
Violence on the Meek
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Narrated by:
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Christopher Anthony
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By:
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Stuart Bray
About this listen
Paul has hated the world and everyone in it, since he was eight years old. As an adult, he has decided to write his autobiography—his final words directed at the very existence that he despises. Paul will take you on a path of murder, death, incest, and violence, the likes of which you could never imagine.
©2023 Stuart Bray (P)2023 Fright Night AudioListeners also enjoyed...
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Too bizarre for someone who loves bizarre
- By G. C. Webster on 07-01-22
By: Freida McFadden
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Do You Remember?
- By: Freida McFadden
- Narrated by: Teri Schnaubelt
- Length: 7 hrs and 12 mins
- Unabridged
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Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.
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One of the better ones
- By cotswoldrose on 10-13-24
By: Freida McFadden
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Sherlock Holmes: The Definitive Collection
- By: Arthur Conan Doyle, Stephen Fry - introductions
- Narrated by: Stephen Fry
- Length: 71 hrs and 57 mins
- Unabridged
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Ever since he made his first appearance in A Study In Scarlet, Sherlock Holmes has enthralled and delighted millions of fans throughout the world. Now Audible is proud to present Arthur Conan Doyle's Sherlock Holmes, read by Stephen Fry. A lifelong fan of Doyle's detective fiction, Fry has narrated the definitive collection of Sherlock Holmes - four novels and four collections of short stories. And, exclusively for Audible, Stephen has written and narrated eight insightful introductions, one for each title.
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Chapter Guide!
- By Katya Rice on 05-25-18
By: Arthur Conan Doyle, and others
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Say No More
- By: Caroline Overington
- Narrated by: Anna Skellern
- Length: 5 hrs and 47 mins
- Original Recording
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Seriously, that was the ending?
- By alicia in athens on 02-13-25
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Another Triana great
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What listeners say about Violence on the Meek
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Rubi
- 05-23-24
Extreme horror
Love this genre of extreme horror/ splatter punk. Really great read! I would definitely recommend reading this book series!
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- Carter
- 06-12-24
Good book
It’s a good disturbing book that’s for sure, definitely worth a read, not for the faint of heart. Very very graphic but interesting that’s for sure
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- timj26
- 11-12-23
Fantastically violent
If I had any triggers, this definitely would’ve hit one of them
As a huge fan of splatterpunk in the disturbing, I would have to put this up there with one of the most extreme as it seems to touch on just about everything
This might not be for everybody, but if it is, you’re gonna love it 5stars
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- Michael Myett
- 11-12-23
This story is edgy even for extreme horror …
I received a free copy of this audiobook. I am choosing to do a review because I really liked the story.
I don’t like discouraging anyone from reading a good book but if you have any triggers at all there is nothing to see here. Stay away, really.
This may be the best splatterpunk/extreme horror I have read this year. There is a lot of very disturbing content, unnatural sex acts and heaps of gore but underneath it all is an excellent, well thought out storyline and a bit of a surprise ending. I enjoyed this one a ton and I’m looking forward to reading the second book in a series of three. The narrators performance was outstanding as well.
I would recommend this book to only veteran extreme horror fans only.
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- Stacy F.
- 09-26-24
Mind blowing
Best extreme horror book out there! I’m excited to start part two! Hopefully it’s as good as this one
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- Kaswit Inc
- 03-23-25
Gross
This book is disgusting. I couldn’t even finish it and I’m a big fan of splatterpunk books. This is just an author’s ideals on how low can one go. It’s not entertaining. It’s not lively. It’s not a story written with thought. It’s a stream of thought by a very unhinged person. Such an overplayed use of the c word and demoralizing tone. I was so bored because there was absolutely nothing to wonder about. This is the diary of an egomaniac and nothing else.
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- babsen
- 11-24-23
An extreme(ly bad) novella
I'm a fan of extreme horror novels/novellas, so this isn't about the content of the story.
"Violence on the Meek" is basically 3 hours of poorly written snuff that's only guaranteed to shock people who haven't read extreme horror, while simultaneously boring those of us who have.
Here is how every single scene unfolds, written in the style of this book: "I look at <insert victim here> and I feel disgust because they are a maggot. Then, I <insert graphic violence here>."
The victims in the story aren't even 2 dimensional. Every character that crosses paths with the narrator is functionally identical, has identical reactions, and behaves so mind-numbingly stupid (because if any of these characters had a rational reaction, there wouldn't be a book), that by the 20% mark you effectively know the outcome of every single scene. I could possibly look past this if the scenes themselves were entertaining to read, but it's so poorly written.
Half the sentences are written in the passive voice, and every emotion the narrator feels is "told" to us rather than shown. The narrator "hates" humanity, but nothing about the prose gives us any idea why. A picture is never painted to "show" us his disdain in real time. There's just a loop of the main character encountering someone, him telling us how he feels, then he does something terrible, then he says life is pointless, and we move aimlessly to the next chapter.
Around the halfway mark, the loop gets shaken up a little bit when some new antagonists enter the picture and for a moment I thought "okay, perhaps this is what will drive the plot to its conclusion." Nope. I was wrong. These new characters fall into the same predictable loop and before long they're just another inconsequential bump in the narrative.
Basically, this story is one giant non-sequitur. Each scene of violence and depravity seemingly happens in a vacuum, with only the most superficial of consequences. The best example of this is the main character killing some random characters, hiding out for several years, and then stumbling across relatives of his victims who are out for revenge... But who admitted to knowing about the killings yet did absolutely nothing for literal years because... No reason. They just... didn't do anything until the main character stumbled across them accidentally.
Or, the main character shoots someone in the middle of a neighborhood and he manages to just... hide right next door for hours without anyone investigating. Why does no one investigate? Why do the cops not show up and lock down the crime scene? Well, because that would interfere with what the main character does hours later, which is return to the crime scene to surprise the victim's family with even more depraved violence.
The author doesn't understand, or doesn't care, that without compelling characters and well written prose, even the most repulsive descriptions of violence fall flat. Without any build up to the violence, there's no payoff. There's no revulsion. It's just gross words on a page that made me shrug.
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