What is the link between the abduction of a little girl and a dead prostitute? When the body of a prostitute is found, followed by the discovery of children locked in an attic, DI Gus McGuire is handed the case. But what at first appears to be a simple murder soon turns into an international manhunt for the members of a twisted child trafficking ring. McGuire, who is suffering with his own emotional problems, must pick his way through the web of deceit and uncover the truth in time before the body count rises. Can McGuire identify The Matchmaker before it’s too late? And can he trust those he is working with?

The first three crime thrillers in the Detective Sebastian Clifford series together in a single collection for the first time. This collection includes Web of Lies, Speak No Evil, and Never Too Late.

Five years ago, DCI John Lomond led the search for notorious Glasgow child-killer ‘The Sandman', until personal tragedy forced him off the case. In Lomond's absence, the killer was never found. Now, with nothing but work left in his life, Lomond remains obsessed with the case–despite the nightmares it brings. When a child is abducted in similar Sandman fashion from an affluent Glasgow suburb, Lomond is brought in to find them before it's too late.

It's DS Logan McRae's first day back on the job after a year off on the sick, and it couldn't get much worse. Four-year-old David Reid's body is discovered in a ditch - strangled, mutilated and a long time dead. There's a killer stalking the Granite City and the local media are baying for blood. If that wasn't enough, Logan also has to contend with a new boss, DI Insch, who doesn't suffer fools gladly and thinks everyone's a fool.

From Atlanta's wealthiest suburbs to its stark inner-city housing projects, a killer has crossed the boundaries of wealth and race. And the people who are chasing him must cross those boundaries, too. Among them is Michael Ormewood, a veteran detective whose marriage is hanging by a thread and whose arrogance and explosive temper are threatening his career. And Angie Polaski, a beautiful vice cop who was once Michael's lover before she became his enemy.

When a 15-year-old girl fails to make it home after school, DI Heather Filson believes she’s dealing with just another teenage runaway. The girl’s grandfather, a notorious Glasgow gangster, disagrees. Convinced one of his underworld enemies has grabbed her, he’s prepared to bathe the city in blood in order to bring his princess home.

Met cop DI Rob Marshall is hot on the trail of the serial killer known as the Chameleon, who has abducted, tortured and killed a series of young women in Northwest London. As they close in, the Chameleon—who switches identity to get close to his victims—shoots Marshall’s partner and escapes.

When Mia shows up for the interview at a well-known architecture firm, she only has 27p, a squashed loaf of bread, and a jar of peanut butter to her name. She needs this job, even if she is scared to death of the owner of the company. To Mia, huge, grumpy men aren't sexy; they're simply terrifying. She knows from experience that even men of average size can be dangerous. If she weren't so desperate, she'd run.

Kira Murphy is a liability, always has been. She might be small, but her personality and heart are not: A sexual health doctor with a foul mouth, pink streaks in her hair, a bizarre worldview, a reputation for being "pathologically social", and a huge crush on the current minister of state for business, energy, and clean growth, she’s weird and lovable in equal measure.

The day after her ninth birthday, Lucie and Blake Sullivan agree, for the very first time, to let their daughter, Grace, make the four-minute walk back home alone from a friend’s house down the street. They joke with friends about hiding behind bushes to ensure she is safe. But the joke turns sour when Grace does not appear. Despite the best efforts of the police and local community, Grace seems to have vanished into thin air. With hope fading fast, Lucie knows she can rely on her husband to support her. That is until the day she makes a shocking discovery....

The doorbell rings, just days after my beloved husband’s sudden death. I don’t recognise the woman on our doorstep, with her blonde highlights, a diamond bracelet identical to my own and a bouncing baby boy in her arms. As I show her inside, I notice her eyes grow wide as she takes in our spacious hallway, and the big squashy sofas that we all used to pile on. She glances at the silver-framed family photos and my little daughter hiding behind my skirts. She looks at me, her blue eyes serious. ‘I’m sorry’ she says. ‘I am your husband’s girlfriend. And this is his son.'

A killer stalks the streets of East London. All over the area, murdered young women are discovered, their bodies posed into disturbing recreations of fairy tale princesses. Detective Ruby Preston is determined to hunt down the murderer who is using the women to realise his dark fantasies. But when body parts are found at the home of her lover, Nathan Crosby, Ruby is torn between her job and her heart. Convinced that he is being framed, Ruby must catch the killer before Nathan becomes the number one suspect.

A family is gunned down in the snow, but one of the children survives. Three years on, that child takes revenge, and the Snow Killer is born. But then, nothing - no further crimes are committed, and the case goes cold. 50 years later, has the urge to kill been reawakened? As murder follows murder, the detective team tasked with solving the crimes struggle with the lack of leads. It’s a race against time and the weather - each time it snows, another person dies.

An unidentified woman is found murdered on the North Norfolk Coastal Path and newly promoted Detective Sergeant Kate Brannon and Kings Lynn's CID have the task of figuring out whom, how, and why. A job that's made more difficult when every one of the 40 residents in the village has something to hide and answers her questions with a string of lies. Georgina Temple has her own secrets to keep, and her own reasons to keep them. But her growing attraction to Kate makes it increasingly difficult to keep them.

Detective Constable Kate Wolfe is sent to a Cheshire backwater after falling foul of a disciplinary hearing in London. But before she even has a chance to settle in, Kate finds herself in a situation from which there's no coming back. She's reported as a troublemaker to her new boss, Detective Chief Inspector Helen Taylor, a no-nonsense veteran who once had an esteemed, high-profile career. The pair investigates a spate of arson attacks, a dead body found in a burnt-out building, and a missing architect while fighting their growing attraction for each other.

John Docherty’s mother has just been taken into a nursing home following a massive stroke and she’s unlikely to be able to live independently again. With no other option than to sell the family home, John sets about packing up everything in the house. In sifting through the detritus of his family’s past he’s forced to revisit, and revise his childhood. For in a box, in the attic, he finds undeniable truth that he had a brother who disappeared when he himself was only a toddler.

A shocking double-murder scene greets Detective Inspector Philip Brennan when he is called to a flat in Colchester. Two women are viciously cut open and laying spread-eagled, one tied to the bed, one on the floor. The woman on the bed has had her stomach cut into and her unborn child is missing. But this is the third time Phil and his team has seen such an atrocity. Two other pregnant women have been killed in this way and their babies taken from them. No one can imagine what sort of person would want to commit such horrible crimes.

As the only survivor of a horrific car crash, Lila Amberson believes she's on the road to recovery after being released from the hospital. Her memories of the accident are blurred though and a series of unsettling incidents leave her fearing for her safety. Does she have survivor's guilt or is something more sinister at play? Jack Foley's reeling from the shock of losing his sister in the crash, so when he first meets Lila, he lashes out, blaming her for Stephanie's death. But when she gives him a locket that she believes belonged to his sister, it presents more questions than answers.

The first time somebody tried to kill him was an accident. The second time was deliberate. Now Paul Mulchrone finds himself on the run with nobody to turn to except a nurse who has read one-too-many crime novels and a renegade copper with a penchant for violence. Together they must solve one of the most notorious crimes in Irish history. Or else they’ll be history.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.