Born with a congenital muscle disorder, Shaka spends her days in her room in a care home outside Tokyo, relying on an electric wheelchair to get around and a ventilator to breathe. But if Shaka’s physical life is limited, her quick, mischievous mind has no boundaries: She takes e-learning courses on her iPad, publishes explicit fantasies on websites, and anonymously troll-tweets to see if anyone is paying attention (“In another life, I’d like to work as a high-class prostitute”). One day, she tweets into the void an offer of an enormous sum of money for a sperm donor.

Keiko Furukura is thirty-six, and she has been happily working at a Tokyo “Smile Mart” for eighteen years, fitting in by copying her colleagues’ dress and mannerisms, playing the part of a “normal person” excellently—more or less. But her packaged idyll is threatened by mounting pressure to find a husband and a proper career, prompting her to take desperate action to protect her peaceful world.

With Life Ceremony, the incomparable Sayaka Murata is back with her first collection of short stories ever to be translated into English. In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness.

Elise and her boyfriend, Tom, set off for Minnesota, hoping the paycheck from the sugar beet harvest will cover the rent on their Brooklyn apartment. Amidst the grueling work and familiar anxieties about her finances, Elise starts noticing strange things: threatening phone calls, a mysterious rash, and snatches of an ominous voice coming from the beet pile. When Tom and other coworkers begin to vanish, Elise is left alone to confront the weight of her past, the horrors of her uncertain future, and the menacing but enticing siren song of the beets.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.

As a child, Natsuki doesn’t fit into her family. Her parents favor her sister, and her best friend is a plush toy hedgehog named Piyyut who has explained to her that he has come from the planet Popinpobopia on a special quest to help her save the Earth.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

The first year of November eighteenth is coming to a close, and Tara Selter has returned to her hotel room in Paris, the place where it all began. As if perched at the edge of a precipice, she readies herself to leap into November nineteenth. Book II of Solvej Balle’s astounding seven-part series On the Calculation of Volume beautifully expands on the speculative premise of Book I, drawing us further into the maze of time, where space yawns open, as if suddenly gaining a new dimension, extending into ever more fined-grained textures.

This is the story of the peculiar and magical photo studio owned by Mr. Hirasaka, a collector of antique cameras. In the dimly lit interior, a paper background is pulled down in front of a wall, and in front of it stands a single, luxurious chair with an armrest on one side. On a stand is a large bellows camera. On the left is the main studio; photos can also be taken in the courtyard. Beyond its straightforward interior, however, is a secret. The studio is, in fact, the door to the afterlife, the place between life and death where those who have departed have a chance—one last time.

Jo is in a strange new country for university and having a more peculiar time than most. In a house with no walls, shared with a woman who has no boundaries, she finds her strange home coming to life in unimaginable ways. Jo's sensitivity and all her senses become increasingly heightened and fraught, as the lines between bodies and plants, dreaming and wakefulness, blur and mesh.

Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

From a Scottish word meaning a transient moment, a shock, a faint glimpse, Gliff explores how and why we endeavour to make a mark on the world. In a time when western industry wants to reduce us to algorithms and data—something easily categorizable and predictable—Smith shows us why our humanity, our individual complexities, matter more than ever.

Tsukiko, 38, works in an office and lives alone. One night, she happens to meet one of her former high school teachers, "Sensei", in a local bar. Tsukiko had only ever called him "Sensei" ("Teacher"). He is 30 years her senior, retired, and presumably a widower. Their relationship develops from a perfunctory acknowledgment of each other as they eat and drink alone at the bar, to a hesitant intimacy, which tilts awkwardly and poignantly into love.

With Life Ceremony, the incomparable Sayaka Murata is back with her first collection of short stories ever to be translated into English. In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness.

As a child, Natsuki doesn’t fit into her family. Her parents favor her sister, and her best friend is a plush toy hedgehog named Piyyut who has explained to her that he has come from the planet Popinpobopia on a special quest to help her save the Earth.

