There are in every sport remarkableindividuals that become legends, and thesport of trap shooting as we know it today belongs to three of the mostinfluential and remarkable marksmen in trap shooting history, in what I call TheThree Pillars of Trap Shooting: Ira Paine, Adam Bogardus, and Doc Carver. Thelatter two are in the Trapshooting Hall of Fame and certainly deserving of thehonor; Paine is not, Why? I don’t know, but, perhaps, it may be that historianshave recognized him more of a pistol and revolver shooter than a shotgun trapshooter, spending a great deal of his time as he grew older pistol and revolvershooting. But that doesn’t seem to hold much weight as Carver was certainlyknown as much for his rifle shooting as he was for his shotgun shooting, maybemore so for his exhibition rifle shooting.

Maybeanother reason Paine is not in the Trap Shooting Hall of Fame is that when hefirst started shooting and for several years afterwards, it was in the dayswhen they used black powder, shot muzzleloading shotguns at wild pigeons, from fiveunknown traps with shotgun held below the elbow until “pull” was called, thepurpose being to place the shooter in the same unprepared condition at the riseof a bird as he was supposed to be at the rise of a bird in actual fieldshooting. This was the modus operandi both in England and America along withshooting 21-yard rise from ground traps. Paine, William King, John Taylor,Miles Johnson, and Edward “Ned” Tinker were considered giants in those days ofwild passenger pigeon matches, attested to by their scores they made indifferent matches.

Andmaybe another reason is because he died at age 53, so his short life spanshortened his shooting career, while Bogardus was 80 at the time of his deathand Carver was 87. But he lived long enough to see feathers fly in akaleidoscopic dazzling shower when he broke his patented feather-filled glassballs as his eyes never forgot how to look along a shotgun barrel.

Thereare so many stories and incidents about Ira Paine’s pigeon, glass ball, andexhibition shooting career that it is impossible to relate all of them. Butthere are some which must be told to make this story complete, so I would liketo give you just a short summary of why I think he should be and needs to be inthe Trapshooting Hall of Fame.

A continuation of Part I and II of Trap shooting, with Part III covering the three great trap shooters of the time--Captain Adam Bogardus, Doc Carter, and Ira Paine. It covers the period of time when pigeon trap shooting had advanced from live pigeon shooting to glass balls to Ligowsky clay pigeons.

E57 is the history of trap shooting in the United States from its beginnings in the 1820s after the sport had cross the Atlantic Ocean from England. It goes from wild pigeon shooting to glass balls to clay targets, and listen as you will discover how trap shooting developed and progressed in America. E57 covers three famous trap shooters in the early days--Captain Adam Bogardus, Doc Carver, and Ira Paine. E57 picks up where trap shooting began in England. E58 will pick up where E57 leaves off and will be podcasted in the near future.