New Books in Art

By: Marshall Poe
  • Summary

  • Interviews with Scholars of Art about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
    New Books Network
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Episodes
  • Petya Andreeva, "Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE" (Edinburgh UP, 2024)
    Jan 25 2025
    Across Iron Age Central Eurasia, non-sedentary people created, viewed, and considered animal-style imagery, creating designs replete with feline bodies with horse hooves, deer-birds, animals in combat, and other fantastic creatures. Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE (Edinburgh University Press, 2023) focuses on this animal-style imagery, examining the dissemination of this image system. Filled with fascinating images carefully chosen from an enormous geographical scope, Petya Andreeva's vivid book explores how communities used animal-style design to create and define status, to bond alliances together, and to showcase steppe know-how and worldliness in sedentary communities. Fantastic Fauna should appeal to those in Eurasian history, East Asian history, art and archeology, and those interested in thinking about steppe art. Interested listeners should also check out Petya's chapter on the Golden Hoard (available here), part of an Open-Access UNESCO volume on the Silk Roads. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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    1 hr and 21 mins
  • Elizabeth King and W. David Todd, "Miracles and Machines: A Sixteenth-Century Automaton and Its Legend" (Getty, 2023)
    Jan 19 2025
    Miracles and Machines: A Sixteenth-Century Automaton and Its Legend (Getty Publications, 2023) tells the singular story of an uncanny, rare object at the cusp of art and science: a 450-year-old automaton known as “the monk.” The walking, gesticulating figure of a friar, in the collection of the Smithsonian Institution’s National Museum of American History, is among the earliest extant ancestors of the self-propelled robot. According to legend connected to the court of Philip II of Spain, the monk represents a portrait of Diego de Alcalá, a humble Franciscan lay brother whose holy corpse was said to be agent to the miraculous cure of Spain’s crown prince as he lay dying in 1562. In tracking the origins of the monk and its legend, the authors visited archives, libraries, and museums across the United States and Europe, probing the paradox of a mechanical object performing an apparently spiritual act. They identified seven kindred automata from the same period, which, they argue, form a paradigmatic class of walking “prime movers,” unprecedented in their combination of visual and functional realism. While most of the literature on automata focuses on the Enlightenment, this enthralling narrative journeys back to the late Renaissance, when clockwork machinery was entirely new, foretelling the evolution of artificial life to come. Elizabeth King, a sculptor and writer, is professor emerita of sculpture and extended media at Virginia Commonwealth University School of the Arts in Richmond. W. David Todd is associate curator emeritus and former conservator of timekeeping at the National Museum of American History, Smithsonian Institution, Washington, DC. Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is also a collections management intern in the public sector. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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    51 mins
  • (Re)Making Radio with the Shortwave Collective
    Jan 13 2025
    The Shortwave Collective describe themselves as “an international feminist group using the radio spectrum as artistic material.” I was first intrigued by their piece Receive-Transmit-Receive, an exquisite corpse of audio, in which members each contributed their own recordings of sounds from across the radio spectrum. But what really affected me was their ongoing public education project of teaching people to make their own no-power, low-budget radios called open-wave receivers. They’ve held radio-making workshops in Portugal, France, and the UK and they’ve published a how-to in Make magazine. I wanted to talk to the Shortwave Collective because they are presenting a radically different vision of what radio is and can be. Radio’s history can be thought of as an extended expression of military, political, commercial, and cultural dominance. But the Collective embraces play, experimentation, failure, community, and open listening in their feminist radio practice. So, let’s talk to the Shortwave Collective and see if we can rethink radio–what it’s for and what it can do. And in the second half of the show, we’ll hear an audio documentary in which the Shortwave Collective teaches you how to make your own open-wave receiver. Special thanks for appearing on the show to Shortwave Collective members Lisa Hall, ​Alyssa Moxley, Georgia Muenster, and Maria Papadomanolaki. The other Collective members are Sally A. Applin, Kate Donovan, Brigitte Hart, and Hannah Kemp-Welch. Today’s show was written and edited by Mack Hagood with technical assistance from Craig Eley. Today’s music is by Graeme Gibson with additional sound design elements by Cris Cheek and Shortwave Collective. Phantom Power’s production team includes Craig Eley, Ravi Krishnaswami, and Amy Skjerseth. Our Production Coordinator and transcriber is Jason Meggyesy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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    57 mins

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