The venerated Reverend Doctor John Freeman did not raise his son, Davis, to be touched by any man, let alone a white man. He did not raise his son to whisper that man’s name with tenderness. But on the eve of his wedding, all Davis can think about is how beautiful he wants to look when he meets his beloved Everett at the altar. Never mind that his mother, who died decades before, and his father, whose anger drove Davis to flee their home in Chagrin Falls, Ohio, for a freer life in New York City, won’t be there to walk him down the aisle.

When Diane Schwebe, the director of a major New York museum, is awakened in the early morning by a text message from the museum’s lawyer, it is the start of a twenty-four hour roller-coaster ride. Diane has sacrificed many things in her life to help the fading institution stave off irrelevance and financial ruin. In this battle, she’s surrounded by her stalwart supporters and a motley assortment of museum employees, each on the precipice of collapse or revelation.

Set in a remote village in the north of England, Open, Heaven unfolds over the course of one year in which two teenage boys meet and transform each other’s lives. James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries.

The Kenner siblings are at odds. Jenn is a harried mom struggling under the weight of family obligations. Fred is a novelist who can’t write, maybe because she’s lost faith in storytelling itself. Jude is a recovering corporate lawyer with her own story to tell, and a grudge against her former favorite sister, Fred. George, the baby, is estranged from his wife and harboring both a secret about his former employer and an ill-advised crush on one of his sisters’ friends. Gathered after a major loss, each sibling needs the others more than ever—if only they could trust each other.

When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States.

Griffon Keming’s second parents saved him from his abusive family. They taught him how to be trans, paid for his transition, and tried to love him as best they could. But Griffon’s new parents had troubles of their own—both were deeply scarred by the lives they lived before Griffon, the struggles they faced to become themselves, and the failed revolution that drove them from their homeland. When they died, they left an unfillable hole in his heart.

Perennially single, socially awkward, and drowning in debt, Michael Lincoln finds his life has turned out nothing like the intergalactic lives of the pulp heroes of his youth. But these are pedestrian concerns—he has a higher calling, and that is to preserve for all posterity the greatest series in the history of the written word: The Star Rot Chronicles.

The third of four children born to a middle-class Calcutta family, quiet Durga is surprisingly the first to leave the nest of her loving, overbearing family. She is not as charming as her older sister, Tia, as lighthearted as her brother, Arjun, or as clever as her younger sister, Parul. But when she arrives in Ireland to work at a tech company, she finds that for the first time ever she is free—to have fun, to stay out, to sample everything that life has to offer. Suddenly, Durga can be whoever she wants to be. And she wants it all. But freedom comes at a price.

Born with a congenital muscle disorder, Shaka spends her days in her room in a care home outside Tokyo, relying on an electric wheelchair to get around and a ventilator to breathe. But if Shaka’s physical life is limited, her quick, mischievous mind has no boundaries: She takes e-learning courses on her iPad, publishes explicit fantasies on websites, and anonymously troll-tweets to see if anyone is paying attention (“In another life, I’d like to work as a high-class prostitute”). One day, she tweets into the void an offer of an enormous sum of money for a sperm donor.

A young woman walks into an employment agency and requests a job that has the following traits: It’s close to her home, and it requires no reading, no writing, and, ideally, very little thinking. Her first gig - watching the hidden-camera feed of an author suspected of storing contraband goods - turns out to be inconvenient. Her next gives way to the supernatural: announcing advertisements for shops that mysteriously disappear. As she moves from job to job, it becomes increasingly apparent that she's not searching for the easiest job at all but something altogether more meaningful.

Against a backdrop of growing violence and environmental collapse, three women living centuries apart search for meaning and connection by becoming obsessed with a mysterious red book. A Line You Have Traced asks what we owe to those who will come after us, and what it might cost us.

Tsukiko, 38, works in an office and lives alone. One night, she happens to meet one of her former high school teachers, "Sensei", in a local bar. Tsukiko had only ever called him "Sensei" ("Teacher"). He is 30 years her senior, retired, and presumably a widower. Their relationship develops from a perfunctory acknowledgment of each other as they eat and drink alone at the bar, to a hesitant intimacy, which tilts awkwardly and poignantly into love.

Equal parts funny and tender, What Will People Think? is a heart-bursting exploration of what it means to discover and embrace the hidden parts of yourself, and how love in all forms can make you whole.