Tony and Susan
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Narrated by:
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Lorelei King
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Peter Marinker
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By:
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Austin Wright
About this listen
Fifteen years ago Susan Morrow left her first husband, Edward Sheffield, an unpublished writer. Now she's enduring middle-class suburbia as a doctor's wife when out of the blue she receives a package containing the manuscript of her ex-husband's first novel. He writes asking her to read the book; she was always his best critic, he says.
As Susan reads, she is drawn into the fictional life of Tony Hastings, a math professor driving his family to their summer house in Maine. And as we read with her, we, too, become lost in Sheffield's thriller. As the Hastings' ordinary, civilized lives are disastrously, violently sent off course, Susan is plunged back into the past, forced to confront the darkness that inhabits her, and driven to name the fear that gnaws at her future and will change her life.
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Virgil Skinner served 14 years for a murder he didn’t commit. He’s finally been exonerated, but he can’t escape the gang he joined in order to survive. They’ll do anything to keep him from telling what he knows. And if they can’t get to Virgil, they’ll go after his sister and her kids. The California Department of Corrections needs someone to infiltrate another gang, one that’s taking control of the state’s most notorious supermax. Virgil’s the perfect candidate, and he’ll agree to do it under an alias - in exchange for his sister’s protection.
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Great Book
- By Donna Thomas on 10-18-11
By: Brenda Novak
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The Keep
- The Adversary Cycle, Book 1
- By: F. Paul Wilson
- Narrated by: Ralph Lister
- Length: 15 hrs and 36 mins
- Unabridged
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"Something is murdering my men." Thus reads the message received from a Nazi commander stationed in a small castle high in the remote Transylvanian Alps. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims. When an elite SS extermination squad is dispatched to solve the problem, the men find something that's both powerful and terrifying. Panicked, the Nazis bring in a local expert on folklore - who just happens to be Jewish - to shed some light on the mysterious happenings.
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At long last, The classic horror novel on Audible
- By Shieldslinger on 07-22-20
By: F. Paul Wilson
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Ashes to Ashes
- By: Tami Hoag
- Narrated by: David Colacci
- Length: 18 hrs and 26 mins
- Unabridged
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He performs his profane ceremony in a wooded Minneapolis park, anointing his victims, then setting the bodies ablaze. He has already claimed three lives, and he won't stop there. Only this time there is a witness. But she isn't talking. Enter Kate Conlan, former FBI agent turned victim/witness advocate. Not even she can tell if the reluctant witness is a potential victim or something more troubling still.
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Damsel In Distress Romance Torture Novel. Ho-Hum
- By Ted on 04-03-15
By: Tami Hoag
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All My Friends are Going to be Strangers
- By: Larry McMurtry
- Narrated by: John Randolph Jones
- Length: 8 hrs and 39 mins
- Unabridged
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Danny Deck - Emma's friend from Terms of Endearment - is a promising young writer losing touch with his talent and drifting from Texas to California because "that's where all the writers are." Set in the early 60s, this is a very funny (and raunchy) satire of life in Texas and California and a true and American portrait of an artist as a young man.
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Favorite audio book ever
- By melanie christner on 06-01-16
By: Larry McMurtry
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Hour of the Hunter
- By: J. A. Jance
- Narrated by: Gene Engene
- Length: 14 hrs and 46 mins
- Unabridged
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A brutal, psychopathic murderer is released from prison - and stalks his prey with intent to kill.
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Hour of the Hunter
- By Marion Burke on 03-01-08
By: J. A. Jance
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A Fraction of the Whole
- By: Steve Toltz
- Narrated by: Colin McPhillamy, Craig Baldwin
- Length: 25 hrs and 11 mins
- Unabridged
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Stewing in an Australian prison, Jasper Dean reflects on his relationship with his dead father and recounts the many zany adventures they shared together.
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A Funny and Thought-provoking Tale of Human Nature
- By Asha Ember on 01-27-10
By: Steve Toltz
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Goodnight, Irene
- An Irene Kelly Novel
- By: Jan Burke
- Narrated by: Eliza Foss
- Length: 9 hrs and 33 mins
- Unabridged
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The morning after Irene says goodnight to her old journalist friend O'Connor, he is killed suddenly upon opening a letter bomb. As the smoke clears, a devastated Irene determines to find the mail-bomber by tracing threads of an unsolved crime from 1955 - the same cold case O'Connor had been obsessed with.
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Welcome Irene
- By Anonymous User on 04-29-08
By: Jan Burke
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How to Find Your Way in the Dark
- The Sheldon Horowitz Series, Book 1
- By: Derek B. Miller
- Narrated by: Michael Crouch
- Length: 12 hrs and 23 mins
- Unabridged
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Twelve-year old Sheldon Horowitz is still recovering from the tragic loss of his mother only a year ago when a suspicious traffic accident steals the life of his father near their home in rural Massachusetts. It is 1938, and Sheldon, who was in the truck, emerges from the crash an orphan hell-bent on revenge. He takes that fire with him to Hartford, where he embarks on a new life under the roof of his buttoned-up Uncle Nate.
