This Is Shakespeare
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Narrated by:
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Emma Smith
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By:
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Emma Smith
About this listen
An electrifying new study that investigates the challenges of the Bard's inconsistencies and flaws, and focuses on revealing - not resolving - the ambiguities of the plays and their changing topicality
A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn't tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant.
In This Is Shakespeare, Emma Smith - an intellectually, theatrically, and ethically exciting writer - takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
©2020 Emma Smith (P)2020 Random House AudioListeners also enjoyed...
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Critic reviews
"I admire the freshness and attack of her writing, the passion and curiosity that light up the page." (Hilary Mantel, author of Wolf Hall and Bring Up the Bodies)
"If I were asked to recommend one guide for readers keen on discovering what's at stake in Shakespeare's plays, This Is Shakespeare would be it." (James Shapiro, author of The Year of Lear: Shakespeare in 1606)
"Brilliantly illuminating.... The best introduction to Shakespeare’s plays that I've read, perhaps the best book on Shakespeare, full stop. Emma Smith's voice is disarmingly frank, refreshingly irreverent, full of pop culture.... Her reading of the plays is dazzling, her original research totally convincing." (Alex Preston, The Observer, London)
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Infamously known as the cursed Scottish play, Macbeth is perhaps Shakespeare’s darkest tragedy. When General Macbeth is foretold by three witches that he will one day be King of Scotland, Lady Macbeth convinces him to get rid of anyone who could stand in his way – including committing regicide. As Macbeth ascends to the throne through bloody murder, he becomes a tyrant consumed by fear and paranoia.
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Might want to Read Along
- By Syd Young on 02-03-14
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The Art of the Novel
- By: Milan Kundera, Linda Asher - translator
- Narrated by: Graeme Malcolm
- Length: 4 hrs and 31 mins
- Unabridged
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Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the postpsychological novel.
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Informative and Inspiring
- By Mo on 11-27-21
By: Milan Kundera, and others
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Shakespeare Was a Woman and Other Heresies
- How Doubting the Bard Became the Biggest Taboo in Literature
- By: Elizabeth Winkler
- Narrated by: Eunice Wong
- Length: 14 hrs and 28 mins
- Unabridged
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The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.
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Excellent!
- By Virgil Tracy on 06-03-23
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The Merchant of Venice
- Arkangel Shakespeare
- By: William Shakespeare
- Narrated by: Trevor Peacock, Bill Nighy, Haydn Gwynne, and others
- Length: 2 hrs and 16 mins
- Original Recording
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In Shakespeare's most controversial play, the opposing values of justice and mercy must be resolved. Antonio promises money to help his friend Bassanio woo Portia. He borrows the sum needed from the cruel Shylock, but there will be a dreadful penalty if the loan is not repaid. The golden world of Portia's Belmont calls forth some of Shakespeare's most lyrical love poetry. But the dark shadow of Shylock is never far from the heart of this brilliant comedy as it moves toward its courtroom climax.
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One Of Shakespeare's Best
- By M. J. Christensen on 06-07-15
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Dying Every Day
- Seneca at the Court of Nero
- By: James S. Romm
- Narrated by: Paul Woodson
- Length: 8 hrs and 39 mins
- Unabridged
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James Romm seamlessly weaves together the life and written words, the moral struggles, political intrigue, and bloody vengeance that enmeshed Seneca the Younger in the twisted imperial family and the perverse, paranoid regime of Emperor Nero, despot and madman.
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Outstanding
- By michael bobadilla on 05-04-23
By: James S. Romm
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Shakespeare by Another Name
- The Life of Edward de Vere, Earl of Oxford, the Man who Was Shakespeare
- By: Mark Anderson
- Narrated by: Simon Prebble
- Length: 10 hrs and 14 mins
- Abridged
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Actor William Shaksper of Stratford had little education, never left England, and apparently owned no books. How could he have written the great plays and poetry attributed to him? Journalist Mark Anderson's biography offers tantalizing proof that Edward de Vere, 17th Earl of Oxford, courtier, spendthrift, scholar, traveler, soldier, scoundrel, and writer, was the real "Shakespeare".
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Brings the period to life
- By Dan on 01-15-06
By: Mark Anderson
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Talking About Detective Fiction
- By: P. D. James
- Narrated by: Diana Bishop
- Length: 4 hrs and 18 mins
- Unabridged
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Overall
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Performance
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Story
To judge by the worldwide success of Arthur Conan Doyle's Sherlock Holmes and Agatha Christie's Poirot, it is not only the Anglo-Saxons who have an appetite for mystery and mayhem. Talking about the craft of detective writing and sharing her personal thoughts and observations on one of the most popular and enduring forms of literature, P. D. James examines the challenges, achievements and potential of a genre which has fascinated her as a novelist for nearly 50 years.
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Fascinating and Informative
- By Nancy J on 03-17-13
By: P. D. James
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Shakespeare and the Resistance
- By: Clare Asquith
- Narrated by: Allan Corduner
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Story
The 1590s were bleak years for England. The queen was old, the succession unclear, and the treasury empty after decades of war. Amid the rising tension, William Shakespeare published a pair of poems dedicated to the young Earl of Southampton: Venus and Adonis in 1593 and The Rape of Lucrece a year later. Although wildly popular during Shakespeare's lifetime, to modern readers both works are almost impenetrable. But in her enthralling new book, the Shakespearean scholar Clare Asquith reveals their hidden contents.
