Episodes

  • Farina King, "Diné dóó Gáamalii: Navajo Latter-day Saint Experiences in the Twentieth Century" (UP of Kansas, 2023)

    Farina King, "Diné dóó Gáamalii: Navajo Latter-day Saint Experiences in the Twentieth Century" (UP of Kansas, 2023)
    Dec 26 2024
    In this deeply personal account, University of Oklahoma associate professor of Native American Studies Dr. Farina King describes the history and present of Diné dóó Gáamalii, Navajo people who, in her words, "walk a Latter-day Saints pathway." The book, Diné dóó Gáamalii: Navajo Latter-day Saint Experiences in the Twentieth Century (UP of Kansas, 2023), uses her family's history of life in the LDS church to explore the complicated and very human relationships Diné people have with so-called Mormonism. Refusing to be defined by easy stereotypes, King's account shows people coming to the church and remaining in the church for deeply personal and deeply felt reasons, often in the face of prejudice both from within and without wider Indigenous communities. Diné dóó Gáamalii is the story of complex religious life in the American West, and a history of acceptance being found sometimes where it might be least expected. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
    Show more Show less
    55 mins
  • Lisa Sheryl Jacobson. "Intoxicating Pleasures: The Reinvention of Wine, Beer, and Whiskey After Prohibition" (U California Press, 2024)

    Lisa Sheryl Jacobson. "Intoxicating Pleasures: The Reinvention of Wine, Beer, and Whiskey After Prohibition" (U California Press, 2024)
    Dec 25 2024
    In popular memory the repeal of US Prohibition in 1933 signaled alcohol’s decisive triumph in a decades-long culture war. But as Dr. Lisa Jacobson reveals in Intoxicating Pleasures: The Reinvention of Wine, Beer, and Whiskey after Prohibition (University of California Press, 2024), alcohol’s respectability and mass market success were neither sudden nor assured. It took a world war and a battalion of public relations experts and tastemakers to transform wine, beer, and whiskey into emblems of the American good life. Alcohol producers and their allies—a group that included scientists, trade associations, restaurateurs, home economists, cookbook authors, and New Deal planners—powered a publicity machine that linked alcohol to wartime food crusades and new ideas about the place of pleasure in modern American life. In this deeply researched and engagingly written book, Dr. Jacobson shows how the yearnings of ordinary consumers and military personnel shaped alcohol’s cultural reinvention and put intoxicating pleasures at the center of broader debates about the rights and obligations of citizens. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
    Show more Show less
    1 hr and 33 mins
  • Jess A. Goldberg, "Abolition Time: Grammars of Law, Poetics of Justice" (U Minnesota Press, 2024)

    Jess A. Goldberg, "Abolition Time: Grammars of Law, Poetics of Justice" (U Minnesota Press, 2024)
    Dec 24 2024
    How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
    Show more Show less
    1 hr and 18 mins
  • Vincent Haddad, "The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023" (Lever Press, 2024)

    Vincent Haddad, "The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023" (Lever Press, 2024)
    Dec 24 2024
    Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture. The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself. Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
    Show more Show less
    1 hr and 10 mins
  • Linda M. Clemmons, "Unrepentant Dakota Woman: Angelique Renville & the Struggle for Indigenous Identity, 1845-1876" (SDHS Press, 2023)

    Linda M. Clemmons, "Unrepentant Dakota Woman: Angelique Renville & the Struggle for Indigenous Identity, 1845-1876" (SDHS Press, 2023)
    Dec 22 2024
    For much of her life, Angelique Renville had decisions made for her. Where to live, who to live with, where to attend school, what to do with her land. That changed in 1863 when she made a plan and successfully hatched her plan to escape, living the end of her life on her own terms. This is the story Dr. Linda Clemmons tells in Unrepentant Dakota Woman: Angelique Renville & the Struggle for Indigenous Identity, 1845-1876 (South Dakota State Historical Society Press, 2023). Hers is a story, yes, of defeat and loss, but also so much more than that. Of a young woman carving her own path through a world in flux, and finding space to make choices even when those choices are limited. And it's a story with afterlives, as the web of connections created by Renville during her life continued even after her untimely death in 1876. As a work of biography, Unrepentant Dakota Woman does not pretend to speak for all Dakota women, or even all 19th century Dakota women born into fur trade families, but does show how one life can both embody the historical forces that shape our stories, and how our choices can overcome even the strongest headwinds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
    Show more Show less
    57 mins
  • Jeremy Dauber, "American Scary: A History of Horror, from Salem to Stephen King and Beyond" (Algonquin Books, 2024)

