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Narrated by:
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Will Dao
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Desiree Mee Jung
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Greg Watanabe
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Paul Yen
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Jeena Yi
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By:
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Qui Nguyen
About this listen
Saigon has fallen, and two Vietnamese refugees meet in an Arkansas relocation camp before setting out on a rip-roaring road trip across America. Qui Nguyen tells the hilarious and only slightly not-true version of how his parents met and built a life for themselves in a new land. Recorded before a live audience at the UCLA James Bridges Theater in February 2020.
Director: Tim Dang
Original Music by Shane Rettig
Producing Director: Susan Albert Loewenberg
Greg Watanabe: Playwright, Giai, Bobby, Captain Chambers, Hippie Dude
Paul Yen: Quang
Jeena Yi: Tong
Desirée Mee Jung: Asian Girl, American Girl, Thu, Huong, Translator, Flower Girl, Redneck Biker Will Dao: Asian Guy, American Guy, Nhan, Khue
Associate Artistic Director: Anna Lyse Erikson
Recording Engineer and Sound Designer: Mark Holden.for The Invisible Studios, West Hollywood
Senior Radio Producer: Ronn Lipkin
Foley Artist: Jeff Gardner
Production Manager: Erica R. Christensen
Mixing Engineer: Charles Carroll
Editor: Mitchell Lindskoog
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Story
The True Story of The Coward Brothers follows two musical brothers – one English, one American, both the illegitimate sons of dubious parentage who may, as they claim to be, "one and half-brothers" – perhaps a reference to the disparity in their height and relative talents.
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Cute
- By NRo on 11-26-24
By: Elvis Costello
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Caledonian Road
- A Novel
- By: Andrew O'Hagan
- Narrated by: Michael Abubakar
- Length: 22 hrs and 51 mins
- Unabridged
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Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.
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The best audiobook I have ever listened to
- By Samuel Barker on 07-31-24
By: Andrew O'Hagan
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American Psycho
- By: Bret Easton Ellis
- Narrated by: Pablo Schreiber
- Length: 16 hrs and 29 mins
- Unabridged
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Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.
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Fanntastic book but maybe not for everyone....
- By So Fain on 03-27-11
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Made in America
- By: Bill Bryson
- Narrated by: William Roberts
- Length: 18 hrs and 10 mins
- Unabridged
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In Made in America, Bryson de-mythologizes his native land, explaining how a dusty hamlet with neither woods nor holly became Hollywood, how the Wild West wasn't won, why Americans say 'lootenant' and 'Toosday', how Americans were eating junk food long before the word itself was cooked up, as well as exposing the true origins of the G-string, the original $64,000 question, and Dr Kellogg of cornflakes fame.
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Bryson Not Reading Makes For a Rare Fail
- By John on 02-28-14
By: Bill Bryson
What listeners say about Vietgone
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- EAlex
- 06-15-21
A Non-Stop Potty Humor, F Word Galore Fest
First let me say that I appreciate what the playwright is doing here in his innovative, experiential approach to depicting what his parents encountered as Vietnamese refugees. And I also like how he addresses racism by having the white American actors sound idiotic the way that American films have portrayed Asian actors in the past. However this play is the most disgustingly bathroom humor, crude, F-word packed play I have ever experienced. I have nothing against profanity but the F word is literally every noun, adjective and verb. After awhile, it gets boring and very predictable. And then add on, the nonstop juvenile bathroom humor about bodily functions and the generic rap music that is like a parody of bad rap music. And then in the last ten minutes , there is a conversation between the playwright with his father that has some honest and interesting, if not politically controversial, dialogue. But it just seems tacked on and has absolutely nothing to do with the rest of the play. It's like he was just too lazy to weave it into the main storyline. I look forward to the day when plays don't have to be as disgusting as a broken toilet in a gas station bathroom to be considered edgy.
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