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Absolutely wonderful story.
- By George Thomas on 12-11-21
By: Derek B. Miller
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Trust Me
- By: Brenda Novak
- Narrated by: Allyson Johnson
- Length: 12 hrs and 1 min
- Unabridged
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Skye Kellerman was attacked in her own bed. She managed to fend off her knife-wielding assailant, but the trauma changed everything about her life. As a result of that night, she joined two friends in starting an organization to help victims of crime.
But now...Her would-be rapist is getting out of prison. Skye knows that Dr. Oliver Burke hasn't forgotten that her testimony cost him his reputation - and his freedom.
Sacramento detective David Willis, who investigated her case, believes Burke is a clear and present danger - and guilty of at least two unsolved murders. And now Burke is free to terrorize Skye again. Unless David can stop him. Unless Skye can fight back.
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Good book, but...
- By Christina on 09-08-09
By: Brenda Novak
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The Bone House
- By: Brian Freeman
- Narrated by: Joe Barrett
- Length: 11 hrs and 58 mins
- Unabridged
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Hilary and Mark Bradley are trapped in a web of suspicion. Last year, accusations of a torrid affair with a student cost Mark his teaching job and made the young couple into outcasts in their remote island town off the Lake Michigan coast. Now another teenage girl is found dead on a deserted beach... and once again, Mark faces a hostile town convinced of his guilt. Hilary Bradley is determined to prove that Mark is innocent, but she’s on a lonely, dangerous quest.
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Straight up soap opera.
- By Richard Delman on 02-08-14
By: Brian Freeman
What listeners say about Tony and Susan
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Harley
- 04-16-12
Pretty good!
Tony is the victim of a violent crime resulting in the death of his wife and daughter. Susan in the ex-wife who for some reason has been asked to read the unpublished manuscript. Susan reads, reacts and listens to a troublemaking voice that lives in her head. Having 2 narrators is essential so the listener can tell who is speaking or thinking. This is a violent book but the story is a compelling listen. The reader hopes the ending will produce a Tony who can accept the non combativeness of his personality but that is not to be the end result. This book is worth a listen.
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3 people found this helpful
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- Daniel
- 11-22-16
Still confused
I watched the moofie and was left confused and wanting, after listening to the book I am no better off
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1 person found this helpful
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- Helen
- 07-09-22
Killing old lovers
After watching Nocturnal Animals, I listened to this wonderful and tragic book. I recommend both!
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- Mel
- 11-29-16
Nocturnal Animals
Originally released 1993, adapted in 2016 to film by Tom Ford,Tony & Susan is now known as Nocturnal Animals, and I think the novel is also being re-released with that same title. Having seen a big chunk of the rough cut of the movie that this will finally be, I think this might be one of those rare incidents where the film might be better than the book -- but back to Wright's novel, and to author Austin Wright because this is a book where the author feels very present. There's a point in the book where a comment is made, "why can't readers simply be readers and writers simply take a bow." The remark struck me as the subconscious longing of a writer very conscious of (maybe even a bit ambivalent towards) the impact of the reader on the social success of an author's work. That rhetorical sigh turned out to be the hidden emphasis of this *novel in a novel.*
Susan Morrow, now an English professor and a 49 yr. old mother of three, married to a prominent (and philandering) heart surgeon, receives a manuscript from her estranged first husband, Edward, 25 yrs. after their divorce. Married in college, Susan had secret aspirations to write; Edward was going to be a lawyer. After several years of law school, Edward announces out of the blue that he HAS to be a writer. He pursues the *calling* with the reclusive passion of Salinger, and the concentration of Thoreau. The abrupt change in a path that Susan had already plotted out far into a bright future is the beginning of the disillusion of the marriage. Just prior to the divorce Susan reads Edward's work and gives him a scathing review. Here is where you get the first little inkling that perhaps there is more driving Susan's negative reaction than Edward's lack of talent. You find yourself entertaining a flicker of ... Susan's jealousy, perhaps? Or is it Edward's own little deviance beginning to show up? Now, 25 yrs. later, Susan stands with manuscript in hand, a little peeved at her ex's audacity. After all, she is a *serious* reader; this will take time; she invests herself in what she reads, emotionally as well as with her time. And, she's so busy with husband Arnold being out of town at a conference, with his nurse...his pretty, young nurse....
