New Books in Ukrainian Studies

By: New Books Network
Listen for free

  • Summary

  • Interviews with scholars of Ukraine about their new books
    New Books Network
    Show more Show less
Art Literary History & Criticism Science Social Sciences World
Show more Show less
activate_Holiday_promo_in_buybox_DT_T2
Episodes
  • Ihor Mysiak, "The Factory" (Atthis Arts, 2024)

    Ihor Mysiak, "The Factory" (Atthis Arts, 2024)
    Dec 20 2024
    The Factory (Atthis Arts, LLC, 2024) by poet and prose writer Ihor Mysiak, translated by Yevheniia Dubrova and Hanna Leliv, was published in its original Ukrainian in 2022, dedicated to the author's friend who was killed by Russia while defending his home. The following spring, Ihor himself was also killed by Russia, and a global community came together to further share his deeply poetic and insightful words. Atmospheric and meditative, Mysiak's staccato Ukrainian storytelling paints an evocative tale of a motley and rather strange gathering of men who restore a broken-down factory aside an old, forgotten village to build and sell electronic machines assured to cause happiness. Though smoothly woven between pleasantries and mishaps, often calming, and frequently amusing, there is a deeply cutting edge of satire, fury, and rebellion to this meandering tale. In all of this, The Factory builds its own modern parable to remind the reader of love, community, and the joys of every single day, and the need-the urgency-to protect them. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Show more Show less
    57 mins
  • Mie Nakachi, "Replacing the Dead: The Politics of Reproduction in the Postwar Soviet Union" (Oxford UP, 2021)

    Mie Nakachi, "Replacing the Dead: The Politics of Reproduction in the Postwar Soviet Union" (Oxford UP, 2021)
    Dec 10 2024
    Today I talked to Mie Nakachi about Replacing the Dead: The Politics of Reproduction in the Postwar Soviet Union (Oxford UP, 2021) In 1920, the Soviet Union became the first country in the world to legalize abortion on demand. But in 1936, the Soviet leadership criminalized abortion: the collectivization of the early 1930s was followed by famine that took the lives of millions of people, and the government grew eager to recover the population. Drawing on an amazing wealth of archival material, Nakachi traces the dynamic of Soviet reproductive policies that were invariably guided by pronatalist goals but almost always had damaging consequences. The 1944 Family Law, aimed at making up for the enormous human losses of World War II (27 million people died, 20 million of them men), relieved men of parental responsibilities, legal or financial, thereby encouraging them to father children out of wedlock. Given the devastation of the war and inadequate levels of government support, many women sought to avoid such births. Their only recourse was abortion, which remained illegal and, as a result, often led to grave medical complications or even death—on top of being criminally punishable. Doctors were generally sympathetic to the women’s plight but they could not challenge the system. It was only in the mid-1950s that abortion was decriminalized, but until the end of the Soviet Union, modern contraception was barely available and abortion remained the primary method of birth control. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Show more Show less
    1 hr and 11 mins
  • Cristina Vatulescu, "Reading the Archival Revolution: Declassified Stories and Their Challenges" (Stanford UP, 2024)

    Cristina Vatulescu, "Reading the Archival Revolution: Declassified Stories and Their Challenges" (Stanford UP, 2024)
    Dec 8 2024
    The opening of classified documents from the Soviet era has been dubbed the "archival revolution" due to its unprecedented scale, drama, and impact. With a storyteller's sensibility, in Reading the Archival Revolution: Declassified Stories and Their Challenges (Stanford University Press, 2024), Cristina Vatulescu identifies and takes on the main challenges of reading in these archives. This transnational study foregrounds peripheral Eastern European perspectives and the ethical stakes of archival research. In so doing, it contributes to the urgent task of decolonizing the field of Eastern European and Russian studies at this critical moment in the region's history. Drawing on diverse work ranging from Mikhail Bakhtin to Tina Campt, the book enters into broader conversations about the limits and potential of reading documents, fictions, and one another. Pairing one key reading challenge with a particularly arresting story, Vatulescu in turn investigates Michel Foucault's traces in Polish secret police archives; tackles the files, reenactment film, and photo albums of a socialist bank heist; pits autofiction against disinformation in the secret police files of Nobel Prize laureate Herta Müller; and takes on the digital remediation of Soviet-era archives by analyzing contested translations of the Iron Curtain trope from its 1946 origins to the current war in Ukraine. The result is a bona fide reader's guide to Eastern Europe's ongoing archival revolution. Cristina Vatulescu is Associate Professor, Department of Comparative Literature, New York University and the author of Police Aesthetics: Literature, Film, and the Secret Police Archives in Soviet Times (Stanford, 2010). Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Show more Show less
    47 mins

What listeners say about New Books in Ukrainian Studies

Average customer ratings

Reviews - Please select the tabs below to change the source of reviews.

Audible.com reviews

Amazon reviews
No Reviews are Available