during the hurricane, it still lives on through her families lives. New Orleans is known for its rich history and culture. I really enjoyed the historical aspects in relation to slavery and how she gave her family a voice to tell their story as well. The author educates us to those places that were purposely omitted then washed away by Hurricane Katrina. Katrina uprooted and displaced families within the community. These families that belonged to and identified with New Orleans East, showed up boldly in their presence demanding to be recognized. Her story revealed the truth about family and a community that was displaced before, during and after hurricane Katrina. The author showed how New Orleans East was displaced on a map, a city that map makers and politicians alike behaved as though it was a non-entity. Sarah is successful in putting New Orleans on the map of our hearts and minds, going as far back 100 years into her family’s history. Sarah refers to Hurricane Katrina as the water.

Water, is a necessity in life. The ocean, a beautiful vast body of water. It can be so serene and a place to go to meditate – disconnect to reconnect. She – the water, this bold woman is strong and can be deadly. Water can and will reclaim at will. Washing away any and everything in her path.

Yellow is the color of clarity.

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More than anything, I appreciated the way that Turpin interpreted the text and added nuance. This was a joy to listen to!

Bahni Turpin is a treasure!

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This is a well-researched and beautifully told memoir of generations of a family living, loving and dying in New Orleans East, a neglected community in the fabled city. The author achieves an emotional balance in her writing giving an in depth portrayal of her African American family. The reader brings each character to life with nuance, grace and humor. I was enthralled by this intimate portrait of life in New Orleans before and after Hurricane Katrina. The warmth and humanity of each member of this extended family shines through. They persevered despite the overwhelming odds of poverty, racism, climate disaster, bureaucracy, and neglect.

Touching family story

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Appreciated the inside story of a New Orleans family post “water”. But the story seems to meander. Did t seem to have a beginning/middle/end.

Wanders

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Wonderful book, but I was so distracted by Ms. Turpin’s narration. I usually love her reads, but the mispronunciations of our streets, our food, etc was egregious. Just a little bit of homework would have been amazing for the reading of this story. This Louisiana girl says,” Oh but no, baybay.” 🙄😩😤

Please, please. Michoud is “meesh-u”!!! The atrocities!

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I fell in love with this family. I went on the journey with them. I came out the other side with a new perspective.

Unexpected treasure

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A deeply personal view of NOLA not the tourist destination but the city she was born to and where her family lived and in some part lives. It has equally sad moments and funny stories as the author struggles to define her own self experience. A sweet memoir.

Charming

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