The novel within quickly becomes electrifying and dark as the story progresses. The characters, a husband and wife and their daughter, are harassed by fellow travelers on a dark road late at night. (It's a mean hook!) Susan feels herself being dragged into the book. On the brink of being completely consumed, she pulls up, again faulting Edward's *inferior* writing assaulting her superior reading qualities. It's a breath-of-fresh-air technique; remember Peter Faulk as grandpa reading Princess Bride to his reluctant grandson? When things got tense for Buttercup, the grandson interrupts the story with eager questions and wide eyes, feigning indifference. The listener/reader gets to escape what's to come through the release of sharing the thoughts of the *character reader.* It works great in Princess Bride, and on some level with Tony & Susan, but author Wright never seems to allow you to form your opinions or your own questions. These moments (when Susan puts down the novel to attend to real-life) feel heavily manipulated by Wright. It could either be brilliant writing, or heavy-handedness. When my feelings conflicted with Susan's, I didn't have the sense that I was allowed to have my own thoughts. My process felt confused rather than curious. I felt my perceptions were always redirected to what Wright wanted them to be to fit within his concept of the novel.
Aside from feeling a little man-handled, I have to say that the architecture of the novel is creative and very interesting. The play on the characters in Edward's novel, and the characters reading his novel (good grief that sounds confusing!) is clever and at times downright creepy. Let's just say without giving away anything: art does indeed imitate life. The novel in the novel (Edward's manuscript) is freaky with strong psychological components that really make you wonder about Edward's soundness. Near the finish, the within-novel deviates from what has been a well-conceived and delivered plot line, it's a little wild, but it winds up okay, bolstered by the great wrap of of the novel itself. The production is done well and the way the narrator frames each section makes it clear which story you are reading so there is no confusion. I'd recommend; hang on through the choppy sections and you'll appreciate a smart conclusion that will keep you thinking for a while. [*And, make no mistake about it! This is nothing like Princess Bride--nothing at all!]
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14 people found this helpful
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- staquesha
- 02-29-24
Good book, it took awhile to finish but we got there
Book and movie were good, crazy metaphor but decent story overall. I wish Tony had more balls to put up or shut up like Ray committed the ultimate evil against you Tony, like grow a pair of
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- Very disappointed
- 01-14-17
Nocturnal Animals Film is based on this....BUY IT! I finished it in 2 days
Wow! Is all I can say. I have NOT seen the film Nocturnal Animals and honestly had no plans to, but I saw an interview Tom Ford (the director) did and how he read this book in a day and how he couldn't put it down nor get it out of his mind.
I have been on a terrible rut of buying books that had great reviews saying "it's the new Gone Girl or Girl on a Train" both of which I loved. But people NEED TO STOP SAYING THAT SO MUCH about every mystery thriller that comes along. I literally bought 6 books that said that in a review and was SO DISAPPOINTED! No wait I was painfully disappointed that I spent so much time and invested so much for less than decent mystery thrillers. All of which left me saying "I never should have stuck with this, this was horrible, are these reviewers paid by the authors....I mean really.
So if you found yourself in the same rut as me BUY BUY BUY THIS BOOK. Even if you have seen the movie the book as Tom Ford said is totally different because he wanted to make it his own. I really want to see the movie now plus it's won a Golden Globe for best supporting actor.
Happy Listening!
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3 people found this helpful
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- Susan Olson
- 02-24-17
eh
one of the few times I liked the screenplay better. narration at times was boring especially during the important climaxes.
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1 person found this helpful
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- Silva
- 05-06-17
Thrilling book to movie
This thrilling novel is unlike any other I have read. It is thought provoking and always challenges you to think about the deeper meaning. The novel within the novel is just as well written in fact I enjoyed it a little more. I would have wished a different ending for the main story but overall this was a good book.
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Overall
- Pamela Harvey
- 08-14-11
"Deliverance" meets chick fic.
I thought this was an original premise, and looked forward to reading this book, as I am attracted by the idea of revisiting past decisions and projecting how outcomes might be the same or different if we followed a different path. The alternate path is presented here by the intrusion into the life of a settled suburban wife, mother, teacher, of a manuscript by a previous husband, an event and situation which becomes cause for reflection on what could or would have been had she made different choices. The pondering occurs at various intervals in the story as the eponymous Susan makes her way through the manuscript.
There are many effective theatrical touches - alternating scenes of domestic tranquility and dark terror as Susan reads Tony's story of loss, violence and tragedy but I am baffled as to what it all adds up to. There seems to be little personal growth, change, acceptance or realization, and the violence seems rather pointless.
Narratively, about three quarters through this book the story loses its mojo and the attenuated violence seems to drag on unnecessarily. Where I first was caught in the grip of Tony's story and its sinister rhythm, I lost interest eventually.
Very well-written, though, with ideal performances by both narrators, and in spite of the middling 3-stars I'm bestowing, I still give it a "thumbs-up".
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7 people found this helpful
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- J.C.
- 06-13-17
Book within a Book
Loved the concept, crazy story, and love every dynamic. Maybe this will inspire me to check out the movie.
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