Alexander Cleave, actor, has left his career and his family behind and banished himself to his childhood home. He wants to retire from life, but finds this impossible in a house brimming with presences, some ghostly, some undeniably human. Memories, anxiety for the future, and more particularly, for his beloved but troubled daughter, conspire to distract him from his dreaming retirement.

Is there any difference between memory and invention? That is the question that fuels this stunning novel, written with the depth of character, the clarifying lyricism, and the heart-wrenching humor that have marked all of John Banville's extraordinary works. And it is the question that haunts Alexander Cleave as he plumbs the memories of his first - and perhaps only - love (he, just 15, the woman more than twice his age, the mother of his best friend; the situation impossible, thrilling, devouring, and finally devastating).

Victor Maskell has been betrayed. After the announcement in the Commons, the hasty revelation of his double life of wartime espionage, his photograph is all over the papers. His disgrace is public, his position as curator of the Queen’s pictures terminated… Maskell writes his own testament, in an act not unlike the restoration of one of his beloved pictures, in order for the process of verification and attribution to begin.

Sixteen hundred years ago Britain left the Roman Empire and swiftly fell into ruin. Grand cities and luxurious villas were deserted and left to crumble, and civil society collapsed into chaos. Into this violent and unstable world came foreign invaders from across the sea, and established themselves as its new masters. The Anglo-Saxons traces the turbulent history of these people across the next six centuries. It explains how their earliest rulers fought relentlessly against each other for glory and supremacy, and then were almost destroyed by the onslaught of the vikings.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

The art world is a much dirtier, nastier business than you might expect. Tony Tetro, one of the most renowned art forgers in history, will make you question every masterpiece you’ve ever seen in a museum, gallery, or private collection. Tetro’s “Rembrandts,” “Caravaggios,” “Miros,” and hundreds of other works now hang on walls around the globe.

A shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy—or hüzün—that all Istanbullus share.

Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he’s stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most.

Joshua Greene, who studied meditation with the legendary Beatle George Harrison, draws on personal remembrances, recorded conversations, and firsthand accounts to create a moving portrait of Harrison's spiritual life, his profound contribution to the Beatles' music, and previously unpublished anecdotes about his time with music legends Bob Dylan, Elvis Presley, and others.

In this memoir, Tannen embarks on the poignant, yet perilous, quest to piece together the puzzle of her father’s life. Beginning with his astonishingly vivid memories of the Hasidic community in Warsaw, where he was born in 1908, she traces his journey: from arriving in New York City in 1920 to quitting high school at 14 to support his mother and sister, through a vast array of jobs, including prison guard and gun-toting alcohol tax inspector, to eventually establishing the largest workers’ compensation law practice in New York and running for Congress.

Flynn was only a teenager when her parents were killed in a terrible accident. Too young to lose her parents, too young to take on responsibility for her younger sister Kaiya, too young to protect Kaiya from the harshness of their new lives in the following years. Desperate to help her sister, Flynn reaches out to Willa Tomlinson, a grief counsellor renowned for helping her patients cope with profound loss. Under Willa’s influence and care, Kaiya finally seems to turn a corner, joining the climate action collective that Willa leads.

Catherine the Great was a woman of notorious passion and imperial ambition. Prince Potemkin was the love of her life and her co-ruler. Together they seized Ukraine and Crimea, territories that define the Russian sphere of influence to this day. Their affair was so tumultuous that they negotiated an arrangement to share power, leaving each of them free to take younger lovers. But these “twin souls” never stopped loving each other.

Union soldier John Chenneville suffered a traumatic head wound in battle. His recovery took the better part of a year as he struggled to regain his senses and mobility. By the time he returned home, the Civil War was over, but tragedy awaited. John’s beloved sister and her family had been brutally murdered. Their killer goes by many names. He fought for the North in the late unpleasantness, and wore a badge in the name of the law. But the man John knows as A. J. Dodd is little more than a rabid animal, slaughtering without reason or remorse, needing to be put down.

In We Don't Know Ourselves, Fintan O'Toole weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society - perhaps the most astonishing national transformation in modern history. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism.

Riveting and compelling, The Wall tells the inspiring story of 40 men and women who escape the dehumanizing horror of the Warsaw ghetto. John Hersey's novel documents the Warsaw ghetto both as an emblem of Nazi persecution and as a personal confrontation with torture, starvation, humiliation, and cruelty - a gripping and visceral story, impossible to pause.

The incomparable Booker Prize winner’s next great crime novel - the story of a family whose secrets resurface when a parish priest is found murdered in their ancestral home. Detective Inspector St. John Strafford has been summoned to County Wexford to investigate a murder. A parish priest has been found dead in Ballyglass House, the family seat of the aristocratic, secretive Osborne family.

The narrator is Max Morden, a middle-aged Irishman who, soon after his wife’s death, has gone back to the seaside town where he spent his summer holidays as a child—a retreat from the grief, anger, and numbness of his life without her. But it is also a return to the place where he met the Graces, the well-heeled vacationing family with whom he experienced the strange suddenness of both love and death for the first time.

A man with a borrowed name steps from a flashy red sports car—also borrowed—onto the estate of his youth. But all is not as it seems. There is a new family living in the drafty old house: the Godleys, descendants of the late, world-famous scientist Adam Godley, whose theory of existence threw the universe into chaos. And this mystery man, who has just completed a prison sentence, feels as if time has stopped, or was torn, or was opened in new and strange ways. He must now vie with the idiosyncratic Godley family, and with a woman from his past who comes bearing an unusual request.

Victor Maskell has been betrayed. After the announcement in the Commons, the hasty revelation of his double life of wartime espionage, his photograph is all over the papers. His disgrace is public, his position as curator of the Queen’s pictures terminated… Maskell writes his own testament, in an act not unlike the restoration of one of his beloved pictures, in order for the process of verification and attribution to begin.

Isabel Archer is a young American woman swept off to Europe in the late 19th century by an aunt who hopes to round out the impetuous but naïve girl's experience of the world. When Isabel comes into a large, unexpected inheritance, she is finagled into a marriage with the charming, penniless, and - as Isabel finds out too late - cruel and deceitful Gilbert Osmond, whose connection to a certain Madame Merle is suspiciously intimate.