Why I Don't Write
And Other Stories
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Narrated by:
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Alex McKenna
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Kristen Sieh
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Andrew Eiden
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By:
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Susan Minot
About this listen
A superb collection of short fiction - her first in thirty years and spanning many geographies - from the critically acclaimed author of Monkeys, Evening, and Thirty Girls. A NEW YORK TIMES NOTABLE BOOK.
A writer dryly catalogs the myriad reasons she cannot write; an artist bicycles through a protest encampment in lower Manhattan and ruminates on an elusive lover; an old woman on her deathbed calls out for a man other than her husband; a hapless fifteen-year-old boy finds himself in sexual peril; two young people in the 1990s fall helplessly in love, then bicker just as helplessly, tortured by jealousy and mistrust. In each of these stories, Minot explores the difficult geometry of human relations, the lure of love and physical desire, and the lifelong quest for meaning and connection. Her characters are all searching for truth, in feeling and in action, as societal norms are upended and justice and coherence flounder. Urgent and immediate, precisely observed, deeply felt, and gorgeously written, the stories in Why I Don't Write showcase an author at the top of her form.
©2020 Susan Minot (P)2020 Random House AudioListeners also enjoyed...
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Critic reviews
"Searing... Minot's lyricism is all her own... Minot still has a poet’s instinct for the surprising volta, the striking image, the bracing final line. After 30 years away from the short story, it is good to have her back, cleareyed and fearless as ever, whispering difficult truths and ambiguities that a less assured writer would feel compelled to shout." (The New York Times)
"Sterling... Pristine... fully formed, often erotic, gorgeous, and searing...Minot isexceptionally attuned to forces intimate and social, and her gift for potent distillation yields stories that are stunning in every sense of the word." (Booklist)
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Growing Things and Other Stories
- By: Paul Tremblay
- Narrated by: Sean Crisden, Graham Halstead, Cassandra Campbell, and others
- Length: 11 hrs and 59 mins
- Unabridged
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A chilling collection of psychological suspense and literary horror from the multiple award-winning author of the national best seller The Cabin at the End of the World and A Head Full of Ghosts. A masterful anthology featuring 19 pieces of short fiction, Growing Things and Other Stories is an exciting glimpse into Paul Tremblay’s fantastically fertile imagination.
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Paul Tremblay is totally nuts.
- By Gary & Jay on 07-07-19
By: Paul Tremblay
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In the Time of Our History
- By: Susanne Pari
- Narrated by: Mozhan Marnò
- Length: 11 hrs and 52 mins
- Unabridged
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Twelve months after her younger sister Anahita's death, Mitra Jahani reluctantly returns to her parents' home in suburban New Jersey to observe the Iranian custom of "The One Year." Ana is always in Mitra's heart, though they chose very different paths. While Ana, sweet and dutiful, bowed to their domineering father's demands and married, Mitra rebelled, and was banished.
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Enjoyable
- By J. E. Jordan on 05-23-23
By: Susanne Pari
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The Recognitions
- By: William Gaddis
- Narrated by: Nick Sullivan
- Length: 47 hrs and 55 mins
- Unabridged
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Wyatt Gwyon's desire to forge is not driven by larceny but from love. Exactingly faithful to the spirit and letter of the Flemish masters, he produces uncannily accurate "originals" - pictures the painters themselves might have envied. In an age of counterfeit emotion and taste, the real and fake have become indistinguishable; yet Gwyon's forgeries reflect a truth that others cannot touch - cannot even recognize.
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Breathtaking, Dizzying, Stimulating, Funny
- By andrew on 11-17-10
By: William Gaddis
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The Tiger Catcher
- The End of Forever Saga, Book 1
- By: Paullina Simons
- Narrated by: Jeremy Arthur
- Length: 13 hrs and 30 mins
- Unabridged
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Young and handsome, Julian lives a charmed life in Los Angeles. His world is turned upside down by a love affair with Josephine, a mysterious young woman who takes him by storm. But she is not what she seems, carrying secrets that tear them apart - perhaps forever. So begins Julian and Josephine’s extraordinary adventure of love, loss, and the mystical forces that bind people together across time and space. It is a journey that propels Julian toward either love fulfilled...or oblivion.
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EPIC
- By Ellen on 06-07-19
By: Paullina Simons
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No One Knows Us Here
- A Novel
- By: Rebecca Kelley
- Narrated by: Merritt Hicks
- Length: 10 hrs and 45 mins
- Unabridged
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Rosemary Rabourne is already struggling to pay the bills when her recently orphaned half sister, Wendy, shows up at her door. Rosemary will try anything to provide for the traumatized teenager—including offering her services as a high-end escort. Leo Glass is the billionaire CEO of a revolutionary social app. He wants the “girlfriend experience”—someone contractually obligated to love him—and he thinks he’s found the perfect match in Rosemary.
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Good but not uplifting story
- By Kim on 08-02-23
By: Rebecca Kelley
What listeners say about Why I Don't Write
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- L. Roach
- 11-30-20
Stories that stay with you
This the first book of short stories that I’ve read in many years, and I highly recommend it. Susan Minot writes very well, using spare, beautiful language, quickly and vividly sketched settings, and dialogue that sounds real. The women seem to be dominated by men, living protected, privileged, traditional lives, but drifting, unsure of who they are, often imprisoned by grief and painful memories, or coping with the fallout from divorce, death or addiction. Minot’s characters seem to drift through life, “encased” or trapped or self absorbed, until they are jolted into clarity by an event; or they are haunted by memories - strong memories of events that happen in the context of other disruptions - divorce, death, dislocation - which contributes to their power and helps explain how vulnerable, confused or disconnected the characters seem to be. While the performers did a great job with the stories, I also downloaded the kindle version, and found that a couple of the stories, namely “Why I don’t write,” and “Listen” are better read than listened to. I know I will come back to reread these stories, both to discover more layers of meaning and to simply experience the beauty of Minot’s writing.
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