    Jeremy Dauber, "American Scary: A History of Horror, from Salem to Stephen King and Beyond" (Algonquin Books, 2024)
    Dec 22 2024
    From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can’t escape the thrall of scary stories. In American Scary: A History of Horror, from Salem to Stephen King and Beyond (Algonquin Books, 2024), noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele. With the dexterous weave of insight and style that have made him one of America’s leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind. Jeremy Dauber is a professor of Jewish Literature and American Studies at Columbia University. His books include Jewish Comedy and The Worlds of Sholem Aleichem, both finalists for the National Jewish Book Award, American Comics: A History, and Mel Brooks: Disobedient Jew. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
    Show more Show less
    1 hr and 11 mins
  • Emily Mitchell-Eaton, "New Destinations of Empire: Mobilities, Racial Geographies, and Citizenship in the Transpacific United States" (U Georgia Press, 2024)

    Emily Mitchell-Eaton, "New Destinations of Empire: Mobilities, Racial Geographies, and Citizenship in the Transpacific United States" (U Georgia Press, 2024)
    Dec 22 2024
    In 1986 the Compact of Free Association marked the formal end of U.S. colonialism in the Republic of the Marshall Islands, while simultaneously re-entrenching imperial power dynamics between the two countries. The U.S.-RMI Compact at once enshrined exclusive U.S. military access to the islands and established the right of “visa-free” migration to the United States for Marshallese citizens, leading to a Marshallese diaspora whose largest population resettled in the seemingly unlikely destination of Springdale, Arkansas. An “all-white town” by design for much of the twentieth century, Springdale, having nearly quadrupled in population since 1980, has been remade by Marshallese as well as Latinx immigration. Through ethnographic, policy-based, and archival research in Guåhan, Saipan, Hawai’i, Arkansas, and Washington, D.C., New Destinations of Empire: Mobilities, Racial Geographies, and Citizenship in the Transpacific United States (University of Georgia Press, 2024) by Dr. Emily Mitchell-Eaton tells the story of these place-based transformations, revealing how U.S. empire both causes and constrains mobility for its subjects, shaping migrants’ experiences of racialization, citizenship, and belonging in new destinations of empire. In examining two spatial processes—imperialism and migration—together, Dr. Mitchell-Eaton reveals connections and flows between presumably distant, “remote” sites like Arkansas and the Marshall Islands, showing them to be central to the United States’ most urgent political issues: immigration, racial justice, militarization, and decolonization. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
    Show more Show less
    1 hr and 15 mins
  • Scott Huver, "Beverly Hills Noir: Crime, Sin, & Scandal in 90210" (Post Hill Press, 2024)

    Scott Huver, "Beverly Hills Noir: Crime, Sin, & Scandal in 90210" (Post Hill Press, 2024)
    Dec 22 2024
    Beverly Hills Noir: Crime, Sin, & Scandal in 90210 (Post Hill Press, 2024) explores the city’s true crime history, delving deep inside cases that made headlines, scandals that engulfed Hollywood legends, and more strange-but-true tales that could only happen in the 90210. Beverly Hills Noir chronicles an assortment of jaw-dropping true crime stories spanning the legendary city’s history, each with oh-so-90210 twists—including a high-profile murder mystery in the city’s most extravagant mansion, the daring exploits of a handsome cat burglar with movie star looks, a toxic Tinseltown love triangle that ended in gunplay, a brazen Rodeo Drive jewelry store holdup with tragically stunning finale, an Oscar nominated actress on shoplifting spree and more—complete with major roles and countless cameos by Hollywood idols and cultural icons. A gripping, century-long tour of the glamorous city’s shadowy underbelly through crimes and misdemeanors as over-the-top as the city itself, Beverly Hills Noir collects the kinds of stories you’d expect to be swapped if James Ellroy and Dominick Dunne had met Jackie Collins and Ryan Murphy for cocktails at the Polo Lounge. It’s Sunset Boulevard and Once Upon a Time… in Hollywood turned sordid, face-down-in-the-pool reality. Scott Huver has covered the inner workings of Beverly Hills, the entertainment industry, and the Los Angeles-area elite for three decades. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
    Show more Show less
    53 mins