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Excellent scholarship unveiling hidden history
- By Lumen Fidei on 07-03-23
By: Clare Asquith
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Sailing the Wine-Dark Sea
- Why the Greeks Matter
- By: Thomas Cahill
- Narrated by: John Lee
- Length: 7 hrs and 35 mins
- Unabridged
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Overall
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Performance
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Story
Best selling history writer Thomas Cahill continues his series on the roots of Western civilization with this volume about the contributions of ancient Greece to the development of contemporary culture. Tracing the origin of Greek culture in the migrations of armed Indo-European horsemen into Attica and the Peloponnesian peninsula, he follows their progress into the creation of the Greek city-states, the refinement of their machinery of war, and the flowering of intellectual and artistic culture.
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Super super
- By Richard on 12-28-03
By: Thomas Cahill
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Anne Boleyn
- 500 Years of Lies
- By: Hayley Nolan
- Narrated by: Hayley Nolan
- Length: 11 hrs and 28 mins
- Unabridged
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Overall
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Performance
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Story
History has lied. Anne Boleyn has been sold to us as a dark figure, a scheming seductress who bewitched Henry VIII into divorcing his queen and his church in an unprecedented display of passion. Quite the tragic love story, right? Wrong. In this electrifying exposé, Hayley Nolan explores for the first time the full, uncensored evidence of Anne Boleyn’s life and relationship with Henry VIII, revealing the shocking suppression of a powerful woman.
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Very annoying narrator!
- By momo chan on 12-02-19
By: Hayley Nolan
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The Year of Lear
- Shakespeare in 1606
- By: James Shapiro
- Narrated by: Robert Fass
- Length: 11 hrs and 6 mins
- Unabridged
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Overall
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Performance
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Story
In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.
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Detailed and satisfying
- By Tad Davis on 02-24-16
By: James Shapiro
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Sontag
- Her Life and Work
- By: Benjamin Moser
- Narrated by: Tavia Gilbert
- Length: 22 hrs and 4 mins
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Overall
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Performance
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Story
No writer is as emblematic of the American 20th century as Susan Sontag. Mythologized and misunderstood, lauded and loathed, a girl from the suburbs who became a proud symbol of cosmopolitanism, Sontag left a legacy of writing on art and politics, feminism and homosexuality, celebrity and style, medicine and drugs, radicalism and Fascism and Freudianism and Communism and Americanism, that forms an indispensable key to modern culture.
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Cloying voice
- By Suzanne on 11-02-19
By: Benjamin Moser
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What listeners say about This Is Shakespeare
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Harry Kelley
- 10-12-23
A pentimento approach
Challenging, entertaining, revelatory, there author first dazzled us with a dazzling review of the opus, including hundreds of ideas and thoughts that never visited my limited gray matter; then, explicitly, she invites us to do what she has been doing all along, muddle through the place as best we can to challenge, not only ourselves, but the works. It isn’t so much that she says they are living, breathing things, but that they can be read under a multitude of influences that bend and reflect their meaning in such a way that we will find ourselves and our current situation at least touched on in the texts. She is a marvelous combination of writer, professor, comic, And mentor. Should you read this book, you will find matter you have not encountered before. If it strikes you, as it did me, you will find it, intriguing and delightful.
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3 people found this helpful
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- Amanda L. Hughes
- 01-05-21
Excellent and accessible listen
Really nice collection of essentially stand-alone essays on many Shakespeare plays. Accessible and insightful. Geared towards an intellectually curious general audience, but refreshing for the more specialized reader as well.
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5 people found this helpful
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- Nemo71
- 09-01-24
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Listening to this as someone not normally exposed to literary criticism, I found this very useful, though I do have mixed feelings about some of the discussion. It's insightful, gives brief surveys of what other critics have thought, and is written in an occasionally colloquial way, to good effect.
As for the mixed feelings, the following kind of thing is a sore point for me, and while I'll give it a disproportionate amount of space here, I don't mean to take away from an excellent book.
Emma Smith works in references to Freud, to the idea of shame versus guilt cultures, and even to what she calls the God particle. I don't think any of this belongs in the discussion, and it leads to what I think are the shakiest parts of her analysis. What Freud wrote in 1900 is not the state of the art today, and it didn't do any useful work here. As Smith herself acknowledges, the shame versus guilt culture distinction is not well supported, and while I can see how it suggested itself, I don't think it added anything to understanding Anthony and Cleopatra. The "God particle" stuff got in as a humorous aside, so I don't want to make too much of it, but it was clear that Smith didn't actually know anything about Higgs bosons, or how really irritating physicists find that term for them.
Punching up the conversation that way is pretty common these days, and not just in literary criticism. You need to be very careful about this if you're doing it in support of a serious argument, since you're introducing a dependency on ongoing research. Scientific ideas get disproven all the time, which, after all, is the way science is supposed to work.
Which isn't to say that scientists themselves are always scrupulous about this. A lot of papers that have been retracted continue to be cited. It's the same problem in both cases. There are a lot of zombies walking around.
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